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November 12, 2009

HYAENA GALLERY + ICONS = Win 21 Signed/Numbered Gallery Posters

Our BIGGEST Giveaway yet!

Icons of Fright and HYAENA Gallery are teaming up for HUGE October Horror/Dark Art Giveaway. I know Icons of Fright readers are the most cultured horror fans on the internet so we know you'll appreciate this one.

It's no big secret that the Hyaena Gallery is one of favorite places to visit when we're in the Los Angeles area. The gallery is a big, big supporter of horror art, dark and lowbrow artists and it's fans. 

Bill, Hyaena Owner, has provided us with 3 prize packs, each consisting of 21 signed and numbered gallery posters (a $175 value).

You will win 21 of these EXCLUSIVE, extremely limited edition posters featuring artists such as:

Eric Pigor, D.W. Frydendall, Jeremy Cross, Jeff Rebner, Big Tasty, Kat Philbin, Clint Carney, Erick De La Vega, David Coot, Delphia, Mickey Me, Ted Von Heiland, Krys Sapp, Gus Fink, Christopher Perrin, Glenda Rolle, Clara Boo, Miss Withers, John Mahoney, Dan Chesser, and more!

Wanna enter? Send us your name and mailing address to: hyaena@iconsoffright.com. We're giving you until November 12th to get your entry in. (This is such a great, unique contest we wanna make sure everyone gets a chance to enter!).

And if you like odd things, or you are an odd thing, and you happen to be the Los Angeles/Burbank area be sure to stop by Hyaena Gallery:

1928 W. Olive Ave.
Burbank, CA 91506
Tel: 1-818-972-2448

Take a look at this amazing prize pack:

 

 

 

 

November 07, 2009

Eminem to Return to Film in Horror Anthology

Anybody remember TALES FROM THE HOOD, the horror anthology with the urban twist?  Well, according to Screen Daily, white rapper Eminem is set to return to the big screen in SHADY TALEZ, a film in a similar vein.  This will be his first film since 2002's semi-autobiographical 8 MILE, with I, ROBOT producer John Davis set toThe Shady Keeper produce.  According to the article:

"D.J. Classicz / Davis Entertainment are building a slate of multicultural projects with global commercial appear and have hired market veteran James MacLean to establish ties with international buyers here. Domestically, the venture benefits from Davis’ first-look deal at Fox."

The film is also being turned into a four-part comic under Marvel's Icons line.

SHADY TALEZ is obviously aimed at the urban market, the same audience that typically goes out and makes every Tyler Perry film a box office hit its first weekend. 8 MILE was a huge hit when it came out, and is a perpetual replay on VH1.  The people behind the new anthology surely know their audience.  The question is... Is anybody ready for Slim Shady the Cryptkeeper?

Read the full article at Screen Daily here.

--Phil Fasso

SWEATSHOP to Show as Part of NYCHFF

A veritable feast for fans of horror and dark fantasy, this month's New York City Horror Film Festival will host more than 50 films and shorts at the Tribeca Cinemas.  The festival boasts works from F. W. Murnau and William Lustig, as well as the new film SWEATSHOP.  Our readers should take particular interest in SWEATSHOP, as two of the men behind it are Icons friends Ted Geoghegan as writer, and America's Baddest Kid John Torrani in a producer role.  SWEATSHOP shows on November 20, and I'll be there to cover the event for Icons.

 Come out and show your support for SWEATSHOP and other horror films at the NYCHFF, a festival dedicated exclusively to horror lovers.

Read the official press release below, which includes contact information for the Tribeca:

NEW YORK, NY – November 5, 2009 – Organizers of The 2009 New York City
Horror Film Festival (NYCHFF) today announced this year’s feature film
lineup which includes over fifty feature and short horror and Sci-fi films
from America and around the globe ranging in subject matter from terrifying
to gory to hysterically funny.


Tickets for the 8th Annual NYCHFF and complete schedule of films in
competition are now available online at the festival’s website:
http://www.nychorrorfest.com/.

