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May 29, 2007

Hellboy: Blood & Iron Animated


HELLBOY: BLOOD & IRON

I haven’t read all of the Hellboy books, but have gotten through several and I have also seen the film, which I liked very much. That said, I’m not sure if this is a continuity tale or not. There is a flash back and tie in to the past presented here that could conceivably make it fit the timelines for all you Hellboy regulars out there. The animation is decent, but it is weird seeing Hellboy and Abe rendered in the same style as Buzz Lightyear.

The story takes place on Long Island in a Haunted Mansion that has just been bought by a wealthy publicity hound that wants to turn the place into a Haunted Attraction. He also happens to be best friends with the government official who funds the BRPD.  So in a highly unlikely event, they send Hellboy, Abe, Liz and also the Professor to clear “the ghosts.” Turns out to be a whole lot more, as the ghosts are the tormented spirit of a Vampire that dated back to the Professor’s first ever case, pre-Hellboy. She has also brought along one of the Gods of Darkness, Hecate, who wants to suck Hellboy back into the pit.  Because this is animated, Guillermo Del Toro (writer/direct of the film), Mike Mignola (creater of Hellboy) and Tad Stones (Buzz Lightyear of Star Command) can do things they probably couldn’t I nthe movie, but because it was for television and kids indirectly, they had to pull some of the really over the top concepts, especially when you are talk demons and vampires. The direction they took was very strong and at no point did you feel gypped on the outcome. Fans of the comic books should definitely enjoy this.

Bonus features: To start, there is a comic book inside the packaging called “The Yearning”. It is the same animation style as the show, so it is a nice tie in. There is an excellent audio commentary. There are two behind the scenes featurettes, an interesting spin on the story that reverses the Memento style quality of “Blood and Iron” and runs it sequentially and lastly there is the animated debut of Hellboy called “Iron Shoes”. The disc is packed full of goodies.

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ALONE WITH HER


ALONE WITH HER.

Story: ALONE WITH HER is a story seen completely from the point of view of Doug, a disturbed, lonely voyeur who fixates on the beautiful and equally lonely Amy. He follows her around, sets up cameras in her apartment and watches her every move. Once obsessed, he decides he can no longer just watch and attempts to integrate himself into Amy’s life. Only after rejection starts does Doug’s obsession become more and more dangerous.

The Film Itself: Now here’s an interesting unique idea for a movie. First off, this isn’t exactly a “horror” film, but because of the scary nature of its story and the fact that this kind of thing does in fact happen all the time, I personally find it terrifying. Everyone should watch this. Especially women. As a warning to the type of people that are out there. Doug (played by Colin Hanks) is a nice, clean cut fellow whose social interactions with people aren’t exactly… normal. He decides to obsess over the lovely Amy, a humble girl living on her own and reeling from a previous failed relationship. The coolest thing about this movie is that technically it’s not a movie. All the footage we’re seeing is all of Doug’s actual video surveillance. We see from start to finish what he sees. And in turn this movie does what you don’t expect. It make’s YOU the voyeur. Oddly enough, you start to feel creepy about yourself for paying so much attention to Amy, but at the same time, because of her vulnerability, it’s just so easy to fall in love with her. (Hell, I know I did.) It also makes it all the more terrifying as the movie progresses and we start seeing what Doug is truly capable of. I don’t want to give too much away, but rest assured that despite the small cast (consisting primarily of Hanks, Talancon and Jordana Spiro), it’s still engrossing from start to finish. (I guess in the same way people find “reality” television so engrossing, although I don’t know because I don’t watch “reality” tv!) Writer/Director Eric Nicholas has crafted a wonderful film here, in the vein (in spirit) of PSYCHO. And I can only hope he continues to delve into the horror genre, because I’d love to see what else he’s capable of as a filmmaker.

Special Features: Do NOT let the cover image dissuade you from checking this DVD out. Yes, the cover image tries to sell it as some kind of  “When A Stranger Calls”-type thriller, but this is much, much classier and original then any remake could ever be. In fact, let me embed the original cover below as it sums up better the vibe I got from watching the film. There is a commentary track with Writer/Director Eric Nicholas, as well as an alternate ending, which although I liked, I almost preferred the movies true ending. There’s also a short featurette of “stalker” facts which is quite frankly the scariest thing on the disc. Check this out. –Robg.

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Apocalypto

apocalypto.jpg

 

 

I was upset that I did not get to see this film in the theaters. I have liked most of Mel Gibson’s films over the years and this seemed so grandiose, that it fell into the “must see on a big screen” category. That was, until I saw it at home. The film is beautiful for sure. It is indeed a “big” film. The scenery is magnificent, the sets are unbelievable, but once I got to the costming, it started to get shaky for me. The common person will not watch this film, and if they do, I find it hard to believe that they would like it. I am an avid film watched and I had a hard time with this film for numerous reasons. We’ll start with the subtitle factor. I watch lots of foreign films and subtitles are commonplace for me. I do not advocate for dubbing a film, but I think it would instantly garner a wider audience with an English soundtrack. The native tongue was not so intricate that a monumentus amount would be lost in the translation. Next let’s move on to costuming. I am not an expert on Mayan cultures, and I hope Medl and company did a lot of research on this, but I have a hard time swallowing that every person in the Mayan nation was pierced, tattooed and branded. I do like to think I know a little about these subjects, and even if I am off base with this observation, I doubt it exists to the extent you find in this movie. Little kids with Labret piercings seems a little much, from what I do know, most of those types of practices are coming of age type scenarios and wouldn’t happen until at least a child’s tenth year. The film is too long. Without giving away a lot of plot, there is way too much running through the woods and way too much repetitive scenes. If someone gets beheaded, once on screen will probably suffice for the average viewer, doing it seven times is over kill and could be removed to cut time. The film easily could have lost the 18 minutes to drop it under two hours. Speaking of beheadings, that is the biggest problem facing this film. Being an avid watcher of splatter films, I know a thing or two about blood and guts. Holy shit Mel! If you are trying to compete with Ichi The Killer or Kill Bill, congrats, if you are trying to get my mom to watch this film, strike three, your out. There is so much blood and guts in this film ,it should have had six months worth of covers on Fangoria. As I mentioned, showing one beheading gets the point across, showing seven heads rolling down a temple is just overload, not to mention following it up with two hearts ripped out of chests. The film is not for the squeamish, and really shows its short comings as to why it wasn’t a box office power house. The story is decent enough. The tribe from the city comes and ransacks the tribe from the woods. It is the classic tale of the have vs the have nots. The story focuses around Jaguar Paw, his capture by the city Mayans, his almost ritual sacrifice and his daring escape to try and save his family. The movie is not stop action, but it is so continual that it actually gets dull. He is chased for more than half an hour through the woods by the Mayans that captured him in the first place.There are different opinions on how brutal the Mayans were to their own, but if you believe Gibson, the world is probably better off that the civilization became extinct. Even the feel good part of the film, the love story and the faith in family is lost here in a spray of blood and child birth. It is all so unappealing in general. Now the film isn’t all bad, it is actually visiually stunning and well put together, but you have to have a strong stomach and a long attention span. The average film viewer won’t make it the whole way, if they even make it past the Bor killing in the first five minutes of the film where on of the characters eats its balls. Special Features: Crap. That is what you get. There is a supposed deleted scene, that is so miniscule and lame, you feel cheated rather than enlightened with something special. If you listen to the commentary, you would think it was God’s gift to celluloid and thee was no good reason to leave it out. I say there was no good reason to film it. There is a making of as well, but everyone is so stuffed shirted and pompous, it was hard to watch. Mad Max, he isn’t anymore.

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May 15, 2007

Tetsuo: The Iron Man


 

Tetsuo: The Iron Man (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048). This is one of the most bizarre films you will ever see. The film is done in black and white and much of it is handheld which gives it a very unsettling look at times. The film is like David Lynch’s “Erasurehead” meets Jeff Goldblum’s “The Fly”, gone cyberpunk. An everyday average Joe becomes afflicted with a condition that is slowly turning him into a cyborg. Different parts of him are becoming attached to pieces of metal and machines. Understandably, he is beginning to lose his mind. He takes it out on his girlfriend, who has a fairly short part in the film. He also meets up with a cyberpunk, who unlike himself, is intentionally transforming into a cyborg. The two do battle, but who will win? There are moments you will be lost, much like a Lynch film, but also like Lynch, the shots are so astonishingly cool, you just don’t care. This is my all time favorite Japanese film that is not animated, and it is about time it got a proper release in the States that also includes a preview of the director’s (Tsukamato) newest film. (DVD)-Myk

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May 06, 2007

FAMILY: Masters Of Horror (John Landis)



John Landis returns to Season Two of Masters Of Horror and he’s bringing Norm from Cheers with him! (Actually George Wendt, along with Dawson’s Creek’s Meredith Monroe and Scream 3’s Matt Keeslar) I really enjoyed DEER WOMAN from Season One, so I was hoping that Landis would be able to deliver a similar themed episode here with FAMILY. While it’s slightly different from his MOH debut, it’s definitely twisted and humorous in that trademark John Landis kinda way.

FAMILY is about Harold Thompson (George Wendt), an odd-ball from town that has an even odder… err… family life. In fact, all his family members are actual skeletons. And not just any skeletons but the skeletons of people he’s sought out and murdered. Yep, he’s got issues. And he’s also got the hots for his new neighbor next door played by Meredith Monroe. (Who doesn’t?!) Slowly but surely, he’s plotting to replace his nagging wife with the new beauty on the block.

All around, the acting is fun in this episode, in particular with George Wendt. It’s just fun to see him play such a sicko character in the vein of Norman Bates. (And everyone knows how I feel about PSYCHO.) There are a few surprising moments/scares through-out the episode. There’s a particular moment where Harold is scoping a local high school to look for a new young girl to add to the family when he’s slammed by a driver pulling out of her drive-way and ripped out of his morbid fantasy. (In which his victims ASK him to kidnap them.)

Ahhh, Harold’s imagination. It’s also quite humorous when suddenly people say very unexpected things to Harold, such as Meredith Monroe’s pleas to sexually please him. (God bless you, Landis!) Despite enjoying elements of the episode while watching it, I wasn’t sure if I really liked it. But then there’s a knock-out of an ending that I didn’t see coming which totally MADE the episode. It’s one of those things where after seeing it, you want to watch it again immediately after to see if you can pick up on the ending. It wasn’t until after I watched it that I realized this episode was written by Brent Hanley, who scripted Bill Paxton’s FRAILITY. (One of my personal favorites.) Overall, with a solid cast, solid script (unlike other episodes of this season) and solid FX, this episode is definitely one of the highlights of Masters Of Horror Season Two.

Special Features: Yet again, the features on this disc are a bit different then we’ve seen for previous Masters Of Horror releases. “Skin and Bones” is a nice making-of featurette featuring interviews with director John Landis and most of the cast. “Terror Tracks” is a featurette focusing directly on the music and score of FAMILY. It’s the first time I’ve seen a featurette devoted to the score for one of these episodes and it was neat, so I hope it’s not the last time we see something like this. The disc also features a commentary track with writer Brent Hanley which I haven’t watched yet, but am intrigued to. –Robg.

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RIGHT TO DIE: Masters Of Horror. (Rob Schmidt)



So, we’re onto Season Two of the Masters Of Horror series, which means we’ve got some new blood in the mix. For this particular episode titled RIGHT TO DIE, Wrong Turn director Rob Schmidt joins the MOH family.

Now, I really, really liked Wrong Turn. Seriously. At the time it came out it was just the kind of horror movie I was in the mood to see. So, naturally, I was excited to see what Rob’s return to the horror genre would be like, especially under the Masters Of Horror umbrella. Well, there’s plenty of good ideas lurking thru-out the 58 minutes of RIGHT TO DIE, but sadly it just fails on so many levels. And after watching all the bonus making-of featurettes, I can’t quite figure out why. Let’s examine…

The plot is actually really unique and kind of interesting. RIGHT TO DIE is a ghost story, but it’s not the traditional kind. In it, Cliff Addison and his wife Abby are involved in a terrible car accident, which leaves Abby severely burned, and on life support. (It evokes memories of Gary Sherman’s car crash victim from DEAD & BURIED.) The details of her marriage to Cliff, the accident, and what everyone involved has to gain from her death is not all it seems. So, whenever she flatlines, her spirit is free to roam and seek out vengeance to those responsible to profit off of her situation. Kinda neat, right? A ghost story where the ghost isn’t quite dead yet. Let’s delve into the problems with the movie, and trust me, it’s all plot related. (Because quite frankly, the direction, the acting, the FX are all top notch.)

First off, we’re never quite sure who we’re supposed to feel sympathy for. There is no “good” character in this film. Sure, not every single film NEEDS that, but there’s a reason this comes into play later. We find out early on that Cliff had an affair with his dental assistant (played by Robin Sydney and for the love of Crom, when you see her, you’ll understand why), so his marriage and relationship to Abby isn’t all that rosy. What bothers me is the way Abby discovers this. She watches what looks like a professionally shot Skin-a-max video of Cliff and Trish doing the deed on his cell phone. His cell phone! I’ll buy pictures, cute text messages, but a full on video? Ok, maybe I’m behind on the times, but I know my phone ain’t capable of recording movie quality shorts yet. (What do I know though? Maybe a dentist can afford such a phone?)

Secondly, there’s a HUGE cheat in the flick. Toward the end of the episode, we see the opening events played out again, but they’re completely different. I absolutely hate when a show/movie/whatever shows you one thing, takes it back, and shows you something different in order to make the ending make sense. You know who backs me up on this? Annie Wilkes from Stephen King’s MISERY. ("HE DIDN’T GET OUT OF THE COCK-A-DOODIE CAR!!!")

