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February 08, 2010

Kathleen Kinmont Audio Interview

Icons fans love Kathleen Kinmont for two roles:  sheriff's daughter Kelly Meeker in HALLOWEEN 4, and the ill-fated Bride in BRIDE OF RE-ANIMATOR.  Now you can hear what she has to say about these roles!

Kathleen was kind enough to spend almost an hour recently discussing iconic lines from H4, the strain of prosthetics on the body and soul, and her cult favorite TV series RENEGADE.

Click the link below to listen to Kathleen's Icons of Fright interview!

The Bride Gives Away Her Heart

Click here to listen to the full interview


 

An Open Call to Writers

An Open Call to Writers

As I’ve mentioned several times over recent months, Icons of Fright is about to go through some changes.  We’re gearing up to bring you a revamped version of Icons over the next several months, with more articles and debates about the genre, reviews, and interviews with some of your favorite stars from past and present.

As we expand our material, we’re also looking to expand our staff.  We’d like to get some fresh new voices involved, with interesting perspectives about the genre we all love so much.  This is an opportunity for talented writers to become staffers for a popular website.  Though we can’t pay, there’s the prospect to be read by thousands of fans worldwide, and this could of course lead to other things down the line.

If you’re interested, please send a writing sample to phil@iconsoffright.com.  We’ll read every email we get, and respond to those we deem the best.  You can write a review of your favorite horror movie or book, your take on a horror convention, a piece about some aspect of the genre that’s important to you, or anything that excites you about horror.  If you consider yourself a talented writer who would like a chance at being published, this is for you.

I started off with Icons by writing one review of a convention, because I love Slayer and met Mike Cucinotta at Hot Topic.  In the 2 ½ years since, I’ve written more than 150 reviews, covered several subsequent conventions from places as diverse as Evans City, PA and Dallas TX, and I’ve interviewed some of my favorite horror stars.  I now run the news desk.  Send us a sample, and this could be you.

--Phil Fasso

February 07, 2010

Everybody Do the Predator 2 Dance!

Continue reading "Everybody Do the Predator 2 Dance!" »

February 06, 2010

SCHLOCK VALUE: TROLL 2

SCHLOCK VAUE vs. TROLL 2

Spawned in the year of...actually, the less you know the better!

"Do you see that writing? Do you know what it means? Hospitality! And you can't piss on hospitality! I won't allow it!" - actual line from TROLL 2

*thoughtful pause*............Okay, here we go. On his death bed, TROLL 2 director Claudio Fragasso will have to answer for himself as a filmmaker (starting with ZOMBIE 3), and as considerate and compassionate as the big guy upstairs may be, I have not doubt that Mr. Fragasso will spend eternal damnation shoveling a never ending mounds of festering fecal matter.  A punishment befitting the man responsible for one of cinemas all time worst, utterly outrageous, so very, very wrong, makes me want to puke-fests. So ashamed by his work (and rightfully so) Claudio Fragasso worked under the pseudonym of Drake Floyd. You see TROLL 2 exists on a plane few films have ever come close to. There's bad;  there's worse;  there's the worst.  And then there's TROLL 2.

 

Locating the fountain of youth, then getting a member of the KKK to shake hands with a black man and convincing the pope to engage in a bukkake/skat/golden shower gangbang with six twelve year old Taiwanese lady- boys would be an easier task than locating a plot within this cesspool of Z-movie crud.  The cheese comes thick and fast, with zero coherency and void of any logical reasoning, and I haven't even mentioned the fact that the films title is one great big lie. TROLL 2 is the most troll-less troll movie that’s ever boasted the word “troll” in the title.  For the entire 95 minute run time, there’s not a troll in sight.

 

Apparently the script was original meant to be its own entity titled GOBLIN, no doubt a TROLL rip-off in and of itself, but instead turned into a name-only sequel to a film that quite frankly didn’t deserve a sequel. In any case, it sets an unprecedented standard for how bad a movie can be and by God is it entertaining. Like a magician, I will now try to make you believe the unbelievable and describe to you the film, a plot doesn't exist so much as a series of events transpire on screen one after another. Prepare yourself...