 

The NYCHFF will take place November 18 - 22, 2009 and will be held at the
Tribeca Cinemas, located at 54 Varick Street at Canal Street.  The NYCHFF’s
Kick-Off Gala will take place on November 18 at 8:00pm at BLVD (Spring &
Bowery) and will feature five bands, 20 short films, complimentary cocktails
and more.

 

Programming for the festival includes more than 50 horror and Sci-fi feature
and short films, parties, and panel discussions.

 

“We received more entries than ever before this year and are thrilled by the
high caliber of excellent films submitted for this year’s festival,” said
Michael Hein, founder of The New York City Horror Film Festival. “The 2009
NYCHFF will prove to be one of the best years of the festival for film
aficionados and general horror fans.”

 

The festival’s 2009 feature film presentations are:

 

*Cornered (Feature / Horror) *

*Directed by Daniel Maze <http://www.imdb.com/name/nm2859393/>*

A serial killer is stalking the gritty streets of Los Angeles. It’s all over
the news, but that doesn’t stop the crew at a local convenience store from
their weekly poker game. Now, trapped inside the store with a deranged
killer the group must fight to make it through the night alive. Stars Steve
Guttenberg, James Duval and the hysterical Ellia English.**

 

*Must Love Death (Feature / Horror / Comedy) *

*Directed by Andreas Schaap*

Disappointed by love and suicidal people, Norman arranges to meet a group of
like-minded people. But when he arrives at the meeting the alleged suicides
goes very wrong and hilarity and blood start to flow freely.

* *

*Sweatshop (Feature / Horror) *SWEATSHOP Poster

*Directed by **Stacy Davidson*

A group of rave promoters decide to throw a party in an enormous vacant
factory... But when the oversexed friends throw back a few drinks and begin
setting up, they soon realize, a beastly all-seeing presence resides in this
enormous place, and it drags a mammoth, inhuman weapon that serves only one
purpose: to end the lives of anyone who trespasses here.

*The Revenant (Feature / Horror / Comedy)*

*Directed by D. Kerry Prior*

Officer First Class Bart Gregory is killed while fighting in Middle East.
His body is shipped back to the United States and laid to rest, but before
the lid can be put on his tomb, Bart inexplicably awakens in his coffin and
climbs from his grave; A Vampire? A  Zombie? No…..A Revenant!  Now, this
average guy must feed on human blood or rot away.

 

*Nosferatu**; Orlok The Vampire in 3D!! (Feature / Retrospective)*

*Directed by F.W. Munarau*

This classic 1921 silent film Directed by F.W. Murnau and staring the
immortal Max Shriek as Count Orlok is reborn completely restored, remastered
and brought back to life in gorgeous 3D. This is a once in a lifetime
opportunity for film fans to see one of the greatest and one most
recognizable classic silent horror films in 3D on the big screen!

 

*Maidenhead (Feature / Horror / Art House)*

*Directed by Jim Spanos *

Poor Martin doesn’t have much of a life. He doesn’t have a girlfriend, he
hasn’t been sleeping well, and he still lives at home... with his father,
who is an obnoxious, bloodthirsty monster strapped to a bed. Did we mention
he isn’t sleeping well? Martin (AJ Bowen of *House of the Devil *and *The
Signal) *spends his days going numbly about the business of tending to his
Dad’s grisly needs. Every day is just like the last, until Martin meets an
innocent church-going girl named Meredith, who gives him hope of something
more. But what about Dad?

* *

*The Shadow Within (Feature / Horror / Ghost)*

*Directed by Silvana Zancolo <http://www.imdb.com/name/nm0952846/>*

In a gloomy and sinister atmosphere, little Maurice Dumont can’t escape his
infernal reality. Dominated by an inhuman mother who rejects him, an absent
father and the ghost of his brother who refuses to die. In a claustrophobic
overwhelming environment, obsessed by dead and living presences, Maurice
seems to have no way out, as death silently creeps into his old gothic
house.