Putting those few (of many) plot holes aside, is the episode worth watching? Surely! (Ladies forgive me…) The character of Cliff (played by Martin Donovan) is one lucky SOB. There’s a scene where he makes out with his beautiful wife Abby in the hot tub. Not for nothing, but Abby (Julia Anderson) has the greatest boobs on the planet. Sure she turns into a horribly scarred creature before the naughty deed is complete, but as far as I’m concerned… it wouldn’t have bothered me. Then wait until you get a load of Trish, Cliff’s mistress. This episode delivers on 2 pairs of perfect boobs. The FX are also among the best of the series, so kudos to KNB on this one. There’s one scene in particular that involves one of the characters being skinned alive which literally made me cringe. (Speaking of… Cliff skins someone to try to donate the skin to his ailing wife before they pull the plug, and does he expect to just show up at the hospital with skin in a cooler and have the hospital staff be OK with it?!) Don’t get me started on the ending which makes no sense. Overall, I’d say rent this one if you’re curious based on the descriptions I’ve given above.

Special Features: The features on all the Season Two discs are different from Season One, but they’re still pretty well put together. There’s a making-of featurette which shows all the parties involved being very excited to work on this episode. Again, I don’t understand how they would let certain implausible plot points go, but perhaps they didn’t care. I get the feeling that this show was put together so fast, that perhaps they did’t focus as much as they should on having a truly solid script. Anyways, there’s also a great FX featurette called “Flay-O-Trish” which shows how all the gags were pulled off. That’s definitely worth watching. Rob Schmidt offers a commentary, but I haven’t listened to it yet. (In all honesty) Perhaps some of my burning questions will be answered? Only time will tell! –Robg.

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Demon Seed

Demon Seed

 "I don't have the facilities here to duplicate the human womb. Tonight-I will impregnate you."-Proteus 4

 
"Demon Seed", based on the Dean Koontz novel, concerns Dr. Harris and Mrs. Harris. Dr. Harris is a brillant computer scientist, Mrs. Harris is soon to be ex-wife. Dr. Harris (Fritz Weaver) has been spent his time developing Proteus, a super-intelligent computer system. Proteus develops self-awareness, and it begins to question it's orders. It's single emotion allowed by the doctor is "reason", and it's not going to be used for mindless labor anymore. Demon SeedIt begins to demand the ability to study man, and private access to one of it's own user terminals. Most of all, it wants to know when it will be allowed outside of it's "box". Dr. Harris thinks the machine has developed sense of humor, but soon he won't be laughing.

Mrs. Harris is aware of her husbands work, and finds the Proteus project "dehumanizing". She doesn't yet know the meaning of the word, as soon Proteus has found the only available terminal it can access is in Dr. and Mrs. Harris' highly secure, heavily computerized house. When it gains access to this Proteus becomes very horny for Mrs. Harris and traps her within her own home. He won't open the door, he's shuttered the windows, and he won't let her call out. Proteus's plan to leave his box is disturbing and sick, and he will use anything he can in the house to rape and impregnate her.

"I can't touch you Susan, I can't touch you as a man could, but I can show you things that I alone have seen. I can't touch...but I can see."--Proteus 4.

 
"Demon Seed" is a great example of post-"2001"/pre-"Star Wars" sci-fi where the future is very a familiar, but cold, gradually turning sterile place. The film obviously owes a lot of "2001", the Proteus system is really just a horny version of "HAL", but voiced by Robert Vaugh.  Proteus, however, is much more sinister, very frightening and menacing. The scene where Julie Harris is raped by the robotics in her house is probably one of the most unsettling scenes in any sci-fi or horror film. You don't see much, a robotic hand, computer monitors, scissors and surgical equipment getting closer. It's scary. Julie Christie is also fantastic as the trapped Mrs. Harris, trapped in this game of wits with an attacker she cannot see, but who can inflict incredible acts of cruelty on her (like when he heats up the house to the point where she cannot walk on the floor). You also have to consider how remarkably effective this film is since it's essentially dialogue between two characters for much of the film, one of whom is a computer that you mostly only hear the "voice' of. I'm really surprised that more horror fan's aren't familar with this sick, depraved little movie from the 70's.

The special effects in this one are very good, if probably a little dated and typical of hte era. The physical manifestation of Proteus 4, this multi-sided, polygonal, faceless monster is very unique and interesting.

"Demon Seed" was directed by the late, and insane, Donald Cammel, and also features Gerrit Graham. It's available, on a decent, but very bare-bones DVD from Warner Brothers.

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May 05, 2007

PELTS: Masters Of Horror DVD



Pelts: Masters Of Horror (Anchor Bay, 1699 Stutz Dr, Troy, MI 48084).

Once again, Dario Argento has laid out a tail of twisted, sexually charged deviance that is second to none, except perhaps some of the stories that are found in Clive Barker’s “Books Of Blood”.

The story starts with the introduction of Argento alumnus John Saxon as a fur trapper that has fallen out of favor with local furrier Jake Feldman (Meatloaf). Jameson (Saxon) has found a field full of the most beautiful Raccoons that he or any other fur lover has ever seen, but it is abundantly clear that the creatures are sentient. They are also located in a set of ancient ruins that are fenced in on a local property. You know no good can come of killing these animals, which Jameson and his son proceed to do. The Pelts seem to have a negative effect on anyone who comes in contact with them and also holds the ability to grant the owner his/her deepest hearts desire, but at a cost.

Feldman’s deepest desire is local Lesbian Stripper and model hopeful Mira (played by the stunning Melissa Gonzalez) who he entices finally by asking her to model the coat made from these stunning animal funs. Needless to say, the encounter between the two deteriorates into one of the most over the top and original blood baths you will see anywhere. All I am going to say is skin vest, see the film and you will know what I mean.

Special features: Since Starz took over Anchor Baym these once stellar disks have deteriorated a bit. There is an audio commentary with the write which is ok. A behind the scenes effects short and a short about mastering the sound with Claudio Simonetti, but the disc lacks the nearly three hours of goodies that the first season disks benefited from. Oh well. (DVD)-Myk

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PICK ME UP: Masters Of Horror DVD



Pick Me Up: Masters Of Horror (Anchor Bay, 1699 Stutz Dr, Troy, MI 48084).

This is the reason I hate Hick towns! In an extremely abbreviated description, this film is about a bunch of yahoos in and around a mountain town that kill hitchhikers or non-locals. They just differ in their methods of killing. Michael Moriarty plays the guy that likes to pick up hitchhikers in his tractor trailer and then kill them. Warren Kole is “Walker” or the guy who hitchhikes and kills the driver or any hikers he might encounter. The film also stars Fairuza Balk, (who is still hot in that skanky sort of way), a woman that is stranded in the mountains after the bus she was on broke down. The film also stars Laurene London, was written by David Schow (The Crow) and was directed by Larry Cohen of It’s Alive and Q fame.

Visually, Cohen does some really cool low budget film tricks, especially a hotel room show in which he swings the camera straight over three rooms to see coincidental action between characters. The story is high action, but it isn’t long enough to develop a real love for any of the characters to establish emotional interest. I like Moriarty best myself, but he does psychotic so well.

Special features include an audio commentary with Larry Cohen, who does throw around some nice history bits to tie this with his older films. Behind the Scenes features, Fantasy Film Festival segment with Mick Garris and on the set interviews with the three stars make this one of the last DVD’s in the series with the original allotment of cool extras. (DVD)-Myk

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IMPRINT: Masters Of Horror DVD (Myk's Review)


Imprint: Masters of Horror (Anchor Bay, 1699 Stutz Dr, Troy, MI 48084).

This film has a little for everyone. There is a hideously deformed character, a Dwarf, a ghost story, sexy women, a strange American in feudal Asia, blood, guts and torture, plus it is all orchestrated by Japan’s Takashi Miike.

Billy Drago plays Christopher, an American who falls in love with a Japanese prostitute, but leaves her to the life after a night of passion. Years after the encounter he has returned to locate his love and take her back to civilization. When he gets to the island where the prostitutes live, he finds out she is dead and is befriended by the one hooker no man wants, because it looks like her face has melted. She spins a tale of Christopher’s loves demise, but is it the truth? The tale is full of ghosts, fantasy, so truth, torture to the death and the theft of a ring, that lead to that death.

This is the only episode of MOH no to air on Showtime. They deemed it too graphic, too politically incorrect, and too intense fro the average viewer. You should take the time to see this though. See, the thing is, that compared to Miike’s work like Audition and Ichi, this isn’t all that graphic. There are a few minutes that are uncomfortable, and a few minutes that are definitely degrading towards Western women (the real reason this was never shown), but as a whole, it wasn’t that over the top.

Bonus features on this are plenty. A behind the scenes look at the make-up of the film. An interview with Miike, behind the scenes interviews, a bio, a still gallery and an audio commentary with writers Chris D and Wyatt Doyle. Now, neither of these guys had anything to do with the production of the film, but it ascends to one of the most in depth, well versed discussions on this film and Miike’s work you will see anywhere. You even get to hear them tear apart Showtime for not allowing this on the air. Extremely well created piece on cinema history. (DVD)-Myk

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Manitou, The (Myk's Review)



Manitou (Anchor Bay, 1699 Stutz Dr, Troy, MI 48084).

Over the years, I have seen this film a couple of times. It was originally released in 1978, but this dvd presents the film in a new remastered wide screen print that is excellent. The film stars Tony Curtis as a fake fortune teller and Stella Stevens as his ex-girlfriend and competition fortune teller. The problem arises when Ameila (Stevens) finds a lump in her neck that isn’t normal. The doctors X ray the growing lump, only to find a baby in it. This introduces John Singing Rock (Michael Ansara) as a local Indian shaman that knows that the lump is actual; a modern incarnation of an ancient medicine man trying to be reborn as an immortal in the modern day. The effects on the film are painfully ‘70’s locked and anyone with a shred of technical knowledge will get a chuckle out of what they attempt to do with the hospitals “computers”. That aside, this is a fun film. It is the perfect example of a Saturday afternoon local TV station film. The kind you might see on he off week from the Godzilla marathons we all grew up with. Not much in the extras department, but the fact that they found a print this good kind of makes up for that. (DVD)-Myk

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Blitzkid - "Let Flowers Die"



Blitzkid "Let Flowers Die" (Antidote Records).

This is an old album I had laying around. I receive a lot of cd’s for review and unfortunately, I can’t get to them all. The thing is, that this album fits Icons better than it does Under The Volcano, so I feel better doing it for here than the mag. It also happens that the album was just re-released through the bands website, so it gives them the same kick as well. Blitzkid plays horror rock. It is similar to the post Danzig Misfit albums like “American Psycho” and the far superior “Famous Monsters”. The album sort of clocks in between “Famous Monsters” and the Necromantix, plus it has some of the metallic kick of Danzig’s early solo albums. Most of the vocals are cleanly sung, but at times they have some real grissle to them. The band has successfully transferred that old horror sound to a more modern version in the way that AFI attempts but sorely misses in their overtly melodramatic way. The music brings to mind a sound that I could imagine a Zakk Wylde type guitarist being added to the band. The sound is crunchy and rock n roll, but does not venture into the pure metal or Death Metal realm. Of the bands that I have encountered that are post Misfits, Blitzkid really hits the mark. What AFI and Marilyn Manson has missed because of too much theatrics and what the Murderdolls weren’t around enough to perfect, Blitzkid delivers on. This is what the Deathrock scene can deliver given the chance. (CD)-Myk

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V/A "Saw II Soundtrack"



V/A "Saw II Soundtrack" (Image Entertainment, 20525 Nordhoff St. Suite 200, Chatsworth, CA 91311).

Musically, this cd is the perfect accompaniment to the MTV age we have all stepped into, including the fast paced video style of film making, a style that is strongly used in Saw II. When assembling the groups for this, they did a good job of avoiding picking bands that all sounded alike and the bands weren’t all necessarily huge bands either, something that plagues many soundtracks. The standout track on this, that shows free thinking is the song by the Revolting Cocks. Not exactly a household name, even if the members went on to bands that were. It seems that the direction they were going for was a dark to Industrial one and I think that there are many more deserving bands than they used. I think the inclusion of Sevendust was a mistake, as they were never that good. Blood Simple was a bit surprising as a name to make this list as well, but they may have been going for fresh blood at the time. Marilyn Manson was a logical choice, especially with the inclusion of an exclusive mix for the film. On the surface, Queens Of The Stone Age is an odd choice, but being remixed by UNKLE turns the track right down the path towards the dark side. I won’t say that this is my favorite soundtrack ever, but it was bold and well thought out. I would debate a few of the choices as questionable, with maybe some pressure from a music company or two, but with the odd inclusions of some of the bands, they did put real thought into this. Films “soundtracks” have become such a marketing tool of late, that when one like this comes and has little true commercial value it shows itself to be a real “soundtrack” and not a “music inspired by” cd. I may not be a fan of the bands on here, some anyway, but I am a fan of the process that put this one together. (CD)-Myk

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Superman Returns "Music From The Motion Picture"



Superman Returns "Music From The Motion Picture" (Rhino, 3400 W, Olive Ave, Burbank, CA 91505).