 

The movie centers around the Wait family, a family comprised of some incredibly odd and questionable individuals; there's the son (Joshua) who has an imaginary friend that just so happens to be the ghostly apparition of his long dead grandfather;  grandpa now appears as a disembodied floating head that gives elderly advice to his young cohort;  there's the customary romantic character, the exercise-a-holic Holly; and her good for nothing boyfriend Elliot (whom the entire family despises mind you); the father is a bi-polar hick; and the mother makes you want to reach into the screen and throttle her from time to time. They decide to take a family vacation at - wait for it - Nilbog! Now I don't know about you guys, but my bags are already packed because dammit, I want to live at a place that adds the word 'bog' into its name.  Also, did you happen to catch that ever so witty play on words? Nilbog is Goblin, spelt backwards! Yes, like you, I was shocked by the originality and wit…moving on.

 

So the family makes it to the witty little town of Nilbog and settles in for a nice family dinner. But wait, all is not as it seems! Grandpa's otherworldly self appears to Joshua to warn him that the food the family is about to tuck into is dangerous.  Pint sized hero that he is, he must be the one to stop them. So Grandpa pauses reality (sorry, I can’t even come up with a half baked explanation as to how that was possible) and gives Joshua the time he needs to save his family from consuming the evil food.  Joshua decides the most logical course of action is to jump up onto the table and piss all over the food! He can’t just throw it all away.  No, he actually has to drop trousers and take a squirt all over dinner.

 

During this time, Elliot (Holly's ill fated boyfriend) - and a bunch of irrelevant friends what’re brought along to be little more then tasty man chow for the non-troll trolls - decides to tag along for the vacation. However, they wind up crossing paths with a number of non-trolls and let me tell you…I've seen some shoddy looking costumes in my life but man, do these ones take the cake. It looks like, no scratch that, they ARE wearing potato sacks and generic as hell masks that look like they were purchased for $10 at any run of the mill costume store. They are so embarrassingly bad it's shocking anyone on set could have taken them seriously. Honestly, if the director came to you and said this is the villain of the movie, you take one look at it and call the white coats to come collect the poor guy, because anyone under the delusion that these could be scary need to have his head checked.

 

Two of the boyfriend’s friends are taken to the non-trolls domicile of choice where they meet one Creedence Lenore Gielgud; a chick that speaks will elongated S’s and looks like the nerdy girl from any slasher movie slept with some form of inbred hillbilly and had offspring that was then hired to play the part. She proceeds to start babbling about the vegetable kingdom like some crazed vegetarian scientologist. Thinking nothing of it (because why would you?) the soon to be ended buddies of not very important boyfriend down some smoking brew that Creedence happily provides them.  They’re clearly not thinking anything bad could possibly happen. So it come to their  surprise (though not to us) when one of them starts to melt into a bright green human/vegetable Slurpee which the non-troll goblins start chowing down on, because these non-troll goblins just so happen to be vegetarians!

And all the while the other guy is just standing there, giving us a play by play of the oh-so-very horrific sight he's witnessing, featuring such memorable lines as: "Oh no, my girlfriend is turning into a vegetable!"  "I can't move my legs. There must be a logical explanation for this!"  and my personal favorite: "They're eating her. And when they're done, they'll eat me!" Yes, not only is Claudio Fragasso’s direction incoherent but his writing is of the same caliber.

 

Holly shows off her spectacular dancing abilities (Jamie Lee Curtis in PROM NIGHT, eat your heart out) while the last remaining irrelevant friend of just as irrelevant boyfriend finds his way into the Creedence home to discover his buddy in a rather bizarre state of vegetation. See when you drink or eat anything the non-troll goblins have given you, you start turning into a human vegetable that they will then eat. Creedence catches the two friends with their pants down and proceeds to pull a Leatherface on the hapless chaps. As if the previous moments in the film weren't weird enough, Mr. plant-man gets abused by Creedence's chainsaw, and all the while he's laughing, and giggling, leaving you wondering if you’re tripping on some bad acid.

 

Drum roll if you please, because it's time for possibly the strangest scene in cinematic history, it's certainly one of the oddest sex scenes in existence. Creedence shows up in Elliot’s RV, having shed the dorky hillbilly combination.  She’s all primped and ready to get her gobliny freak on with the last remaining friend using an ear of corn, all the while the cheesiest stock porn music playing in the background.  The scene climaxes in a shower of popcorn raining down on upon them! Like I said, hands down, one of the strangest scenes in cinematic history.

 

The family then decides the only solution to their predicament is to performing a séance to try and bring back their grandfather to the physical plane, having been banished to some shadow realm earlier in the film by a goblin magic guy. Joshua is inexplicably transported to the Creedence home where coincidently enough old grandfather also appears, to save Joshua and bless the young child who once pissed on his dinner with not just a magical backpack but get this…the magic stone from Stonehenge that gives the non-troll goblins their awesome powers of human slurpification.