 

*Maniac (Feature / Retrospective & Achievement Award)*

*Directed by Willaim Listig*

This 1980 grindhouse classic is back on the big screen! Starring Joe Spinell
as the deranged Frank Zito.  Frank is an embittered loser who talks to
himself and his dead mother, stalks a pretty model (legend Caroline
Munro<http://www.allmovie.com/artist/caroline-munro-51346>),
and spends his spare time brutally murdering and scalping women. A pristine
35 mm print will screen as part of this Lifetime Achievement Award program
dedicated to Director / Producer William Lustig.

 

*William Lustig Lifetime Achievement Award*

As a kid, auteur William Lustig avidly watched a huge volume of lowdown
trashy exploitation fare on 42nd Street’s grindhouse theaters. Working way
through the film business, Lustig found himself at the center of a storm of
controversy when he made the grim, and gory landmark horror film "Maniac"
which boasts an incredibly intense performance by legendary character actor
Joe Spinell and hideously graphic make-up f/x by horror icon Tom Savini.
Lustig followed up with the tough, gritty and exciting urban revenge thiller
"Vigilante." He delivered another winner with the terrific "Maniac Cop," and
the series follow ups 2 & 3, Hit List"and the suspenseful serial killer
thriller "Relentless" all excellent and entertaining.  Lustig's last film as
a director was the nifty fright flick "Uncle Sam." William Lustig has also
produced a staggering 84 films and TV projects to date. He went on to create
the distribution company Blue Underground that lovingly restores and puts
out some of the best classic genre films of all time!

 

*Blood Night: The Legend of Mary Hatchet (Feature / Horror) *

*Directed by Frank Sabatella*

Long Island, 1978: A young girl named Mary Mattock gruesomely murders her
family and is locked away at the notorious Kings Park Psychiatric Center.
Ten years later Mary escapes, leaving a grizzly wake of bodies and blood.
Gunned down by the police, Mary meets her own demise outside the sanitarium
walls. This incident gave birth to the legend of Mary Hatchet’s walking
ghost and the mischievous night named in honor of her death, BLOOD NIGHT!
Starring genre favorites Bill Moseley and Danielle Harris, Blood Night puts
a neck-breaking spin on the gory and gut wrenching slasher films of the
80’s.

The 2009 New York City Horror Film Festival—is presented by Moodude Films.
For more information and tickets, visit the festival’s website:
http://www.nychorrorfest.com/.

 

--Phil Fasso

November 06, 2009

BEWARE THE MOON Wins Best Doc at South African Horrorfest

Paul Davis' BEWARE THE MOON, his documentary on AMERICAN WEREWOLF IN LONDON, has won best documentary at the South African Horrorfest, held in Cape Town.  Davis' lauded documentary can add one more accolade to its list with this honor.  In conjunction with Davis' film, makeup artist Rick Baker and director John Landis both were inductees into Horrorfest's Hall of Fame. 

For Landis and Baker to be honored should be no surprise to anyone, as AMERICAN WEREWOLF is an iconic horror film known for its black humor and great special effects make up.  For Davis to win shows just how impressive his documentary is.  Congratulations Paul, you should be proud to be in such privileged company.

 Check out the Horrorfest site for other winners.  And take a look at the trailer below.  It's nifty.

November 05, 2009

Parlay Films Buys Rights to Heckerling's VAMPS

According to Screen Daily, Parlay Films has bought all international film rights to Amy Heckerling's forthcomingKrysten Ritter horror comedy VAMPS at the American Film Market.  Heckerling is more known for her coming of age comedies such as FAST TIMES AT RIDGEMONT HIGH and CLUELESS than horror fare, so it'll be interesting to see how she does with a romantic comedy about young, attractive vampires. 

Screen Daily says that actress Krysten Ritter is already attached to the project, which should start filming in March, 2010.