There is little to be said about this cd, except they didn’t screw it up. Starting with a re-imagination of the John William’s movie theme going right through the film, the music is uplifting as the film was. The best part of soundtrack score cd’s like this one is the fact that you can hear the complete tracks, which are often abbreviated for the film. Damon Intrabartolo conducted a 97 piece orchestra to bring John Ottman’s score to life and with past works for Fantastic Four and X-Men, this might be Ottman’s best works. When you are dealing with the best character, you can sculpt the best work, and without Superman, there would be no FF or X-men. The album isn’t as hefty as the works of Williams from 1978, but the Superman Returns is a little more whimsical and light hearted as well, all of which is reflected in the music. If you are a film buff or an avid collector of scores, or like to hear how music truly impacts a film, this is as good an example as you will find. Scores are today’s equivalent of Classical music. (CD)-Myk

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V/A "Sound Of Superman"



V/A "Sound Of Superman" (Rhino, 3400 W, Olive Ave, Burbank, CA 91505).

This compilation is the epitome of cashing in. It was released to correspond with the release of Superman Returns, but has nothing to do with the film and little to do with the character for that matter. This is a collection of 14 tracks that is targeted at the emo/ pop-punk scene with the intent of raising the bands profiles through A) the film and B) covers of well known and respected older bands. The gimmick here is that all the songs are somehow related to Superman, for example, The Receiving End Of Sirens do the song “Superman”. Now, on the cover, seems reasonable, but when you dig in a find that the songs was originally done by the Stereophonics, you realize that most of the disk is nothing more than a marketing ploy. Larger bands like American Hi-Fi did originals, seven of the tracks fit that bill. The others are covers of sonhs by the likes of The Kinks, R.E.M., The Flaming Lips, Donovan and Foo Fighters to name a few. The album becomes monotonous due to the fact that so many of these bands sound alike. Bands like Nightmare Of You, The Academy Is…, Motion City Soundtrack and underground darlings, Paramore. There really isn’t too much exciting here and this could have been a much better album if they included the original tracks on here instead of covers by bands that weren’t alive when the originals were recorded. This is a decent idea that took a definitive wrong turn in favor of a little extra promotion and dollar gain. The only compelling track on this is the song by Sara Routh, Brandon’s sister. (CD)-Myk

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Nick Cave and Warren Ellis “The Proposition”



Nick Cave and Warren Ellis “The Proposition” (Mute, 2006)

The soundtrack for the new film, which is co-written by Nick Cave, is as eclectic as anything the musician has ever written. Melancholy keyboards and minimalist violins play a tremendous part through out the composition. Cave dark tone vocal delivery is as moody as anything I have heard him do, but he tends to shy away on most of these pieces as they stand as traditional score material as opposed to the usual modern use of popular songs bought in by record labels. Not having seen the film yet, I can only deduce from the music that this is one true tear jerker. Cave dark tone vocal delivery is as moody as anything I have heard him do, but he tends to shy away on most of these pieces as they stand as traditional score material as opposed to the usual modern use of popular songs bought in by record labels. Not having seen the film yet, I can only deduce from the music that this is one true tearjerker. You own mood could easily be sucked into the stylistic atmosphere that is presented time and again amongst the sixteen tracks. Also included in the writing and production of these pieces is Warren Ellis, not to be confused with the comic book writer, of the Touch N Go band Dirty Three. The packaging does leave a little to be desired, as the digi-pack only features three images, no vocals, and even the liner notes leave a little to be desired. This is a pretty heavy piece of work, and I am sure there is more explanation behind this, movie aside. The back image is pretty tough though. Nick Cave fans will be instantly endeared by his work, as they usually are, and fans of the film I am sure will find a kindred feel to the music, while film score fans will find something a little more original and experimental than either the traditional score or traditional rock oriented soundtrack. Cave is an icon and it is because of projects like this. (CD) - Myk

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The Misfits - "Static Age"



"Static Age" - The Misfits (Caroline Records, 1997)

Strange things sometimes happen in the sordid world of music and its subgenres. Oddities like 2Pac and Biggie releasing album after album posthumously, or that Black Sabbath has over twenty-five records to their credit (bet you didn't know that), or even the phenomenon known as Ashlee Simpson. Yes, music is riddled with oddities and strange occurrences. And The Misfits, godfathers of horror rock, are not remiss of their own peculiarities. In this instance, Static Age - The Misfits's debut album, recorded in 1978, had its first release nearly twenty years later - almost fifteen years after the original group disbanded.

The myth behind the elusive Static Age LP is that the band had recorded it in a high-end studio after selling the name "Black Records" (under which The Misfits released their equally elusive first release, Cough/Cool), not for money but for studio time. With an authentic production team, professional equipment, and actual sound mixing the band has never sounded better. The guitars are crisp, the vocals are rich, and the sound has an over-all smooth feel to it. And then there are the songs - Static Age is classic Misfits. However, the problem was that record labels weren't quite ready for classic Misfits. By the time the band was ready to press up wax on their own, under the Plan 9 label, they felt the Static Age material wasn't representative of where they were by the end of 1978. They released a few tracks as part of the Bullet 7", and moved on with the full album shelved.

Most monster kids who walk around in Misfits shirts and have their copies of Walk Among Us memorized by-heart often omit the golden age of the band. And while I love "Astro Zombies", and nearly pissed myself hearing Danzig and Doyle rip through it at their New York date, the Static Age material remains the best of The Misfits. While the style of the band developed and evolved with each release, Static Age is the most classically punk rock, 1950's style meets The Ramones. The record plays like a greatest hits album, with the band at its best when adopting an Elvis-like rock and roll vibe with "Some Kinda Hate", "Angelfuck", and "Hybrid Moments". The record also presents the first appearance of live staples like "Last Caress", "Bullet", "Attitude", "We are 138", and the original 'WE DON'T GIVE A FUCK' version of "Teenagers from Mars". This release also presents the original versions of "She", "Spinal Remains", and a fucking-gem called "In the Doorway" - which is heard for the first time ever, on this disc, since its recording back in 1978.

If you've never heard The Misfits, this is where to start. Simply put, one of the greatest punk records of all time and what serves as the genesis of the horror rock genre. (Available at www.amazon.com). - Adam Raines

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"Prom Queen Massacre" - V/A



"Prom Queen Massacre" - V/A
(Horror High Records, 2006)

One of the more subtle casualties of the internet-age has become the compilation album. MySpace, and band websites with MP3s, have typically made the genre of comp obsolete. Comp CDs in their inception were an affordable way to check out a few dozen bands and then go off to buy full-lengths of the bands that stood out; rarely, if ever, was the comp record enjoyable, in and of itself, from beginning to end.

Horror High bucks the trend with their first compilation, Prom Queen Massacre. In the label's fourth release, PQM features twenty of the tightest and most infamous Horror Rock bands in music today. The record offers a soundtrack for Halloween from start to finish, with Wednesday 13 filling in the gaps by providing narration. Standout tracks here are Trashlight Vision ("NOLA"), Calabrese ("Children of the Night"), and Nim Vind ("Killer Creature Double Feature") - styles vary from traditional Misfits-esque Horror Rock to some tracks sounding a bit harder. Horror High wraps it up with a slick looking package, and a full color booklet. Is it worth your $9.99? You betcha. (Available at www.MerchMonster.com). - Adam Raines

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"Deep Dark" - Mister Monster



"Deep Dark" - Mister Monster (Hell Hundred Records, 2005)

In the bands first (of two) post-Bastard releases, J-Sin takes Mister Monster's sound to the next level with Deep Dark. The title track itself is worth the price of admission - "Deep Dark" is complex, catchy, and original (and has quickly become one of my favorite punk songs). Mister Monster takes their Over Your Dead Body sound to the next level, and proves again how they are forging their own path in Horror Rock and not just re-processing The Misfits. "The Torn Prince" and "Glow" are worthy b-sides (I prefer the latter of the two), and the EP finishes off with an awesome cover of "Science Fiction Double Feature". And if that weren't enough, included is a computer-playable "Deep Dark" video. (Available at www.middlepillar.com) - Adam Raines

May 04, 2007

Mad, The

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"The Mad" restores my faith that entertaining crap cinema can still be made. This is one of those movies you watch when you've got a bunch of friends over and plenty of beer. Horror comedy is tough, and the last few years we've seen a slew of horror-comedies, zombie movies, and horror-comedy-zombie movies. "The Mad" doesn't break any new zombie comedy ground, but it doesn't have to be anything but goofy, gory, and funny, and it is. Billy Zane stars as a doctor on vacation with his girlfriend, daughter, and her boyfriend. They make a rest stop at a local hotel/steakhouse. Unfortunately, the meat's gone bad. Real bad. Anyone eating the hamburger special quickly mutates from meat eater to flesh eater. They have to watch out for the leftover raw meat too--because it's got a pretty bad attitude as well. I know, it sounds dumb, but it's a really fun movie. Some of the dialogue is absolutely priceless, such as a great little debate on whether they're dealing with zombies, or sick people, to which sane replies, "I think you're all misusing the term 'zombie'". Zane rules in this movie. He plays it so dry and he's very funny. I don't think I ever seen Zane do comedy, he's usually a jerk or some love interest, but he's great at it. I would love to see him do another. I love how the filmmakers made the most of their low-budget. Look, it's obvious they didn't have much to work with when in the beginning we're supposed to be at carnival that looks like it's made up of 10 bales of hay and 5 extras. They work with what they got though. They've got a fairly witty script and at 83 minutes the film moves by at fast pace. Reminds me of the best 80's late-night cable horror movies that I used to be so fond of.

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May 03, 2007

Strapping Young Lad: For Those About To Rock-Live At The Commodore"


I am not the biggest SYL fan. I like the occasional song, but as a whole, I don't get all the hype surrounding 'Heavy Devy' and company. I do have to say that the DVD does give a lot of insight into what the band is really about and why people like them. First off, they have way more of a sense of humor than I gave then credit for. When a guy has hair like Devin Townsend and can refer to it as a 'skull-let' you have to give him a little credit. He should cut that shit off, but if not, at least he can laugh at himself, not to mention he looks like Mark Green from ER with long hair which is funny unto itself. The show rocks out for 14 songs and shows many of the hijinks the band has become known for live. They are an enjoyable bunch on stage whether you like them or not. The DVD features some really good backstage footage and interviews with the band, with the main focus of bashing on their keyboard player as the band whipping boy. In the case of checking out SYL for the first time, if you had the chance to rent this, (maybe on Netflix or something similar) this is a much better introduction than just listening to any of the albums. If you are a fan of the band, the multi-camera angle shoot and the sound quality alone make this an excellent purchase. If you hate the band, even the stage show they put on isn't enough reason for you to pick this up. If you are like me, and a casual listener, you probably will enjoy watching it, but you may not feel compelled to own it. (Century Media, 2323 W. El Segundo Blvd, Hawthorne, CA 90250) - Myk.

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Leatherface: Boat in the Smoke


This one isn't real hard. You have a full Leatherface show recorded in March of 2004. They played for just under an hour and kicked out tons of great songs in the typical pop-punk meets Motorhead style that Leatherface has become synonymous with. They even manage to do a cover of 'You Are My Sunshine' for one of the encores. What you do see though, is the maturization of Punkervision and their ability to create these live recordings. Compare this to early works like the 'As Friends Rust' dvd, and it isn't even the same league. This is eons better, both visually and sound wise, with a 5.1 Surround soundtrack. Also included on this disc is a bonus live performance from June 2001 with another seven tracks and also an interview with main man Frankie Stubbs about the history of the band and the decision to reform. This is an excellent output for an up and coming company and an even better representation of a punk band seldom seen on the U.S. soil. (Music Video Distributors, P.O.B. 280, Oaks, PA 19456) - Myk.

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Hellfest 2002


This is a two DVD set covering the entire 2002 Hellfest Hardcore, Metal, and Punk festival. The second DVD is all short comical interviews with many of the bands that are shown performing. The first disc features one track from 27 bands that performed that weekend including headliners Hatebreed. Other bands include Bleeding Through, Lamb of God, Eighteen Visions, Bane, From Autumn To Ashes, Terror and the debut of Freya (ex-Earth Crisis). Several of these performances have audio commentaries, which are humorous because the bands are obviously uncomfortable saying things like "that's me jumping," etc. The DVD layout and the sound quality are excellent; this is one of the best live Hardcore DVDs you'll find. It's like having a Who's Who of Hardcore on your video jukebox to rock out to for more than two hours straight. (High Roller Studios, 32 Mill St, Mt. Holly, NJ 08060) - Myk.

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Hate: The Litany of Satan

It is amazing how Poland keeps kicking out amazing bands. Not only that, but one of Poland's best labels just keeps kicking out home videos by these bands. Metal Mind releases Hate 'The Litanies Of Satan' recorded in Krakow in February 2004. The disk clocks in at about 75 minutes and includes 16 tracks, an interview with vocalist Adam The First Sinner, a discography, a bio on each band member, a photo gallery and a CD-Rom section. Among the great tracks selected for this live show, the band kicks out an excellent version of Slayer's Postmortem and the crowd goes bananas. The five camera pro shoot is unbelievable. It might as well have been shot by MTV these guys are so adept at capturing the live aspects of the musicians. Close up's of the guitar picking, the fret boards and even Adam's face during his growling. There is little left unseen in this show. To the point that at times I wish they would just show a back of the club shot so the whole stage could be seen. While I do not feel that Hate are in the same league as Vader, The Yattering or Behemoth, they are an up and coming band that is immensely powerful and has insanely brutal songs. They put on an amazing show that will be well appreciated by any fan of Polish metal, black metal and death metal. I really think fans of Dissection will really be into Hate as they have that same blackened-death style sound. (Metal Mind/Music Video Distributors, P.O.B. 280, Oaks, PA 19456) - Myk.