The finale culminates with Joshua conjuring a bologna sandwich from his mystical backpack! Oh good god not a sandwich, hell knows no fury like a boy with lunch. Ah but you see, there’s method to this madness. The non-troll goblins are vegetarians after all, and they begin cowering in terror at the sight of the all powerful bologna sandwich. Creedence desperately tries to persuade Joshua against his high cholesterol plan by explaining how fattening such a meal could be. But Joshua eats the thing regardless and combined with the power of the magical stone, young Joshua banishes Creedence and the rest of the non-troll scum to god only knows where.

 

Pleased with their victory and desperate to get out of Dodge (otherwise known as Nilbog) the Wait family head home. All over, right? Nope! Joshua wakes up the next morning only to find his mother, having eaten a goblin juice filled apple, lying on the dining table all gooy and green and being feasted on by the non-troll goblins, who have somehow come back from wherever it was they were.

Joshua watches on in horror.

CUE CREDITS!!!

 

 

Thus concludes one of the all time greatest Z-grade movie schlockfests of all time. It’s positively astounding that this movie went on to garner such fan love...  but maybe not so surprising after all. For all the incompetency, cringe- worthy acting, the abysmal effects, this is one of the classics of bad movies. It’s 95 minutes of your life you will never get back.  But then, if you have any sense of Schlock Value, why in Nilbog would you want to!?

 

- Mad Man Dan

Fangoria Parts Ways with Tony Timpone

Tony TimponeIt's with more than a little sadness that I report this.  It appears Fangoria Magazine is parting with its editor of more than 20 years, Tony Timpone.  In a shakeup at the magazine, Chris Alexander of Rue Morgue Magazine will replace Timpone, according to Alexander's blog.

Those of you who visit this website are familiar with Fangoria.  It's been the pre-eminent horror magazine for decades, published nationwide.  It covers everything in horror, and before the internet age, it was the only place that genre fans could go for information about what was going on in the world of horror.  It's got a longstanding tradition of excellence.

And for two decades, that excellence was a result of the vision of Tony Timpone.  He crafted the magazine, giving it an appeal that has kept it popular among genre fans.  His stamp on it was indelible, and Fangoria owes itself to his perseverence and dedication.  For all intents and purpose, Tony WAS Fangoria, and Fangoria was Tony.  The magazine thrived because Tony put every ounce of his passion, professionalism and, most importantly, love for horror into it.

Watch Tony on any of the myriad horror documentaries he's appeared, and his passion is evident.  If you've met him at one of the many Fangoria conventions of the year, or at movie premieres, and you met a man with a smile.  He truly enjoys meeting fans, because at heart, Tony is a fan, one who was in a position to shape the genre's most popular media magazine for two decades.  If you've met Tony, consider yourself fortunate, because you've met a fine editor, and an even finer man.

We at Icons are major supporters of Tony Timpone, and we wish him the best in his future endeavors.  Tony is too talented not to start on some new project soon.  Let's hope he stays within the horror genre, as he's done it so much credit over the years.

--Phil Fasso

Read the Icons of Fright interview with Tony Timpone from April 2004 here.

February 05, 2010

Happy Birthday, George Romero!

There are certain words in the English language that should not be used lightly.  "Legend" is among them.  Few living people fall into this category, and for horror, the name that comes to mind is George Romero, who turns 70 today.

The man who single handedly created the modern zombie with NIGHT OF THE LIVING DEAD and changed the paradigm of horror with classics such as DAWN OF THE DEAD, THE CRAZIES, CREEPSHOW and others celebrates his 70th birthday today.  And if you're a horror fan, you should celebrate it with him.  He's meant more to the genre the last 40 years arguably than any one else, and his works live on as exemplary films that helped to mold the genre.

I celebrate George Romero's birthday every year.  He's the genre's godfather, and he deserves all the accolades he's achieved in his long career.  Happy Birthday, George!

 

George Romero and Friends

Stay Scared,

Phil Fasso

January 27, 2010

Let There Be Blood: Visiting the Set Of HATCHET 2.

Icons of Fright begins it's on-set coverage of HATCHET, thanks to contributing writer KEVIN KLEMM of GIRLS AND CORPSES MAGAZINE

LET THERE BE BLOOD

By Kevin Klemm, Contributing Writer.