Read the full article here.

 --Phil Fasso

 

EW's Top 25 Cult Movies Delivers for Horror Fans

EW's recently posted Top 25 Cult Movies should have horror fans happy.  From the picture of shock rocker at #25 all the way through a Stephen King adaptation at #1 (I don't understand how that entry's considered a cult flick, but I'll give you a hint:  it's not CUJO), there are several entries that should get the average genre fan's juices going, covering backwoods farmhouse all the way to the streets of Tromaville.  I don't want  to give anything away, so I would suggest you look at the list for yourself here. 

Re-Animator's Pajamas and Head Combo 

Okay, so that picture is a hint.  I just couldn't resist a little decapitated loving for you Icons fans.

 --Phil Fasso

CNN's Piece on The Return of Classic Horror Directors

CNN recently released a nice piece on how horror's elder statesmen are making a return.  The piece provides two brief pages each on Wes Craven, Sam Raimi, John Landis and George Romero, as well as a short video in which each speaks about the genre.  In a day where generally poor remakes stilfe any sense of creativity and cheapie direct-to-DVD releases offer low-budget, derivative drivel, it's nice to see a news organization as large as CNN give props to the men who paved the way.

 Read the full article here, and check out the video of Romero, courtesy CNN, below.

 

 

--Phil Fasso

November 04, 2009

Local News Coverage of the Living Dead Festival

I've just returned from Gary Streiner's Living Dead Festival, and I'm happy to be able to share some coverage from the local news!  Evans City, PA's own KDKA (unfortunately not WGON) provided some footage that includes interview with many of the LDF's guests.  Check out the video and a brief article here.  And look at Icons News later in the week for my exclusive convention report and some Icons of Fright contests from the LDF!

 --Phil Fasso

EW Questions Need for LET THE RIGHT ONE IN Remake

Not a surprise, but so do I.  Apparently, the powers that be are running low on 1980s slasher films to rip off, and are stretching their reach out to Europe to steal material and outright kick originality in the crotch.  In EW's Popwatchers section today,  Margaret Lyons holds out little hope for the remake of the critically lauded LET THE RIGHT ONE IN, with its shift in location from the snowy desolation of Europe to the mesas of New Mexico and its change in title to LET ME IN.  And her picture of the new kids playing the roles (which I'll include below) can't help the validity of the project, even if she does compliment the choice of one of them.

As for my own thoughts, I've seen the original and thought it was something daring and new.  But if Matt Reeves, he of CLOVERFIELD, attempts to make this basically a dry version of the European, as QUARANTINE did with [REC], this sequel will be redundant.  It's a sad statement when American horror is now thieving quality, artistic genre films from overseas instead of developing quality ideas of their own.  Where our next John Carpenter or George Romero comes from may take many years to find out.

 Let the Goofy One In

Read Lyons' original article here

--Phil Fasso

New Stephen King Short Story Appears in the New Yorker!

Is there an Icons of Fright follower out there who doesn't appreciate some of Stephen King's works?  One of the true Icons, King has just published his newest short story "Premium Harmony" in the New Yorker, to whet his Constant Readers' appetite in anticipation of his new novel, Under the Dome.

Though "Premium Harmony" has echoes of his short story "Children of the Corn," marks a long-awaited return to Castle Rock (he abandoned the town in 1992's short story collection Nightmares & Dreamscapes) and makes a sly reference to Derry, ME's favorite clown Pennywise, it's not a horror story.  As with many of the tales from his last two collections, it's a non-genre story that lacks any notion of the supernatural.  For what it's worth, it's a good story;  I just have my biases toward vampires and other preternatural creatures.

 Read the full story here.  You can also get King's upcoming appearance schedule at Lilja's Library, King's top fan site, and further information on Under the Dome on King's official website.