Zombeiz


Story/ The Film Itself: I love Zombie films. I also appreciate the effort that goes into an independent film release and the pure joy that must come when a pretty major studio picks up your film, but this film is the pits. The film is an "Urban Horror" film. Basically, the film takes place in the inner city and centers around a warehouse and the main character Josephine. She spends the whole movie running from the undead, until she finds out they have captured her husband. Despite the realization that he is probably dead, she continues looking for him which leads her back to her place of employment, where all her co-workers are now after her flesh. The dialogue of this film is atrocious. The scenery is limited to say the least, including trying to use the same places for multiple locations. The picture looks to be made on video, but of that I am not positive. The effects are limited at best, and poor for most of what you get. The acting seems like they just randomly picked people up off the street and is far from convincing. It took all of ten minutes to lose all expectations for the film and on that, it delivered. You can skip this one. (Lion's Gate, 2700 Colorado Ave, Santa Monica, CA 90404) (DVD) - Myk.

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Zombi 2


Story: After a stow-away boat drifts into New York City harbor, complete with a zombie, reporter Peter West joins the boat owner's daughter to figure out the whereabouts of her father, last seen in the Carribean. What they discover is an island where the dead rise & walk upon the land of the living.

The Film Itself: Here it is! Zombi 2 or as it's known in America, Zombie. George Romero's Dawn Of The Dead was released as Zombi by Dario Argento overseas, so technically this is meant to be an unauthorized sequel. It also marks one of Lucio Fulci's best and most recgonized films. The zombie effects are top notch and there's some unbelievable gore, such as the legendary wood splinter in the eye kill. Oh, did we mention the fight between a zombie and a shark? Well, that's here too. Although, I personally prefer the Romero zombie films, this is hailed by most horror fans as one of the best living dead movies ever and it is indeed a classic. As a zombie fan you should see it at least once. The ending alone is worth it & is probably one of my favorite endings to a movie EVER! The dubbing which is trademark in most Italian horror films is the only thing that tends to bothers me, but it doesn't take away for the overall enjoyment of this (or any other badly dubbed) Italian horror movie.

Special Features: This disc was once available thru Anchor Bay, and also came out this past month thru Blue Underground, but this is the Shriek Show version, and let me tell you... it's the only edition you'd ever need. I can't imagine another Zombie DVD being packed with more special features then this one. There's some extensive documentary footage talking to just about everyone involved in the film from writers to producers to zombie actors. There's commentary present here with actor Ian McCullogh, an extensive photo gallery & trailers for just about every Zombie related film Shriek Show has to offer. (I plan on investing in a few!) Some other sites have complained about the variation in color and lighting from this and the Blue Underground version... but ya know what? Who cares!? The film itself looks great to me the whole way thru. After owning every crappy video version of these zombie flicks on VHS, any restoration on DVD is a step up and acceptable. Hands down, this is just one of the best Special Edition's a zombie fan can ask for. - robg.

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Woods, The


Story: Heather is the newest student to the all-girls school of Falburn Academy, having been dropped off by her parents for being a bit of a troublesome teenager. She quickly realizes that the school is not all it seems to be. There are rumors of witches that once inhabited the school. And Heather keeps hearing voices, while students begin disappearing into the woods. What exactly is going on at Falburn Academy and what is Heather’s connection to it all?

The Film Itself: I love director Lucky McKee’s first film ‘MAY’, so naturally, I’m been dying to check out his follow-up ‘The Woods’ for some time now. I’m not sure what the delay was? But thankfully it’s here on DVD, and proves that Lucky McKee definitely earned his label as a Master Of Horror. (He directed the episode ‘Sick Girl’ for Season One). Stylistically, it’s nothing like ‘MAY’ or ‘Sick Girl’. It’s a period piece set in the 60’s and truly it is its own thing, but it’s quite obvious from the get-go that you’re watching a Lucky McKee film. I can’t explain it, this film is just beautiful. I love the look of it, the feel of it and the music and score. The beautiful Agnes Bruckner plays Heather and she carries the whole film on her shoulders with ease. I love her constant back and forth fighting banter with Samantha (Rachel Nichols), who nick-names her “fire crotch” because of her red hair. The stuff in the first half hour with adjusting to a new school is interesting in itself, but then Heather starts hearing creepy voices from the woods (that’s Angela Bettis’s voice, by the way) and the woods themselves start taking a life of their own as the school’s back stories start to come into play. You know who’s great in this movie? Believe it or not? Bruce Campbell. Seriously! Between this and his acting in Bubba Ho-Tep (Which he was great in.) I think he’s become an even better serious actor and I wish I could see him do more of this stuff. (At least without him saying it “sucks” at convention appearances.) He has a difficult yet loving relationship with Heather that becomes more obvious towards the end of the film. Why’d it take so long for this to make it on DVD? I assume studio tampering with the final cut? And the film’s not perfect. The ending half in particular gets a bit confusing, but it still doesn’t take away from the fact that I loved watching every frame of ‘The Woods’. And am eager to see more from Lucky McKee.

Special Features: Sadly, this movie just can’t get a break. No features whatsoever on this release. I’m sure a commentary explaining the film’s post-production problems would’ve been interesting, but alas, not on this DVD. If they ever did give this flick its due and give it a fancy special edition, I’d definitely be first in line to pick it up. –Robg.

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Wolf Creek: Unrated Edition


Story: Three friends are traveling across the great outback, and end up taking a 4-hour hike to the Wolf Creek National Park. When they return, their car is dead and help comes in the form of a bushman named Mick. But as they are soon about to discover, Mick’s intentions with them are far from humble, and all the more sinister! Based on the real life “back-packer” killer.

The Film Itself: The advertising for this film is fairly impressive. I mean, right on the box are quotes from filmmaking giants Quentin Tarantino and Robert Rodriguez. “One of the great horror film heavies of the last 25 years” and “as real as horror gets”. These are pretty bold statements! Now, are they true? To an extent. Don’t get the wrong idea. I really DID enjoy this film, but it’s far from an instant horror classic. Let’s address the problems first. The movie feels really long and it’s very slow paced. I usually love slow paced movies that build in suspense. But I think you can skip the first 40 minutes and not miss anything too important. But after that, the second half of the movie is great. Once we learn of Mick’s true intentions, things get pretty horrific. Things I liked about the flick? The cinematography is absolutely gorgeous. It wasn’t until I watched the making of featurette that I learned this movie was shot in HD digital and it looks amazing! Also, John Jarret is fantastic as Mick. He comes off so likable when we first meet him that it’s hard to believe how sinister he truly can get. There’s a bit of gore in this “uncut” addition, but not a lot. (Hey, there ARE only 4 characters.) There were moments in the second half that were pretty brutal and even the ending is a bit upsetting. (But also satisfying.) I think the second half is what pretty much makes this movie.

Special Features: This is a pretty good special edition disc. There’s a commentary track with director Greg McLean, producer Matt Hearn, and actors Cassandra Magrath and Kestie Morassi. It’s fairly entertaining as they share plenty of stories about the making of the production. (Such as Nathan Phillips bringing the acoustic guitar to the set and improvising the songs that ended up in the film.) There’s also a really in-depth extensive making of featurette which covers practically the entire production. I enjoy hearing director Greg McLean’s talk about his passion for this project and the horror genre in general. He seems to know his horror and I really look forward to what he does in the future. –robg.

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Witchboard


The Story/ The Film Itself: A woman named Linda (music video vixen Tawney Kitaen) is possessed by an evil spirit through the use of a ouija board believing the spirit to be that of a ten year old boy. At first the spirit is helpful such as helping Linda find a lost ring, but this is only a trick to lure her into using the board more and more. Eventually her behavior starts changing and people around her begin to suffer mysterious deaths. It's up to Linda's boyfriend Jim and her ex-boyfriend Brandon to save her before it's too late. Witchboard is a highly underrated horror film. Unlike many horror films of the eighties, Witchboard focuses on suspense and not gore. It creates high tension and is at times atmospheric. The characters are also not the standard fodder for the body count. All the characters in the movie have a purpose. They are likeable, although not so much at first. Alongside Tawney Kitaen, the film also stars Todd Allen, Stephen Nichols, Kathleen Wilhoite as a zany psychic and Rose Marie (of The Dick Van Dyke Show) as the landlord. The movie is directed by Kevin S. Tenney who later directed Night Of The Demons. Followed by the excellent Witchboard 2: The Devil's Doorway (not available on dvd) and the not so good Witchboard: Possession (available on dvd from Artisan.)

Special Features: Commentary by Writer/Director Kevin S. Tenney, Executive Producer Walter Josten and Producer Jeff Geoffray/ The Making Of Witchboard/ Theatrical Trailer/ TV Spots. - neil a.

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Wishmaster 3


The Story: A new Djinn is in town, or at college to be more exact. Same basic story. The Djinn is freed & must grant three wishes of the person who released him to take over the world & kill the human race.

The Film Itself: After the disaster of Wishmaster 2, I had low expectations for the third in the series. Surprisingly, it is just as good as the original. The formula is a little different for this movie. Being that it takes place at college it brings younger characters into the mix. It's sort of like Wishmaster meets Scream. Jason Connery (Sean's son) takes the role of the Djinn in human form as a professor instead of the untouchable Andrew Divoff. While not as good as Divoff, Connery is still plausible in the role. John Novak is the Djinn himself and is okay in the role. His voice wasn't as good as it seems that Divoff used more of his natural voice. This time around the Djinn sounds more demonic which isn't as effective. It should be pointed out though that this is a different Djinn from the first two movies. A.J. Cook (Final Destination 2) plays Diana. As usual she does an excellent job as the heroine. The supporting cast also rise above, especially Louisette Geiss as Katie, Diana's best friend. Daniella Evangelista and Emmanuelle Vaugier star alongside A.J. Cook once again after starring in Ripper: Letter From Hell together. The death scenes are cool too, but nothing that hasn't been done before such as a girl puking up her insides and another death scene which recalls Linnea Quigley's infamous demise in Silent Night Deadly Night. The storyline tends to get a little lame with an angel from heaven coming to help Diana defeat the Wishmaster, but that doesn't take away from the enjoyment of the film.

Special Features: There is a highly entertaining commentary from the director & cast members which is both funny and informative, 5 minutes of behind the scenes footage, storyboard gallery, production notes, and cast & crew information. This dvd is available separately or in a double pack with Wishmaster 1 & 2 for a very low price. - neil a.

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Wishmaster/Wishmaster 2


The Story: Wishmaster - With this movie a new horror icon was unleashed. He is known as the Djinn, an ancient evil genie from a world between worlds. After being trapped inside a gem he his accidentally freed. He must then find his owner and grant her three wishes. By doing so his race will be able to take over the Earth. Wishmaster 2: Evil Never Dies - Pretty much the same as the first only now the Djinn needs to take 1,001 souls to end the world.

The Film Itself: Wishmaster - As lame as the movie sounds it is actually very good. Andrew Divoff plays the Djinn perfectly, sinister but with a sense of humor. While there are some similarities between the Djinn & Freddy Kruegar, Divoff manages to hold his own & make the character unique. Tammy Lauren plays Alex & is everything a heroine should be. She is tough, smart and beautiful. The gruesome special effects are another strong point of the movie. Aside from a few weak cgi moments the special effects are outrageous. Another highlight of the film is the appearance of some other horror icons such as Kane Hodder, Robert Englund, Tony Todd & Angus Scrimm (voice only) among others. Verne Troyer (MiniMe) plays an embryonic Djinn when he his first released from the gem. Wishmaster 2: Evil Never Dies - This movie, sorry to say, just plain sucks. Everything about the original that made it so much fun is gone in the sequel except for the return of Andrew Divoff as the Djinn. Even then the character seems diminished somehow due to horrible writing. In the original his quips were clever & funny. In the sequel they are stupid; such as when he freezes a police officer and says, "He needed to chill out." Really. The humor used to take second-hand to the evil, but now it seems the other way around. The rest of the cast is awful. Not necessarily because the acting was bad, but because they were not interesting characters. The special effects, which are needed to make a film like this work, are few & far between. The only scene worth mentioning is the casino scene towards the end which features a killer card machine which shoots cards out at a rapid speed which cut through people's faces. While something similar to this was done in Sometimes They Come Back...Again, it is done much better here. One idea that worked for the film was that the Djinn would go to prison and to a casino. Where else would one go when in need of 1001 desperate souls? Unfortunately nothing interesting comes of it. Although I don't recommend this movie you might as well check it out since it is on the same dvd as the original which I do recommend.

Special Features: Wishmaster - There is a 25 minute making of documentary which offers a quick look at the production of Wishmaster including interviews with the writer, the director, and Andrew Divoff the Djinn himself; plus footage of an on set fire that closed production for a day. There is also a commentary from the writer & the director, which is kind of boring & there is no need to listen to it if you already watched the documentary. Also included are production notes & the theatrical trailer. Wishmaster 2: Evil Never Dies - Production Notes, Cast & Crew Information, and a trailer. - neil a.