01/27/10

For those of you who have never been on aHatchet 2 live movie set, it’s always controlled chaos. And I do mean always! Except when you show up during dinner break, like I did last night for my on set visit with Adam Green’s latest film, Hatchet 2.

A weird sort of calm had invaded the set. Muffled conversation and the sound of chewing was all I could hear as I toured Victor Crowley’s swamp and house. All painstakingly recreated in a downtown L.A. soundstage with live trees, plants, and vines. Adding to the detail and atmosphere of the set, some of the plants started re-seeding themselves in the wood floor, along with mushrooms and mold. And I can’t help but wonder if those new spores and mold were behind the series of sicknesses that had hit the production crew during the week of our visit.

But tonight, as I walked the set, everyone was focused on the task at hand, and that was eating. They say that if you really want to keep your cast and crew happy during a shoot, you need to feed them good. Actor AJ Bowen told me that it’s been “The best food I’ve ever had on a film shoot”. When I relayed the compliment to Co-Producer Jason Miller, he told me that they learned their lesson on the set of Green’s previous film, Frozen. On that shoot the food was so bad that Director Adam Green ate nothing but Ice Cream. And that was in temperatures hovering close to zero.

Before I walked off the set, I looked up at the ceiling and saw blood splatters on the rafters and the ventilation units, maybe thirty feet up in the air, and thought to myself “oh yes, there will be blood….

Hatchet 2 marks the return of Adam Green at the helm, which along with his solid repertory company of actors and behind the scene film technicians, looks to be crafting another horror classic.

Kane Hodder, Tony Todd, and Parry Shen are back. I know what you’re thinking… Parry Shen’s character died in the first film. How can he be back? Well, in the first Hatchet, Parry’s character, Shawn, mentions a brother back in Detroit. So now Parry’s back as Shawn’s twin brother Justin. Oh, and we can’t forget John Carl Buechler’s return as Jack Cracker.

New to the cast is Danielle Harris (Rob Zombie’s Halloween) who takes over the role of Marybeth, Tom Holland (Director of such films as Fright Night and Childs Play) in his return to his acting roots, AJ Bowen, Alexis Peters, Ed Ackerman, and even Leatherface himself, R.A. Mihaloff come on board to add their acting expertise and possibly add to the films body count as well.

Picking up exactly where the first Hatchet ended, Green this time around ups the body count along with the blood. In fact, the bulk of the budget is slatted for practical gore effects, which shows you where the producer’s minds are at. Unlike the first film where the best kill is in the middle of the movie (Mrs Permatteo), Hatchet 2 keeps ratcheting up the kills, each one topping the previous one. I was lucky enough to watch Victor Crowley in action during my visit, and I can tell you that if you are a gore hound like me, you are not going to be disappointed.

Well, that’s just a little taste of what I found out during my visit to Hatched 2. Coming up in my next installment you’ll find out some interesting tidbits like:

Which of your favorite horror stars moonlight as Hollywood Ghost Hunters?

Kane Hodder’s tattoo. What is it? And where is it?

Plus all sorts of cool tidbits to wet your appetite for the most eagerly awaited Horror film of 2010, Hatchet 2.

 

 

January 26, 2010

Tobe Hooper's Texas Birthday Massacre!

Tobe HooperThe godfather of tree-felling slaughter flicks celebrates a birthday massacre today!  Yes, Tobe Hooper himself turns 67.

 

The man first shocked audiences with what would become a seminal slasher with THE TEXAS CHAINSAW MASSACRE.  This film set the path for "kids go down the back path and end up meeting their grisly fates" movies.

 

Hooper also helmed another modern classic, the immaculate ghost story POLTERGEIST.  Among other fan TCM Posterfavorites are SALEM'S LOT, LIFEFORCE, TEXAS CHAINSAW MASSACRE 2 and THE MANGLER.

Though many agree that Hooper's more recent output doesn't close to match his classics, Hooper changed the way horror films were made.  He was a trailblazer in the 1970s, and will always be remembered for his leather faced friend and family.  Let's hope he's cutting his cake with a power tool.

Happy Birthday, Tobe!

 --Phil Fasso

January 23, 2010

Rutger Hauer Still Menacing at 66! Happy Birthday, Rutger!

Some people were just born to be bad.  Rutger Hauer was born 66 years ago today to play those people.  Through roles in BLADE RUNNER and THE HITCHER to more current television work on SMALLVILLE and the remake of SALEM'S LOT, Hauer plays bad with the best of them. 