--Phil Fasso

iTunes Carrying Uncut Version of MTV Slasher Spoof

iTunes is carrying the uncut version of MTV production MY SUPER PSYCHO SWEET 16.  I didn't watch this when it was on, and so I have no idea what the differences between the two versions are.  But if you either missed it and want to see the full-gore version, or if you viewed and want to see what the censors clipped, hit up iTunes and do a title search.

 Check out the MTV trailer below.

Continue reading "iTunes Carrying Uncut Version of MTV Slasher Spoof" »

October 31, 2009

Win The New 15th Anniversary NATURAL BORN KILLERS DVD!

NBK Box ArtThe October Big Giveaways continue at Icons of Fright. The fine folks at Warner Bros. have supplied us with copies of the 15th Anniversary Edition of Oliver Stone's 1990's classic NATURAL BORN KILLERS.

Wow, 15 years ago? At the time I had to buy a ticket to another movie just so I could sneak in and see the highly controversial film, which of course, blew my little 15 year old mind away. And who could forget the Trent Reznor produced soundtrack featuring 90's acts like L7 and the Cowboy Junkies. It's really a time-capsule of a moment in film making and music.

If you'd like to enter the contest just shoot us an email over to: nbk@iconsoffright.com. Be sure to give us your mailing address so we can send it to you. Contest ends Oct. 31st! (Halloween).

For more Natural Born Killers action click on over to: www.naturalbornkillersdvd.com

 Here's an exclusive clip, courtesy of Warner Bros:

 


NBK

Win a SAW VI Prize Pack from ICONS OF FRIGHT!

If it's Halloween, it's not just time for SAW (or SAW VI!) but time to roll out the annual IOF Big Giveaways! (NOT brought to you by Silver Shamrock).

This year the folks at CollectSaw.com and OfficialSawStore.com (Selling the best in SAW collectibles! And yes, they ship worldwide!) have provided ICONS OF FRIGHT with 3 SAW VI Prize Packages:

Each Valuable Giveaway includes a:
 
  • Costas Mandylor ("Hoffman") Autographed 8 x10 inch color photo. The photo shows Costas Mandylor as "Hoffman".
  • Special and Valuable item that was Used in SAW 6 (VI)
Each item comes with a special COA (Certificate of Authenticity) from Twisted Pictures (the producers of the SAW movies). Attached to the certificate of authenticity is a unique tamper evident security hologram. This hologrammed certificate of authenticity is your guarantee that your item is genuine.
 
So--you want to play a game? You have from now until October 31st (Halloween, folks) to get your entry into us at Icons of Fright. Just send us an email at: saw@iconsoffright.com. Make sure SAW is in the subject line and be sure to include your name and mailing address. It's no trap (we promise!).
 
And remember: SAW VI hits theaters October 23rd, 2009. Long time SAW editor Kevin Greutert directs the latest sequel SAW VI which stars Shauna MacDonald, Devon Bostick, Marty Moreau, Karen Cliche, Shawn Mathieson, Melanie Scrofano, James Gilbert, Shawn Ahmed, Janelle Hutchison, Gerry Mendicino, Caroline Cave and Ginger Busch with Tobin Bell returning as Jigsaw, Shawnee Smith as Amanda (both for flashback sequences), as well as Costas Mandylor
 
Saw VI 

 

October 29, 2009

Owen Gleiberman, Why Must You Hate on Me?

I've been a casual reader of Entertainment Weekly for long over a decade now, and in that time, I've come to have a cold disdain for Owen Gleiberman.  Having read his reviews of horror movies over the years, I easily ascertained that here was a guy who not only does not like horror films, but begrudges genre fans as well, as if they're lesser than "real" movie fans.  And now it's finally time to say something about it.

Let's take a look at Owen's recent slap at genre fans in his article regarding the SAW series.  Here's a cuddly section:

 "For decades now, gruesome new horror movies have arrived at the multiplex with big fat roman numerals stuck at the end of their titles. Only the most fanatical droolers of the “horror community” are even still counting. I mean, really, who would seriously bother to keep track of how many interchangeably cruddy Friday the 13th sequels there are? Or how many times Freddy Krueger ever came back from the dead to brutalize a new crop of Elm Street kids? Or how often the Halloween franchise has been scavenged, rebooted, Zombie-fied, and generally flogged to death? Quick, can you name all the Texas Chainsaw movies? How about Hellraiser? Who the hell cares?"