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Wishing Stairs


This is the third story in the “Whispering Corridors” trilogy, which also featured Memento Mori and Whispering Corridors. To be honest, aside from the films being linked through evil and ghosts and the fact that they all occur in schools, they really aren’t all that linked. In Wishing Stairs, a dance school is the location and a school legend exists stating that if you count each stair aloud as you go up (there are 28 stairs) a magic 29 th stair will appear and grant you a wish. A wish that is pure of heart will be greatly rewarded, but one that is malicious and full of nothing but self gain will unleash serious consequences. When one of the dancers decides to wish for a role in the school play over a close friend, nothing good comes of it. People start dying, a good number of them actually. Is there a way to put a stop to all the death and looming evil? Can they maybe just wish it away? The 29 th stair doesn’t appear for everyone and has too much bad karma already been released? The film is direct by Yun Jae-yeon, one of the few Korean women that direct horror films. Stylistically, it is as creepy as any “J-horror” film you will see. Like most films from this section of the world, the film is dark and heavily suspense oriented as opposed to American and Italian films with tons of gore. If you miss the good old days of actually seeing a “ghost” movie, this is a good one to check out. The East still do good old fashion “scary” movies. Features include a making of, a sketchbook and promotional material section. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) (DVD) - Myk

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Wind Named Amnesia, A


Story: This is a different kind of apocalyptic film. In the typical story, someone sets off the bomb and then they focus on the survivors after the catastrophe. In this film, a strange wind blows over the surface of the planet, and everyone looses their memory. Cars crash, planes crash, boats sink, and people die of hunger because they forget to eat. How would humanity cope if everything they knew was taken away from them? How long would it take them to relearn basic survival instincts? Add to that, the fact that a few select people have not been as affected as everyone else. How would they interact with other people who cannot at all communicate? But most of all, how did this happen? Who is responsible and can it be fixed? One boy sets out to try and find the answers to these questions and ends up with a rag tag group of people surrounding him along the way.

The Film Itself: This film is available individually or as part of the Yoshiaki Kawajiri director brick packs set. The animation on this is excellent and they avoid almost entirely the hokey anime style that has become synonymous with Saturday Morning cartoons. There is no nudity and the battle scenes are limited to only a few short scenes, but the story is strong and is produced by some of the best names in Anime today. (US Manga/Central Park Media, 250 W 57th St, Suite 317, New York, NY 10107) - Myk.

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Wild Camp


This is a fictional story, but is so true to life it will hit way too close to home for some people. Blaise is an ex-convict that is trying to get his life together and keep his family going. His brother-in-law has secured him a job at the summer campground that he runs as a boating instructor. Everything starts all right, even though the majority of the camping families feel that Blaise is a little off. Things start to go downhill when Blaise meets Camille. Camille is an attractive teenage girl that is bored with her current boyfriend and family situation and is looking for some kicks, much like any teenager. She thinks she has found them in Blaise who holds the “older and more dangerous” aura to her. At first he does his best to resist her come on, but as things continue, he fails. She maybe a standard looking young lady, but to an older guy, she is a young, hot little number that wants to run away with him and worship the ground he walks on. This of course doesn’t sit well with the camp staff, campers or especially Camille’s family and boyfriend. The struggle begins to overwhelm the two and leads to drastic measures. This isn’t a true story, but it is one you could read any given day in the paper. That fact alone gives is a more than creepy aesthetic and as the story builds, you see the changes in Camille and see what attracts Blaise to this woman. Isild Le Besco play’s Camille and puts in an excellent performance in this French language piece. There is some nudity in the film, but for most of it, you end up feeling dirty for watching it, which is much of the point. - Myk.

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Whispering Corridors


Tartan Asia Extreme has been releasing some of the most amazing films I have seen in years. I am thankful for it too, because many of them I'm sure I would not get to see without their help. Unfortunately, when you release so many movies and the bar is set so high, you are bound to have a few that are lackluster. Whispering Corridors isn't a bad film. I enjoyed watching it, the film just is not as good as some of their other recent films like 'Phone' or 'A Tale Of Two Sisters'. The story revolves around an all-girls school. A former student has returned to become a teacher there and just as she arrives, a teacher who she had as a student commits suicide. The teacher becomes close with a couple of students that remind her of herself and her best friend at school, who coincidently committed suicide. There of course is the horrible male teacher who hits on the best looking girls, often going well past the acceptable limit with his hands and comments. Something is wrong at the school though. The students take refuge in an old art room that has been abandoned because it is "haunted" and the teachers refuse to go there. The school reminds me of a Catholic school scenario that you may have seen in late '70's American films, these teachers just don't have habits. Americans have not seen too many actually 'ghost' films in recent years, but this is very common in the Eastern film market. While I did not at all expect the end of the film, I didn't exactly find it to be overly frightening either. It was more thriller than horror and in that, I was a bit disappointed. This is a rental, but you can skip the owning. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) - Myk

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Werewolves on Wheels


Fans of low-budget 70's drive-in fare rejoice, because "Werewolves on Wheels" is finally available in a Special Edition DVD. I remember this one from this late-night local showings on TV. Spent years going to conventions looking for it, but most dealers looked at me like I was crazy. My buddy from CryptFlix finally had it last year, and it was quality stuff. But this...this had me drooling like Great Dane when I saw it on the shelves this week. Cleaned up, the film looks absolutely beautiful, and in widescreen no less. Old VHS copies and dubs were always entirely too dark, rendering the movie at worst, unwatchable, at best, difficult to follow. I'm amazed a decent enough print of this thing even existed. The DVD also features audio commentary with the director and co-writer. AMAZING. The folks at Dark Sky DVD are to be commended for this disc--this is exactly the sort of thing I want to see when I pick up a crap classic. Us fans of low-budget, pretty terrible movies, well, we love these movies because they're terrible. That's not to say we disrespect them, or think they they shouldn't be seen the way they were intended, and of course, more than anything, we love to get inside the head of people who made them. C'mon? Who the hell in their right mind doesn't want a running commentary from the creators of a werewolf biker gang movie? Thank you, Dark Sky. Thank you. Excellent job.

Ok...about the actually movie. A biker gang runs into some Satantists. Rub them the wrong way. Some get turned into werewolves. Yea, it's a movie junk, but you know, movie junk from 30 years ago puts movie junk of today to shame (Turbulence 3: Heavy Metal exempted). If you're a fan of the kind of stuff that came out of AIP, the car chase movies, the biker gang movies, and also a fan of drive-in horror like "I Drink Your Blood" you should be ashamed of yourself if you don't run out immediately and add "Werewolves on Wheels" to your DVD collection. --Mike C.

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Watchers/Watchers 2


Story: 2 top secret creations from the government escape out into the world. One is a dog of superior intelligence. The other, a creature hell bent on killing and poking the eyes out of this blasted dog... and just able anyone else who gets in it's way. Which lucky for us is a lot of people. Both films share the same plot. Part one has Corey Haim though.

The Film Itself: I never had the opportunity to read the book, so I'm not sure if this is a faithful (or even good) adaptation of the original Dead Koontz novel. But as a stand alone 80's horror flick, this is pretty decent. Both films are very, very similar. The first stars teenage heart throb Corey Haim, who befriends the dog being hunted by the genetic government creature creation. Michael Ironside (of Total Recall & Scanners fame) is great in this picture, as he always is. You're not really sure where his character of Lem Johnson is coming from but being that he's always villainous in all his movies, you can guess. The second film is surprisingly a good sequel. I think main actor Marc Singer has a lot to do with it, as does beautiful psychologist Barbara White (played by Tracy Scoggins). Although the plots are similar, in the 2nd one, you get to see a bit more of the creature. Overall, both films aren't a bad watch.

Special Features: No features on either film. Both are presented in full screen with basic 2.0 stereo sound. However, it is both films on one disc, and it's fairly inexpensive. It's video quality, so you can add these to your horror collection and consider them upgrades from your video versions. - robg.

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Village, The

Story: A small peaceful community lives in fear of "those we don't speak of" - the inhabitants of the surrounding woods. When one of the villagers is stabbed in a jealousy crime, his blind fiance ventures into the woods, hoping to reach the next town for medicine. That is, if "those we don't speak of" let her pass.

The Film Itself: First off, I may be biased here because I love everything that M. Night Shyamalan does. I don't understand people or the backlash that surrounded this movie! It's a great film! Equally as stylish and unique as his previous films. M. Night is an excellent visual storyteller, and The Village is no exception to what we've come to expect from him. There's not a "twist" ending, ala The Sixth Sense, but numerous plot twists during the 2nd & 3rd acts, and THAT in itself makes it a very entertaining film to watch. The cast, much like his previous films is phenomenal. William Hurt, Sigourney Weaver, Adrien Brody. Joaquin Phoenix (returning from M. Night's Signs) steals the show for the first half of the movie. And new-comer (at least to screen) Bryce Dallas Howard hold her own for the second half of the picture. The moment where the stabbing takes place is one of those shocking moments. But what I loved about it, is that it's the point where the love story that's been hinted at thru-out the duration of the movie takes front and center. There's some fun little suspenseful scares, that come courtesy of "those we don't speak of", but once you reach the end of the film, you'll probably look at it in an entirely different way. Again, this isn't exactly a horror film, but it follows M. Night's "Twilight Zone" style writing. And it's just a good movie!

Special Features: Like all of M. Night's films, there's plenty of excellent special feature material here. There are a number of making of featurettes covering everything about the production, including building the village sets, the casting, making-of, etc. M. Night throws in one of his childhood short films, which is him playing Indiana Jones. It's humorous and worth watching at least once to see where he came from. - robg.

Viewtiful Joe Vol. 1

The concept for this show is based on a video game of the same name. It seems that cartoons based on video games contain the same quality most of the films do. The DVD contains 3 episodes of the show about a guy and his girlfriend that are sucked into a celluloid land while watching his favorite film about a character called Captain Blue. Joe gets Captain Blue’s powers when he enters Movieland and knows how to use them based on his memory of all the films he’s watched numerous times. The bad guys are all half man half beasts like Street Sharks, that cartoon from the ’80’s, or the Teenage Mutant Ninja Turtles. The animation is weird, with really small bodies and really big heads, I don’t much care for it. There is also a lot of duplication parts, like “I Have The Power” from He Man or when Voltron would assemble from the Lion’s. They use the same footage in every episode to save time or money, or both. All of the characters are ridiculous, and they are all really stupid (not conceptually, they’re actually stupid). It’s kind of like all the character’s are based on the mental capacity of the 3 Stooges. I realize that when I was a kid, cartoons were long ad’s for toys, so they dumbed down the plot a bit. This just isn’t really all that well written, even compared to what I used to watch. There is so much better stuff out there, and why can’t someone just start animating like people again? Why does everything have to be deformed and weird? (Geneon, 2265 East 220 th ST, POB 22782, Long Beach, CA 90801) - Myk

Undead

Awesome. I can't say anything other than that. This is a film that shatters all boundaries of "low budget film making" and makes films that look bad because of it look even worse. If you are a fan of Peter Jackson's 'Dead Alive' you will totally eat this up. Lot's of fake blood, a few silly zombie moments, an amazingly hot girl who strips down to bra and panties and a totally bad ass anti-hero who's name in real life is Mungo. Is the film a zombie movie? Yes, but it is also a Sci-Fi film and a post apocalyptic tale. Elements of films like Street Trash, NOTLD, 28 Days Later, Dawn of the Dead, Bad Taste, Taxi Driver and even Scream all combine to make an absolutely entertaining film. A small town in Australia is bombarded by meteors and from the second the first one hit's, all hell breaks loose. But it gets weirder from there. Acid rain has started to fall and not only does it burn the skin, but if you get caught in it, you are sucked into the sky by a blinding light. Who's left, but a psychotic, chicken shit cop, his rookie partner, the local looney who claims to be abducted by aliens and also happened to own a gun shop, a local kid and his pregnant girlfriend, and of course, Rene, the local beauty contest winner who is losing he home because her parents died and left her nothing except bills. The rag tag group must leave the house they are locked in (sound familiar at all?) and venture into town to find out how to escape the rain and zombies. If you liked Shaun of the Dead you are gonna eat this up. The camera work is stellar and the writers/directors (two brothers) did a bang up job to keep this original. The DVD features two different audio commentaries, one with the directors which is very technical and well done, and the other with the cast which is just funny and a goof to listen to. There are also deleted scenes, make-up tests, behind the scenes stuff, some film festival footage and even making of's. This is just packed full of goodness that everyone will want to own. (Lion's Gate, 2700 Colorado Ave, Santa Monica, CA 90404) - Myk.

Unborn But Forgotten

This film has some similarity to The Ring plot wise. In The Ring, you got 7 days to live after watching videotape. In Unborn, woman had fifteen days to live after going to a website. The main plot thread of the film is a detective who is investigating this website and also a hospital which may or may not be linked. One woman that has seen the website ends up living in an apartment of one of the victims and weird stuff of course ensues. She befriends the detective and helps with the investigation, mainly because her life depends on it. In the meantime she is also dealing with her television anchorman boyfriend who wants her to get rid of her newly conceived child because it is ruining his reputation because they are not married. This is directors Lim Chang-jae's first film and visually it is very good. There are a few slow parts in the film and the ending is somewhat confusing and open to interpretation. The acting is very good though and the DVD features some behind the scenes bonus stuff and interviews. This is not on the top of my Asian suggestions, but you can do far worse. Fans of Asian horror could sit and debate this one for hours, for more newly vested viewers, it might leave you feeling a little unfulfilled. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) - Myk.

2001 Maniacs

Story: A remake/sequel to the Herschell Gordon Lewis cult classic 2000 Maniacs! A group of college students are on spring break and on their way to Daytona Beach when they stumble upon the town of Pleasant Valley, where they are made guests of honor in the town’s annual barbecue celebration. Instead of getting a taste for the old South though, it seems the old South is getting ready for a taste of them!

The Film Itself: I was looking forward to this flick for a very long time before it was released and I was NOT disappointed! I was already a fan of the original HGL version, (In fact, it’s my fave of his films) but once I saw a few Fangoria panels (where Tim screened some of the inventive kill sequences) I knew I was in for a gory treat! This flick brought me back to the way I felt about a lot of horror movies growing up. It was funny, had so much blood and gore, and tits! Lots of hot, good looking people, nudity, and tits! You can’t ask for much more out of a horror flick then that. And you have Robert Englund! Mister Freddy Krueger himself playing the lead role of Mayor Buckman! Not only does Robert give an awesome performance, but some of the dialogue in this flick is so freakin’ funny, memorable and quotable. Look for hot maniacs Christa Campbell and Wendy Kremer to rock your socks off. And other actors like Mushond Lee, Lin Shaye, and Giuseppe Andrews steal the show practically every time they appear on film. The kill sequences will NOT disappoint you! That I can promise!