He has a way of being menacing even when doing the most mundane things.  Just take a look at the picture of him holding a dove, the universal symbol of peace.  Does that bird have any chance?

That Bird Should Be Scared

Even in his more sympathetic roles in films such as the concentration camp movie ESCAPE FROM SOBIBOR and the remake of THE POSEIDON ADVENTURE, Hauer brings an edginess to his characters, as if they're ready to go psycho any second.  He's guaranteed to give a great performance in any film, even if the material is schlocky.  THE HITCHER may be an over-the-top, sometimes silly thriller, but Hauer rises above and delivers a solid performance.

Don't Pick This Man Up

So let's all wish Rutger Hauer a Happy Birthday, and make sure not to hitchhike in his honor!

--Phil Fasso

Happy Birthday, Linda Blair!

In honor of THE EXORCIST II: THE HERETIC, we at Icons wish Linda Blair a very Happy Birthday!  Linda will always be most famous for her role as Regan in William Friedkin's first film in the franchise, but she's contributed to the zeitgeist of film lore with roles in REPOSSESSED, ZAPPED AGAIN and SCREAM.  Most recently, she gave a nod to horror again with an appearance on SUPERNATURAL.

I really wish Mike Cucinotta were writing this instead of me.  Linda Blair starred in two of his favorite films:  EXORCIST II and AIRPORT 1975.  As is obvious, Mike has an eclectic taste in film.  He's also got a great story about meeting Linda at a convention.

Don't Make Linda Blair Angry, Mike! 

I met Linda myself years back at the Chiller convention.  But that's not the story I want to share.  A few years later, when my buddy X wanted to meet her, two guys were jawing at each other and it looked as if a fight might erupt right in front of us.  Little Linda came right out from behind her table and calmed the two fans down. 

Linda's also an animal activist.  She's been running a charity to stop abuse of animals for years.  Between that and her role in one of the most important horror films of all time, we at Icons of Fright honor her today.

Linda is Always Happy to Help Save Animals from Abuse

Linda turns 51 today.  Happy Birthday, Linda!

--Phil Fasso

January 22, 2010

Blatty's LEGION to Hit the Stage

For those EXORCIST fans out there (and I know there are many), William Peter Blatty's follow-up, LEGION, will be on the stage soon, thanks to WildClaw Theatre.  It will make its debut in the Chicago area.  Here's the official press release:

 

WildClaw Theatre
presents
 
William Peter Blatty’s
“Legion”
 
Chicago – January 14, 2010 - WildClaw Theatre presents the world premiere adaptation of William Peter Blatty’s “Legion.”  With previews March 13th and 14th, and opening Monday, March 15th, 2009, 7:30pm at Chicago’s Viaduct Theater, 3111 N. Western Ave.   Running Thursday thru Sunday until April 18th, 2009.  Performance times are Thursday thru Saturday at 7:30pm, and Sunday at 3pm.
 
Directed by WildClaw company member Anne Adams, and featuring company members Brian Amidei and Scott T. Barsotti, with Len Bajenski, Ariel Brenner, Casey Cunningham, Vic Doylida, Matt Engle, Sasha Gioppo, Lindsay Nance, Benno Nelson, Elaine Robinson, Cheryl Roy, Erika Schmidt, HB Ward and Josh Zagoren.
 
WildClaw is thrilled to present the World Premiere of William Peter Blatty’s “Legion,” the bestselling sequel to Blatty’s “The Exorcist.” More than a decade after the death of Father Karras, Lieutenant Kinderman is faced with a series of grisly murders resembling the work of a dead serial killer. Kinderman’s investigation brings him face to face with the essence of true evil, and its origin. This terrifying supernatural thriller continues WildClaw theatre’s quest of bringing intelligent and imaginative horror to the Chicago stage.

Anne Adams, who recently directed the critical and commercial hit Scott Barsotti’s “The Revenants,” has once again assembled a remarkable production team for “Legion.”  Adapted by  WildClaw Artistic Director Charley Sherman, with set design by Nic Dimond, costume design by Allison Greaves, lighting design by Paul Foster, sound design by Mikhail Fiksel and Scott Tallarida, movement design by Karen Tarjan, and special blood effects by Fraser Coffeen.  
 
Tickets $10 - $20, with student discounts available.  For more information, please visit www.wildclawtheatre.com

 

If you live in the Chicago and revere THE EXORCIST, this is definitely worth checking out.