 Well, Mr. Gleiberman, I care.  I love the genre, despite the many sequels that become further drivel with each fat Roman numeral.  I can name all the Hellraisers, all the Texas Chainsaw Massacres, and by the way, all the works of Nathaniel Hawthorne, William Melville, and the complete works of William Shakespeare.  What annoys me about your blanket dis at all fans of horror is that it makes us all the "fanatical droolers" of the "horror community," that you double quoted as if it's grimy place for all of us to be.  You're stereotyping, Owen, giving a set of traits to a legion of fans who are just as diverse as those who love romantic comedies, or westerns, or anime.  I care enough to give rebuttal to your article, and to say that people in your position should not use it to shun entire ethnographies of fans.

You take part of your article to link the reader to your dismal review of SAW VI.  But what were you trying to accomplish by drawing the very readers who love these movies to your review?  Was it to make them feel small?  And what of your positive review of PARANORMAL ACTIVITY, which you gave an A-?  In that review you state:

"With its this-is-really-happening vibe, Paranormal Activity scrapes away 30 years of encrusted nightmare clichés. The fear is real, all right, because the fear is really in you."

So you praise a poorly acted film in which absolutely nothing happens for about 84 minutes.  Were you then disappointed last weekend, when talk of applying one of those big, fat Roman numerals to it arrived?

Owen, it should be obvious to even the most casual observer that you have an attitude toward horror.  This prejudices your reviews of the genre's films.  Perhaps you should step into a horror fan's shoes, and see a few flicks from his point of view.  It may give you the well-rounded perspective you lack.

Feel free to write back here, Mr. Gleiberman, as I'd really like to debate this with you intelligently.

 --Phil Fasso

October 28, 2009

CONVENTION REPORT: ROCK AND SHOCK, October 18th

Lots of Snow and Juggalos

Mike Baronas, Catriona MacColl and Phil 

Sometimes I go to a faraway convention and say to myself, “This was well worth the trip.”  Whether it be a long flight or car trip (not interrupted by hitting a deer, preferably), with weather variables, travel obstacles and bleary-eyed exhaustion added to the mix, the convention at the center of it all pays off.  Such was the case with the Rock and Shock Weekend in Worcester, MA that I attended on October 18th.  Even with one aborted interview, a wet snowstorm and a bevy of Juggalos, I can’t help but smile at the thought of this con.

 

Along for the ride were my cantankerous buddy John (he used to go by Brando) who I’ve known since highJohn the patriot loves America school, and a more recent friend Jonathan, who’s as much a staple on the circuit as some of the guests.  Each of us had our own agendas:  John was Hell-bent on meeting America Olivo;  Jonathan was out to catch up with some old celebrity friends, and had arranged an interview with Adrienne of the first two FRIDAY THE 13TH films two weeks earlier.  Me, I was happy to know Mike Baronas.  Mike is the most fervent Fulci fan I know, and has parlayed that into managing many of the Italians who he’s loved on film.  He invited me to come to Worcester on the offer that I could have all the time I wanted to interview Catriona MacColl.

 

Walking from the car to the DCU Center in a steady downpour, a huge convention center that looks like the younger brother of NYC’s Javits Center, I was accosted by four 18-wheelers with the faces of the Insane Clown Posse.  As I proceeded inside, I was surrounded by Juggalos, ICP fans who sported their heroes’ face paint.  Later, I would come to realize they made for roughly half the convention’s attendance that day.  Rock and Shock is, as far as I know, unique in that it’s a full weekend of horror signings and concerts.  Certainly the “Rock” had spilled into the “Shock.”