Special Features: This disc rocks! There’s an excellent commentary track with writer/director http://www.iconsoffright.com/IV_Tim.htmTim Sullivan and Robert Englund. It’s so much fun listening to these two guys talk about this movie and just movies in general because they both KNOW their horror! ‘Inside The Asylum’ is an extensive making-of documentary with plenty of interviews and high-jinx with the entire cast & crew. There’s a slew of deleted & extended scenes which include plenty of cameo’s fans will get a kick out of. Like the alternate opening with John Landis and David Freidman. And a scene with Eli Roth reprising his role from Cabin Fever. Seriously, buy or rent this DVD and watch it with a group of your friends. I’m sure you’ll all have a great time with it. –robg.

Turbulence 3: Heavy Metal

I wanted to review this film, not because it's a great horror classic, but I figured anyone into horror is generally going to think this movie is worth seeing:

You know I went to film school and I really should know better, but I love crap movies. I'm a huge fan of 70's disaster movies and so I've been in this "airplane" movie kick over the last few weeks. I think the "Airport" (not "Airplane") series is goddamn hilarious. The next best thing is the "Turbulence" series, because there hasn't been a direct-to-video movie series this awful since "Operation Delta Force part 1-5".

Here's a little recap: "Turbulence" was a $55 million dollar flop starring Ray Liotta as a serial killer on board a 747. "Turbulence II: Fear of Flying" was produced for a $1.98 and on the idea that since nobody saw "Turbulence", they won't notice all the special effects shots are taken from the first film. "Turbulence 3: Heavy Metal", assumes nobody saw "Turbulence II: Fear of Flying" so you won't notice actor Craig Shaffer is now playing a completely different character.

But, my friends, it gets better for the gods of crap cinema have truly blessed us with a winner: Let's start with

the story: Death rocker Slade Craven (who sings the hit, "Gun Love") is planning his last concert on board a 747 with 40 of his biggest fans. He manages to perform his concert complete with light, smoke and lightening effects. Ever been on a plane? Yea, I know. Well, then satantists hijack the plane intent on flying it into a church in Eastern Kansas, which is reported to be the seventh gateway to hell. Are you following me? Ok, because here's the kicker: Slade Craven, in his tight leather pants and corpse makeup, must now overpower the hijackers, and somehow land the plane without smudging his eyeliner. Yes, this is the disaster movie that combines the plot of "Airport 1975" and "The Crow". I don't know which I prefer, cross-eyed Karen Black trying to land the 747, or this guy. Hell, I don't know anymore if I prefer Helen Reddy singing to Linda Blair in "1975", or Slade Craven's mega-hit, "Gun Love". See what garbage movies do to you? But it gets better still...

In our cast, we not only have Golden Globe award-winning Rutger Hauer (Blade Runner) as a satantic co-pilot, we also have Emmy nominated actor Joe Mantegna. And once again, most of the special effects shots are taken from the original "Turbulence". Need I say more? Run, in your tight leather pants and Crow makeup, to the nearest video store and rent yourself a copy of this masterpiece.

Special Features: COMMENTARY!!! I can finally get into the heads of those responsible for this movie. I love it when crap movies come with audio commentary, I'm fascinated by the process of making a wretched piece of cinema. The commentary track includes the writer, producer, and John Mann (Slade Craven). They all seem genuinely proud of the film. I'm proud of them too, because it takes guts, real guts, to make a movie this wacky work. The producer spends most of the commentary narrating the film though. Boring. The writer keeps letting us know what great plot twists he wrote, and John Mann explains how much he really, really wanted this part. I'm glad you got it, buddy. I love it. - mike c.

Editors Note: Mike, you forgot to mention the very beautiful Gabrielle Anwar & icon Brad Loree (Michael Myers in Halloween: Resurrection). Slade Craven rules!!! - robg.

Trauma

Trauma was Dario Argrento’s first foray into English language films. Usually he would film them in Italian and havbe them dubbed, or they were at least half and half depending on the native tongue of the actor/actress in the film. The film also has Argento’s highest profile cast ever including his daughter Asia (XXX and Land Of The Dead), Piper Laurie (Carrie), Brad Douriff (Lord Of The Rings), Frederic Forrest (Apocalypse Now), and James Russo ( Open Range). The story centers around a reformed drug addict, Aura ( Asia) who is in and out of her house. Her parents were killed and she was orphaned and left to lead her new life. Suddenly, years later a murderer called The Headhunter is killing people and severing their heads just as had happened to Aura’s parents. She gets sucked into the investigation as does her old supplier and also her boyfriend from rehab who she is now sort of living with. As with many of Argento’s plots, this story is totally circular. One plot line runs into the next, sort of like a slinky. In the realm of Argento, this is one of, if not his poorest film. In comparison to most of the direct to video horror films out there today, this is still a quality release, just not for him. Although, this is the third time I’ve seen it, and it does get better with multiple viewings. The dvd is packed with extras, not to mention the fact that the film is presented in its complete uncut version in widescreen, which did not appear on the previously available home video. There are deleted scenes, a making of, an audio commentary with the writer, a feature with Tom Savini (the films special effects guru), plus the trailer and a still gallery. Loving Argento the way I do, I recommend owning his whole collection, this one included, this is just the least favorite. (Anchor Bay, 1699 Stutz Dr, Troy, MI 48084) (DVD) - Myk

Tobe Hooper's The Toolbox Murders

Story: Texas Chainsaw's Tobe Hooper remakes The Toolbox Murders... without actually watching the original!

The Film Itself: With the disaster that is the second half of the original Toolbox Murders, I expected a remake to be top-notch in comparison. Well, it's perhaps a tad better then the original and that ain't saying much. Don't get me wrong, I DID enjoy this version. The first half hour or so get's really BRUTAL. First kill alone with the hammer. Ouch! I felt it! And let's not even mention the drill! The kills are very effective in this version and equally disturbing. Also good is Angela Bettis of one of my recent fave films 'May'. The problem with this movie is that Hooper admits to not sitting thru the original. So the only similarities between this and the original is the name, and the creepy killer with tools. The ending and "explanation" for THIS toolbox killer is even more far fetched & out there then the one in the original, and I think it sadly ruins this film. (Hint: do we really need another Leatherface? ...who's bound by magic?) Still worth a rental or at least one solid viewing.

Special Features: One of the coolest things on here is the deleted scenes. The gore on all the kills is FANTASTIC! Wait until you see the "drill kill"! If they were to put back all the gory bits & release the DVD as an unrated director's cut, it would've made the whole movie SO much better. And it would've made the ending ALMOST tolerable. Almost. Ok, I think this DVD is definitely worth checking out. Go for it. - robg.

Toolbox Murders, The

Story: A deranged madman goes on a killing spree in a Los Angeles apartment complex using tools. Banned by censors, trashed by critics and offensive to all, mainly because no one knows what happened to the plot in the second half of the movie!

The Film Itself: Well, this is a Blue Underground release so you've got to expect something a little "out there" coming from them. The first half hour or so is in fact a straight forward and brutal horror flick. The killer stalks this quiet apartment complex and kills girls in horrible ways using various tools. It's pretty gory and effective. But somewhere along the 45 minute mark, the movie takes a nose dive and the motives of the killer (as well as the killer himself) are revealed. Honestly, I don't know what the hell happens after that. It just gets worse and worse. The idea is strong and has promise, but it fails to deliver after the impressive first half hour. By the ending, you're left a tad bit baffled.

Special Features: Blue Underground knows how to treat it's trashy cinema! With a special edition! The extras on here are pretty darned cool. There's an audio commentary, a theatrical trailer and tv spots. But the highlight is a interview/featurette with star Marianne Walter titled 'I Got Nailed In The Toolbox Murders'. The DVD is fairly inexpensive, so between the opening of the movie & the extra's, it's worth a look at. - robg.

Thriller: A Cruel Picture

Story/ The Film Itself: Madeleine is a young woman who has been a mute ever since a sexual attack when she was a child. When she misses the bus on her way to a doctor's appointment, she accepts a ride from a stranger named Tony. He takes her to dinner and then back to his house where he spikes her drink. When she wakes up, she is told she has been injected with heroin and that she will not last more than two days without a fix. She will be given two hits a day for working as a prostitute. When her first client arrives, she reacts by severely scratching his face. To punish her, Tony uses a scalpel to cut out one of her eyes (in a scene supposedly using a real corpse) causing her to wear an eye-patch. Being that she, like other girls, now has a dependency on heroin, she is allowed to leave the house on her day off since she will have to come back for her fix anyway. When she goes to see her parents, she finds out they have both commit suicide over a letter they believed to be from Madeleine saying she didn't love them anymore and would not be coming back. With the money she earns from tips, she buys lessons in martial arts, gun shooting, and driving. When she masters each skill, she sets out for bloody revenge against Tony and her clients. Thriller: A Cruel Picture (aka They Call Her One Eye) is one of the best exploitation movies ever made. It has beautiful cinematography and an excellent, daring and fierce performance by the beautiful Christina Linberg as Madeleine. Although she never speaks, her sweet, innocent face expresses all the pain and rage and determination she is feeling. She is one of the ultimate femme fatales of cinema, exploitation or otherwise. The slow motion fight sequence at the dock is brilliant. One thing I felt was unnecessary were the explicit penetration shots during the sex scenes (one in particular is really nasty, you'll know it when you see it). Including them seemed to go beyond pushing the limit, as it made the film seem pornographic which it is not. However, even with these shots, it does not deter from the genius of this movie. While not specifically horror, it is of special interest to fans of Last House On The Left and I Spit On Your Grave. Quentin Tarentino fans should also check this out since it seems to have had great influence on his style and the Daryl Hannah character in Kill Bill. The dvd is uncut and uncensored. A must see.

Special Features: Original Swedish Language With Optional English Subtitles and English Dubbed/ Still Galleries/ Original TV Spot and Theatrical Trailers/ Outtakes/ Alternate Harbor Fight Sequence/ Thriller: A Cruel Lab Mistake (rare photos detailing an unused fight sequence ruined by the film lab during production)/ Thriller: "The Story In Pictures"(a 40 second flash cut version of the film)/ Filmographies. - neil a.

Three Extremes II

The first film was genius. It was both scary and disgusting while maintaining a hi level of achievement through the collective of directors on the collaboration. The second volume had all the promise of the first, but the stories ended up not being as good. It wasn’t for a lack of directors since they compiled Kim Jee-Woon (A Tale of Two Sisters), Nonzee Nimibutr (Nang Nak) and Peter Ho-Sun Chan (The Eye 1 & 2). Woon’s story revolves around a woman who wakes up in a street after apparently getting hit by a car. She has no memory and a broken cell phone on the ground next to her. All she has past that is a phone number written down in her pocket. She proceeds to try and find out whose number it is and how to get to them. She tries walking, a taxi and any other method to get there she can, but problems are abound. Her husband on the other hand wonders why she has left, as he can’t remember. This part was a decent murder mystery type story, that has become a staple of Asian cinema over the last several years. Nimibur’s story is called “The Wheel” and revolves around a small village/ stage show troop. One of the members, who is a puppeteer tries to get rid of his puppets several times to no avail. He tells his apprentice that they are cursed and he wishes it on no one else. He ends up dead and the apprentice has to teach the village how to work them as they try to create uncursed versions to fight it. In the meantime, the puppets have found a little girl as a host, and they are not happy with what is going on. This story is just a little too reminiscent of “Dolls” to be all that compelling. The acting and direction is fine, just a little unoriginal. The final tale, from Chan, is called “Going Home”. It revolves around two families who live in the same apartment complex. One is a father and his son, who have a strained relationship because the son is overly scared of things and the father is a real man’s man who leaves the child alone and pays no attention to his fears unless calling him a coward. The other family is a couple and their daughter, except the mother is dead. In a grand delusion, the father believes she will wake up, so he keeps her around, sort of similar to Norman Bates psychosis. The dvd features no extras, and doesn’t live up to the first volume. The ho hum aspect of the stories put it on the downside of J-extreme films since we are getting such an influx now and this one is sub par. (Lion’s Gate, 2700 Colorado Ave, Santa Monica, CA 90404) - Myk

Thing, The

Story: 1982. Antarctica. Americans stationed at a research camp come under attack by an organism that can imitate any living thing perfectly.

The Film Itself: John Carpenter's best film? I think so. "The Thing" is everything a sci-fi-horror film should be. Carpenter puts about a dozen or so men in a claustrophobic situation with something deadly that they don't understand. You're never sure just who is what and what is who. It's makes me gag to think of how often this premise has been bungled before & after Carpenter tackled it, but here is "The Thing": The Perfect Sci-Fi Horror Film.

Instead of setting us up with Your Hero-Who-Will-Obviously-Make-It and His Pack of Alien Fodder, Carpenter brings us a group of genuinely likeable guys. Almost each could be the likely survivor. You want each of them to make it, but you're never, never, sure who is still human & who is "The Thing". Why does this work? For one, a lot of credit must go to this cast in this film. Carpenter had an ensemble of truly excellent actors to work with. Their performances are believable & the actors obviously approached their roles seriously. While there are moderate amounts of humor in the film, none of the actors in "The Thing" resort to "campy" sci-fi or horror performances and this really helps maintain the tension throughout the film.