AUTOPSY OF THE DEAD Contest Winners

 

Autopsy of the Dead

Congratulations to our AUTOPSY OF THE DEAD Contest Winners!

 

RUNNER-UPS

Chris Cartusciello

Chad Milburn

will receive a DVD copy of AUTOPSY OF THE DEAD, as well as a promotional mini-poster

 

GRAND PRIZE WINNER

Darcy Barry

will receive a copy of AUTOPSY OF THE DEAD, a mini-poster, and signed 8x10s from people involved in NIGHT OF THE LIVING DEAD.

Your prizes will be sent out this weekend.  Keep your eye on the mail in the coming days for your prizes.

 

January 21, 2010

Frank Darabont Working on Zombie TV Show (and No, It's Not Based on a Stephen King Story)

Frank Darabont is at work on a new horror project.  But that's not the real news, as Variety reports it.  Darbont has adapted his new zombie apocalypse series The Walking Dead from a graphic novel written by... Robert Kirkman.  And no, "Robert Kirkman" is not a pseudonym for Stephen King.

Darabont is most famous for his trifecta of adaptations of Stephen King's works, The Shawshank Redemption, The Green Mile and "The Mist."  Yes, he's done work that hasn't been derived from King's works, but people tend to think that Darabont = King.  This perspective sells Darabont short, as he's a talented writer and director of his own accord.

And as the ending of his take on THE MIST proved, he's not afraid to pull punches and go to dark depths that more timid directors would shun.  That works perfectly for anyone helming a series based on zombies.

The Walking Dead will appear on AMC.  Take it from this zombie enthusiast:  despite the lack of King as the source work, Darabont's project is one worth anticipating.

Read Variety's full article here.

--Phil Fasso

January 19, 2010

Fox Pulls PREDATORS Pics from Fansite

Over the weekend, Mad Man Dan Price tipped me off to some on-set pics from the forthcoming PREDATORS.  Now before you get on me for not posting them, let me tell you that the quality of these shots was poor, and it was obvious that they were not taken by an official set photographer.  The pics showed up on an ALIENS VS. PREDATOR fansite, and if you want to see them, you can go check out our competitors' websites.

Out of curiosity, I went back to the AVP website today.

And the pics were gone.

In their place was a tidy little "Images removed at the request of 20th Century Fox."  This got me to thinking.  A little deductive reasoning suggests that once sites brought attention to these pics, Fox decided to protect its asset, and yanked the pics they should technically own the intellectual rights to.  In a society where the word "spoilers" has become a norm, Fox wouldn't want the movie to lose its momentum with fans because all the elements of surprise had been removed.  Case closed, right? 

Not quite.  When I take this one step further, it screams of hypocricy.  Studios frequently post a full synopsis for every movie they make, and those summaries often give away 85% of the movie.  Take into account, also, that at some point, Fox will likely send out official pics, so high powered sites such as Variety and The Hollywood Reporter will print them for millions of avid film goers, both in print and on the net.  Go on the IMDB, and you'll find the full cast of PREDATORS, if Variety hasn't told you about it already.

So why the secrecy?  If the old phrase "Any press is good press" still holds, why remove the pics?  Simple.  Because 20th Century Fox didn't post them itself.  Sure, it's fine if Fox spoils everthing in advance of its film.  But for fans to do so?  Clearly, Fox is throwing around its weight because it can.  If Fox had released these pics, I can guarantee they wouldn't have pulled them (and the quality sure would have been higher).

This leads to another set of questions:  Do fans have a right to those pics?  Would Fox have benefited from leaving the pictures up?  Or would they actually do harm to the potential opening weekend box office?  And if so, more so than Adrien Brody playing the Schwarzenegger role?

Food for thought.  Let us know what you think.

 --Phil Fasso

January 15, 2010

Drac Studios to Start Producing Movies

An interesting little article showed up in THR today.  SFX house Drac Studios is branching out into producing movies. 

The brain trust of president Harvey Lowry, Todd Tucker and Ron Halvas, and creative director Greg Cannom, who have worked on everything from BRAM STOKER'S DRACULA to THE CURIOUS CASE OF BENJAMIN BUTTON, have opened Drac Studios Louisiana.

Rob Walker is to direct the studio's first feature, DEAD IN THE WATER, from a script by Si Dunn.

Read THR's full article here.

--Phil Fasso

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