When the gates opened, I walked into a huge hall that was ¾ dealer’s room, and ¼ convention guests.  The vendors had plenty to offer, though I passed on buying a 12” Barbra from NIGHT OF THE LIVING DEAD to join my Bill Hinzman cemetery ghoul, because she was twisted in the box.  Plenty of shirt vendors were at hand, including my friends at Lixonline, who always have unique shirts, which makes them a definite stop for me at every con (this time I invested in a ZOMBIE 30th anniversary shirt).
 

Soon after looking around the vast hall, I went in to the autograph signing section to greet Mike.  He introduced me to Catriona, whom I had met a year earlier.  As it was still early, I offered to come back in 45 minutes.  I was anxious to get the interview I’d travelled so far to get, but it’s always good policy to return kindness with kindness.
 

In the meantime, John and I went to meet America.  Gorgeous and funny, she was a joy.  Jonathan, at the time, was off chatting with his friend P.J. Soles, another really great horror star to meet.   We then went to speak to Adrienne, in order to set up her interview for after Catriona’s.
John and Derek Mears

I realize I’m writing this convention report more about my experience than I am judging whether it was a worthwhile con or not.    Let me take a second here to say that yes, it was a high-quality convention, with a solid group of guests such as Malcolm McDowell, John Landis, Kane Hodder and Derek Mears.  While none of them are rare to the circuit, having them all together in Worcester was a regional treat; and I could tell from the number of fans who suffered hideous weather on a Sunday, when the New England Patriots were playing, that this show was a success.
 

But let me return to Catriona, as I did with eager anticipation.  Mike set us up in the green room, and this Phil and Catrionashould tell you all you know about what a classy lady Catriona MacColl is:  she offered to get me a cup of coffee.  We sat for over a half-hour, and discussed her roles in the three Fulci movies; her work with Christopher George, David Warbeck and Sir Laurence Olivier, among others; the kindness of Mike Baronas; and her great appreciation for what she refers to as the “cult of Fulci.”  I’ve met close to 200 horror celebrities over the last six years, and I can honestly say that Catriona is one of the most gracious I have encountered.  Not only was she kind enough to give a great interview, but she left me feeling high about autograph signings in general.
 

Having ended the interview, I then came over to Adrienne’s table, hoping Jonathan and I could do a joint interview soon after.  I wish I could tell you that I got a second great interview that day, but complications arose as Adrienne left for another interview. In the Jonathan's Adrienne's Greatest Starinterim, John had gone off at one point to get Mears to add his signature to the many others on John’s hockey mask;  he came back with the tidbit that Derek is actually not signed to play Jason in the sequel yet.   I spent some time with Jack Ketchum, a great author whose stuff I’d never read before.  I sat and talked with Kane Hodder, who had the day before accidentally asphyxiated a fan while taking a picture with Kane’s favorite chokehold applied.  During our conversation, a certain has-been makeup artist decided to shoot rubber bands at Kane and other guests.  Clearly this was going to be a long afternoon, as I realized when I went to the restroom and noticed that snowflakes the size of silver dollars were coming down.  Fortunately, it was a wet snow, otherwise I’d have been digging my dad’s car out from six inches of it before we embarked for Long Island.
 

When Adrienne returned, she was bogged down with fans.  After she signed for a while, Jonathan got a partial interview with her, before she had accumulated more Juggalos who wanted her to sign stuff.  We’ll attempt to complete the interview at another time, as I know FRIDAY fans want to see what the first film’s survivor has to say.
 

As I almost plowed down 50 Juggalos who refused to move from behind the car, I girded up for a long, dreary trip home.  But I didn’t feel dreary inside.  Rock and Shock had been a whole different convention experience for me from what I was used to, and I thank Mike Baronas for inviting me;  because once I got home and settled in, my first thought was,  “This was well worth the trip.”

Mike and Ottaviano "Worm Eye" Dell'acqua
 

--Phil Fasso

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