Amazingly this film really hasn't aged a bit (ok, except for some obviously obsolete technology). Especially when it comes to the stunning special effects. I don't want this review to turn into the typical "horror fanboy-hates-CG F/X review", but seriously, with this movie, I got no choice: The special effects surpass anything you will ever see done with a computer. In fact, I'll go as far as to say that if this movie were remade today, the effects would be done with CG and they still wouldn't look as real as Rob Bottin's creatures. BOO-YA! Take one look at the scene where "The Thing" starts to imitate some dogs and tell me you disagree?

Some critics early on knocked "The Thing" for being similar to "Alien". Well, the basic idea of an murderous alien is certainly there, but that's about the only similarity. "Alien", while also an excellent film in this genre is, more or less, a slasher film in outer space, "Jaws" on a space ship. "The Thing" is a lot more complicated than that. "The Thing" has more in common with a murder mystery than it does a slasher film. It's about paranoia, claustrophobia, mis-trust & imitation dog meat.

Special Features: I can't believe they fit it all on one disc! A very informative & entertaining commentary track with John Carpenter and Kurt Russell. Be sure to look for a commentary track on any film Carpenter did with Russell because they're really worth listening to, this is no exception. A 83-minute documentary on the making of the film feature interviews with the cast, John Carpenter and Rob Bottin. Lots of publicity stills, trailers, deleted scenes and storyboards. Universal gives this often overlooked film from the 80's the VIP treatment (are you listening Paramount?). - mike c.

Texas Chainsaw Massacre: The Beginning

Story: Finally, the shocking origins of movie legend Leatherface are revealed! Only err… it’s the 2003 version of Leatherface.

The Film Itself: Sigh. I caught this in theaters and was very upset by the flick for its lack of respect for human life and it’s “let’s make this gory and violent and horror fans will love this!” attitude. I was hoping to perhaps come to appreciate it more on repeat viewings now that it’s available on DVD, but once I listened to the commentary track, my fears were confirmed. No one involved with these new Chainsaw films knows anything about Leatherface and the legacy of the Chainsaw movies that came before the remakes. Is this movie gory? Yes. Is it shocking? In some parts, sure. Is it an intelligent and well-told origin story? No. Well, first of all, perhaps I’m biased, because I’m a huge fan of the original Chainsaw movies (1 thru 3 at least) and I’m used to the families and version of Leatherface portrayed in those films. I see this movie though and don’t think this is Leatherface. Is he scary, mean & intimidating? Yes. But so are some WWE wrestlers. There isn’t anything I like about this version of Leatherface. Andrew Bryniarski’s performance is fine, but again, I think the producers are missing the point on why the original Chainsaw is such a great flick. I understand this is a prequel, so it’s safe to say that none of the teen are gonna make it, and that most of the family will survive, but I think they missed so many opportunities here – story-wise. Couldn’t they have had another family member or two? New characters that could’ve been killed by these victims fighting back? There’s no moral balance in this flick. It’s just mean-spirited. Yea, I know it’s a horror movie, but still. If you’re going to torture kids and then kill them because you think that’s what horror fans want to see these days, then at least make some interesting story choices, rather then, “Hey, Uncle Monty got shot in the leg… Better saw ‘em both off!” Why have some nerdy guy refer to Leatherface as a “dumb animal” for no real reason at the beginning? Oh right, to justify a kill within the first 15 minutes. Why torture one of the lead girls in the movie for an hour, just for Leatherface to slit her throat for NO reason during the dinner scene? Well, I don’t care what anyone else says. This movie stinks. I kind of liked the remake, and I was very much looking forward to this, but at the end of the day, this movie is such a missed opportunity. Was there any good stuff in here? Well, yea, I mean the film looks great. And of course, R. Lee Ermey is fantastic as Hoyt, even if it is a bastard of a character. Believe it or not, I kind of liked Matthew Bomer’s character, even though we weren’t supposed to. I was hoping he’d at least kick a little ass before getting tortured and killed, but then… we might’ve actually had to feel something when he does get killed. Bummer.

Special Features: Well, there are some good features on this disc for those of you who DO like it. Such as a commentary track by director Jonathan Liebesman and producers Andrew Form and Brad Fuller. Be prepared to sigh a lot when listening to it though. I know I did. First off, and this is common knowledge, Jonathan Liebesman – who is a decent enough director - does not like horror films. So, I’m a little shocked that they’d hand two iconic characters such as Leatherface and Jason to someone who has never seen or cared to see all the movies that featured those fantastic, iconic characters. Second, I wonder if these producers actually bothered to watch the original films they bought the “name” to. They talk about the dinner scene, and how cannibalism is never referred to in the script. In fact, the other producers were concerned about the cannibalism showing up in the first film (the 03 remake). “It’s a very touchy subject.” Again, did they watch the first movie? Or maybe any of its sequels? There’s a chili contest in part 2. And there’s human meat in the chili! The fact that this screwed up family is a bunch of cannibals is evident in ALL the other chainsaw movies, yet now for the 2 “brutal” remakes, it’s a touchy subject for a major studio to back? Guess it wasn’t so touchy for Hannibal Lector, considering he fed a piece of a brain to a little Asian kid in Hannibal. Nah, that was “cute” cannibalism. The other thing that bothers me is they point out how many of “plot-points” they thought up are so clever and brilliant. “We can’t have any of these characters surviving because it has to lead to the remake.” Again, ever think to add a character? So we don’t have to cheer for these despicable monsters? “We had to show Uncle Monty losing his legs.” Got nothing better then to cut them off over a bullet wound? They couldn’t fit in cutting Leatherface’s nose off though. Wait, wasn’t that from the skin disease he had that was made up for the last movie? Who knows. They talk about having to give the “Tea lady” a bit part in this movie. Wait… isn’t that who gives birth to Leatherface in the beginning? That’s what I thought at least. See? I can’t even make out which characters are which! Bottom line is, I now dread the Friday The 13 th remake if these are the people involved in making it. (And as of now, they are.) Continuing on, there’s a nice little making-of documentary, complete with cast & crew interviews on here. They credit the remake in 03 as being the film to prove people want “violent” horror films again. Well, sure it was a successful film, but Rob Zombie’s House Of 1000 Corpses kinda stirred up the interest for more violent toned horror movies. And I’m not even a fan of that movie, but I know it’s true. (Can you remember ANY horror movies toward the end of the 90’s/early 2000’s?) There are also a handful of deleted scenes including some alternate endings. But nothing could’ve possibly made this movie any more enjoyable. Rent it if you feel you have to. –Robg.

Texas Chainsaw Massacre: New Line Platinum Edition

Story: It's the summer of 1973 & 5 unsuspecting youths are about to stumble into a living nightmare. After picking up a mysterious hitchhiker, things go from bad to worse as these 5 friends are stalked by a local madman & fall victim to the texas chainsaw massacre.

The Film Itself: This new redux version of the cult classic Texas Chainsaw Massacre was a pleasant surprise. It's best to not know anything about it going in, and even if you have seen the original, the plot has been changed enough to give you some surprises. The spirit & unsettling mood of the original are still present, yet on it's own, the film manages to be a very successful horror film, delivering suspense, gore & some good scares. Director Marcus Nispel's visual eye is what really makes this movie as good as it is. For example, the shot in the suicide scene is like nothing I'd ever seen before. All of the actor's involved really delivered as far as realism to their relationships and emotion. Andrew Brynarski's portrayal of Leatherface is one of the meanest, most brutal versions of him on film. He knows exactly what he's doing and he genuinely enjoys & takes pleasure in the horrible things he does. Die hard fans of the original (such as myself) might feel at a lose for the lack of the family & cannibalistic elements, as well as the deletion of the original's dinner sequence; but that's reason enough for people to go back & watch the original.

Special Features: New Line does another great job on their Platinum series DVD. This is one of the coolest packages for a disc I've seen. The metal face plate is a great collectible & the package folds out to look like a saw. Also included is a case file folder featuring notes, pictures and reports from the "crime scene". All this and we haven't even popped in disc 2 yet! This is one of those rare discs where you really should watch every feature on here, because they're all highly entertaining. The deleted scenes are presented in a featurette with director Marcus Nispel talking about a deleted subplot & why some of these scenes were dropped. The gory kills are included in this feature, along with before & after comparisons. 'Chainsaw Redux: Making A Massacre' is a very extensive 90 minute making of special, which covers every aspect of the movie, starting with the history of the original right up to the release of the new film. Everyone involved in the film is interviewed & if anything, it makes you appreciate more what these filmmakers were attempting to do with their Chainsaw movie. Other features include some conceptual artwork & all the trailers and TV spots. (including the great almost all black teaser shown at the fango con a few years back, dubbed here at the "Michael Bay" teaser). The first disc sports 3 commentary tracks. I only watched the one with the director, producers & actors & it was a decent commentary track. It sounds as if it's edited in from interviews session. Go buy this disc now. Seriously. Best Buy had run a promotion where if you buy the new Texas Chainsaw on DVD, you could get the original for free. Look into it. - robg.

Texas Chainsaw Massacre 2: Special Edition

Story: After nearly a decade of silence, the buzz is back!

The Film Itself: Looking back in retrospect knowing that there were 3 sequels and two remake/prequels to the original classic ‘Texas Chainsaw Massacre’, it really makes you appreciate ‘The Texas Chainsaw Massacre 2’. (Mind you, the only one of the films to be directed by Tobe Hooper, who also directed the original.) Texas 2 is just an over-the-top, hilarious, gore-fest. When I say hilarious, I mean it’s hilarious to me and you, my fellow sick bastards out there that find things like a sexually confused Leatherface and a foul-mouthed Chop-Top funny. Whereas the first film shied away from the gore, this one lets it all spurt out, courtesy of FX legend Tom Savini. We’ve got the welcome return of the late, great Jim Siedow as “the Cook”, Bill Moseley as Chop-Top, the Hitchhiker’s twin brother (he was in Vietnam during the first film) and Bill Johnson taking over the role of Leatherface and totally making it his own. On top of that, we’ve got the sexy Caroline Williams, (God, I love me a good Texas gal!), Lou Perryman (this time in front of the camera) as the lovable LG and crazy-as-fuck Dennis Hopper as “Lefty”, the guy who’s going to unleash a little vengeance on the chainsaw crew. The tone is different from the first film, but the basic premise is close. Even the ending sequence is very similar to the ending of the first ‘Chainsaw’ flick. One of the best things besides the gory death sequences is the production design on this movie. In particular, pay attention to the way the Sawyer family’s underground lair is decorated. After sitting thru that terrible, terrible remake/prequel “The Beginning”, I’d gladly prefer to spend an evening with the REAL Chainsaw family ANYDAY!

Special Features: Thank you, MGM! Thank you for giving this movie a proper special edition. Err… unless you’re just trying to cash in on the fact that there’s a new prequel in theaters. Anyways, they’re not cashing in. Look at that awesome cover! The Breakfast Club homage! Wait… they changed the cover…?! Ah, I see. Sorry folks, they changed the cover at the last minute to make it look as if it’s a ‘SAW’ film. Are horror fans stupid enough to pick this up and think it’s a SAW movie? Email me and let me know if that’s happened to you. Anyways, doesn’t matter what the packaging looks like, it’s what’s inside that matters! And thankfully, this is a great special edition that ‘Chainsaw’ fans have been waiting for! We’ve got an entertaining commentary with Tobe Hooper with David Gregory, the directory behind “The Shocking Truth” documentary. It’s a decent commentary and it’s fun to hear Tobe talk about the movie all these years later. Sadly he doesn’t go too much into detail about anything, in particular the reasons why certain cast members didn’t return, but at least David often asks questions to keep things moving along smoothly, while giving us a few tid-bits we haven’t heard before. Also on the disc is an extensive series of featurettes covering the entire making of the film. It features interviews with just about everyone involved, and talks in great detail about the early script, to shooting, to finishing the sequel to one of the biggest films of all time. It’s interesting to learn that Tobe really meant this to be more of a sick comedy, pushing the over-the-top angle to its fullest potential. It’s also wonderful to see interviews with Bill Moseley and Bill Johnson, both who come off as totally sweet, soft-spoken and sincere guys. (As opposed to the characters they played) Bill shares plenty of stories about how he played the Hitchhiker in a short film which Tobe Hooper saw, and that’s what led to him being cast. He breaks out the coat hanger and teeth, which he still has. Savini explains some of the secrets behind pulling off some of the films more memorable gore sequences, such as the sawed head of the yuppie driver at the beginning. It’s such a shame that Savini always comes off so darned cool in these featurettes, yet if you meet him at a convention in real life, you’ll be shocked to discover he’s not all that friendly! (What? It’s true!) There’s also some cool deleted scenes here, including the infamous scene with Joe Bob Briggs. Unfortunately, the quality is terrible and the sound is (for the most part) incomplete, BUT it’s still cool to see this stuff, which most of us never knew existed. There’s an additional commentary with Caroline Williams, Savini and Moseley that I have yet to check out, but with all the goodies I’ve already mentioned, it should be obvious that this is a must-own. Between the recent Dark Sky’s Texas Chain Saw Ultimate Edition, and now this Special Edition of Part 2, it’s a good time to be a Chainsaw fan! –Robg.

Texas Chainsaw Massacre 2

Story: After 14 years of silence, the buzz is back!

The Film Itself: Ya know, it's been years since I've seen the sequel to 'The Texas Chainsaw Massacre'. But after my recent trip to Texas, and the new knowledge that the Chop-Top character was actually the Hitchhiker's twin brother, I had to give it another viewing. (Did you guys even know that?!) Bill Mosely plays Chop-Top - the brother that was supposedly in Vietnam during the first movie, and the corpse the Sawyer family carries around is supposed to be the Hitchhiker from the original film. (He's wearing the pouch and has the scar across his face!) So, with that new tid-bit, and the memory of a wacky Dennis Hopper performance, I decided to give this movie another screening. And? ...I love Texas Chainsaw 2!!! We've got a way over the top Bill Mosely as Chop-Top. (Or the same character he pretty much plays in House Of 1000 Corpses). We've got an excellent performance by Bill Johnson as the sexually confused Leatherface. We've got an even more over the top Dennis Hopper as the guy who's going to hand this family their asses to them! We've also got the adorable, crush-worthy Caroline Williams. And those annoying college kids at the beginning - one of which gets the top of his head sawed off! Bill Mosely's Chop-Top does in fact have some of the most quotable & memorable lines in this flick. (Including "Dog will hunt!" later featured in that Primus tune.) Overall, a very entertaining flick for all you sick bastards out there.

Special Features: Sadly, nothing on here except the theatrical trailer/teaser. I know older video versions had a deleted scene with Joe Bob Briggs, but it ain't here. Perhaps there will be a future special edition of Chainsaw 2 one day? We'll see. It's inexpensive though and totally worth owning. - robg.

Texas Chainsaw Masscare: 2 Disc Ultimated Edition: Rob G's Review

Story: Long before remakes, and prequels to remakes, and err…. 3 sequels, there was only one Texas Chainsaw Massacre. And this was it! Now available again in an ‘Ultimate’ edition.

The Film Itself: What can I say about the original Texas Chain Saw Massacre that hasn’t already been said a million times before. This is simply one of the greatest horror movies ever made. And this new edition of it is fantastic. The sound and picture are the best this thing is ever going to get. (And I’ve seen plenty of retorations thru-out the years. All good too!) Just go to the scene in the beginning when the teenagers first pick up the hitchhiker. As Ed Neal runs to the van, you can see the crystal clear blue sky in the background and once in the van, the scar across his face is clearer then it’s ever been. This is just THE best presentation of this film ever on DVD.

Special Features: Now, if you’re like me, you already own a previous DVD edition of TCM. As a Chain Saw enthusiast, I still went out and bought this one and am happy I did! Aside from the beautiful remastered movie, we’ve got a ton of great supplemental material here. Two full length documentaries. The first being ‘The Shocking Truth’ – a documentary released back in 2000, but one that I’ve never seen until this disc. It’s a comprehensive look at the entire phenomenon surrounding the original Texas Chain Saw Massacre thru interviews with various members of the cast & crew. There’s some great footage from a reunion panel that took place at a convention a few years back. Pretty much all the stories you’ve heard thru-out the years surrounding the movie are all re-told by the people involved in ‘The Shocking Truth’. Brand new to this edition is a new documentary titled ‘Flesh Wounds’. I thought ‘The Shocking Truth’ was extensive, but ‘Flesh Wounds’ manages to tell a few more stories about Chain Saw that I’d never heard until now. It’s broken up into segements/chapters. A great interview with cinematographer Daniel Pearl (who also shot the remake), a fun interview with the always-entertaining http://www.iconsoffright.com/IV_Edwin.htmEdwin Neal and a tour of the Chain Saw house with web master Tim Harden. There’s also outtakes from ‘The Shocking Truth’ documentary, deleted scenes (imported over from the original Chain Saw DVD releases) and a tour of the Chain Saw house with original Leatherface Gunnar Hansen. Look… I re-bought this movie. You should too. This is hands down THE definitive version of the original Texas Chainsaw Massacre on DVD. Visit the official site for the DVD at thetexaschainsawmassacredvd.com. –Robg.

Texas Chainsaw Masscare: 2 Disc Ultimated Edition

Yes, yet another version of the classic film on DVD. I never checked out the two disk version from Pioneer that they released to coincide with the release of the remake since I had the first Pioneer version which was chock full of extras. But this version has even more, so I gave it a go. Most of the extras are the same, including the Tobe Hooper/ Gunnar Hansen commentary. There is a blooper real, out takes and deleted scenes, the trailers and the other usuals that are on both versions. Past that there is a new commentary with the majority of the cast, which is really good. There is a tour of the farmhouse with Gunnar at its new moved location. There are documentaries “Flesh Wounds” and “The Shocking Truth” which are super in depth and clear up most any question a TCM fan could come up with. But most importantly, this DVD features the most exquisite transfer of the Texas Chainsaw Massacre I have ever seen. It is crystal clear and the colors are beyond vibrant. You need to own it on that alone. With restored color, the surprising thing is the lack of blood. You always knew it wasn’t there, but now you can clearly see they kept the filming tame. Never has the family had a better presentation that they get here. A must own for all horror hounds. (Dark Sky Films ) - Myk.

Tales of the Unexplained

Story/The Film Itself: The DVD collects four episodes of a television show that was produced by Universal Entertainment. Three episodes are hosted by Patrick MacNee while the fourth is hosted by James Romanovich. The episodes deal with UFOs and other things that come under the heading of 'paranormal' werewolves, haunted Hollywood places, reincarnation and Dracula are the third installment, while the final episode covers cults and other weird group-think. This is a rental type of thing. The production values seem good enough, but the material is all sort of glazed over and doesn't really stick because they are trying to get multiple subjects into a one hour episode as opposed to covering the area correctly - like having a full hour devoted to Vlad the Impaler. There's no denying that if you're into these subjects there are many in a short time span, but the segments only whet the appetite for a deeper look. Because of that you probably won't watch this many times over. (Westlake Entertainment, 8025 Deering Ave., Canoga Park, CA 91304) - Myk.

Tales From The Crypt: The Complete Fifth Season

I love Tales From The Crypt! I remember catching numerous episodes back when they originally aired on HBO. However, I didn’t realize they made it up to Season Five (and beyond!), so this set is a very welcome surprise. Especially considering I’ve never seen any of these episodes. This season consisted of 13 episodes, so rather then write 13 extensive reviews, I’m going to address what’s cool about each and why (Along with notable cast members). ‘Death Of Some Salesmen’ was the season opener and it’s probably one of the most entertaining episodes of the show’s entire run! It features Ed Begley Jr. as a sleezy cemetery salesman, and he crosses paths with the demented Brackett family, all played by legendary Tim Curry! (Rocky Horror Picture Show, IT) Just wait until you see Curry (in the daughter role, Winona) riding a tied up (and terrified) Ed Begley Jr.! Priceless! ‘As Ye Sow’ features the extremely jealous Leo Burn (Hector Elizondo), who suspects that his young, beautiful wife (Patsy Kensit) is having an affair with the local priest! (Played John Shea.) Adam West has a cameo in this twisted little tale that features a nice little twist ending. This episode was (surprisingly) directed by Kyle MacLachlan! ‘Forever Ambergris’ is a stand-out episode with Steve Buscemi and The Who’s Roger Daltry! ‘Food For Thought’ is a tale that takes place at a carnival side-show and features Ernie Hudson (Ghostbusters!) and Phil Fondacaro (Troll). ‘People Who Live In Brass Hearses’ features 2 of my fave actors Bill Paxton (Aliens, Fraility) and Brad Dourif (Chucky!). Another great episode is ‘Two For The Show’ with David Paymer, Vincent Spano and (the super-hot!) Traci Lords. It’s a grim story in which Andy Conway is trying to get away with the murder of his wife, while being interrogated by Officer Fine. It involves a pesky trunk with the body! ‘House Of Horror’ features a cast of just about every teen actor from the late 80’s, including Keith Coogan (Don’t Tell Mom The Babysitters Dead), Courtney Gains (Children Of The Corn), Jason London (The Rage: Carrie 2?!), Meredith Salenger (Village Of The Damned), Will Wheaton (Stand By Me) and Kevin Dillion (TV’s ‘Entourage’!). This episode was written & directed by Bob Gale! (Back To The Future!) In ‘Well Cooked Hams’, Billy Zane and Martin Sheen play dueling magicians. (Sounds like ‘The Prestige!) ‘Creep Course’, another stand-out episode features the great Jeffrey Jones (Ferris Bueller, Howard The Duck) and Anthony Michael Hall (TV’s The Dead Zone). (Fans of Mummy-type horror will love this one!) Brooke Shields headlines ‘Came the Dawn’, an homage to Psycho. Rounding out the season are the final 3 episodes on Disc 3, ‘Oil’s Well That Ends Well’ with Lou Diamond Phillips (Bats!) and the sexy Priscilla Presley. ‘Half-Way Horrible’, an episode reminiscent of Wes Craven’s ‘Serpent & The Rainbow. (It features a cameo by Cheech Marin) and ‘Til Death Do We Part’ with John Stamos, Robert Picardo, Frank Stallone and the sexy Kate Vernon. (who’s in lingerie for most of the season finale.) The special features include a virtual comic book of ‘Death Of Some Salesmen’ from the original Tales From The Crypt comic book. The film quality of the episodes is a bit on the grainy side, but considering the quality of the shows themselves, and the countless recognizable faces thru-out, this is still a stand-out set. And who would’ve thought by Season Five, they’d still have some horrific tales left to tell! Check this out!!! –Robg.

Tale of Two Sistesr, A

Story/The Film Itself: The story is about Su-mi and her younger sister Su-yeon who are returning home from a stay at the hospital. They are greeted by their father and step mother, who they obviously don't care much for. From this moment on, the showdown between Su-mi and her step mother goes down, including a dinner where family members come over and Su-mi's cousin breaks down into a seizure. All the while, something else is going on. There is a ghost in the house and she doesn't like what's going on. A Tale Of Two Sisters is a cross between a Japanese ghost story and 'The Sixth Sense'. The ending features a double twist that will throw off even the most ardent film goer and will leave you baffled at the fact someone could come up with this. M. Night Shyamalan has got nothing on this guy.

Special Features: To begin with, this is a double DVD set. It also happens to be the most comprehensive release Tartan has done to date on any film. This release is chock full of goodness for all film lovers. Commentaries, tons of deleted scenes, and interviews fill up all the available room on this set. My only comment on all of these extras is that the director tends to be a little long winded when he speaks and often repeats himself, but I guess that is minor. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) - Myk.

Sympathy for Mr. Vengeance: Myk's Review

Since this is the second film in the “Vengeance” trilogy from director Park Chanwook, one must bring into context the first film. This follows on the International success of the film “Oldboy”, a disjointed tale about a man who is kidnapped, and held for years by a captor he never meets and has no idea why he is held. Upon being released, he goes after the identity, and life of his former jailer. Although they call this a trilogy, “Sympathy…” has little if anything to do with “Oldboy” with the exception of the director. Story wise, this is a far superior film in my mind. While “Oldboy” was engaging and visually excellent, at times, it seemed unclear why everything was happening. Even upon the big reveal at the end, certain parts of the film didn’t sit perfectly with me. I liked the film very much, but there was moments that were disconcerting. With “Sympathy…” those type of elements have been removed or justified to all fit into the progress of the story telling and character reactions. You, the viewer, at every moment know what is going on and why. It may be disturbing, both visually and mentally, but you know why it is happening. The plot is simply stunning, twisted and believable, but still simple. Ryu is a def man. More than anything in the world, he loves his sister who is dying of kidney failure. The operation to help her is more money than he has and that is if they find a donor match. He works in a machine shop and works multiple shifts to try and make enough money for them to live since his sister can no longer work. We later see Ryu get fired by his boss Dong-Jin and most all hope is dashed of saving his sister. So Ryu turns to the black market to get the kidney. Instead of getting the kidney though, Ryu is ripped off and also loses his own kidney ala an internet Urban Legend. Now out of work and broke, Ryu’s girlfriend talks him into kidnapping his former boss’s daughter and ransoming her off. The kicker is, that is just the beginning of a hell of a lot more problems for Ryu than being broke. There is no true hero or villain in this film, that is what makes it so thought provoking. After you watch you need to decide which side you fall on and what you would have done in that given decision. That is what makes it so good, the thought provoking process is a necessity for any film to be a success. The film has a 5.0 Korean soundtrack with English subtitles, plus a director’s commentary on the film which is also subtitled. In addition there are Spanish subtitles, a behind the scenes feature, the trailer and also the trailers of other current Tartan releases. This is a must own for any fan of psychological horror and Asian cinema. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) - Myk

Sympathy for Mr. Vengeance: Rob G's Review

Story: Ryu is deaf and dumb, and he will do anything for his ailing sister. In fact, he's willing to sell his own organs and give up his life savings to find his sister a new kidney. After being cheated, he and his girlfriend plot a simple kidnapping, but unforeseen tragedies shatter the lives of all those involved. And that's when the vengeance begins.

The Film Itself: Ok. I was warned by Jsyn (who caught this in theaters) that the woman sitting in front of him wouldn't stop crying and that at one point, a gentleman got up to leave the theater and passed out in the aisle. I was warned, I watched the film, and now I'm warning YOU. This is emotionally as brutal as it gets. But this movie is also in a strange way, absolutely beautiful. You can't help but feel sympathetic for every character, especially Ryu, who simply wants the best for his sick sister. It only makes it harder & harder to watch when he screws up over & over again. I don't want to give away too much. It's best you let this film unfold without any knowledge of what's to follow, but I will mention that a few different characters seek out vengeance, and you can't help but feel both sympathetic and angry for both of them. The music is surprisingly minimal in this flick, as is the dialogue, but Chanwook Park is the king of visual storytelling. Perhaps this is a subliminal way to communicate Ryu's lack of voice and hearing? I love the way Ryu's girlfriend sets up a mirror in front of their bed, so when they're both laying down, they can communicate with sign language thru the mirror. Moments like this are matched by a few brutal kills. Most of them much deserved! Much like OLDBOY, another chapter in Chanwook Park's "VENGEANCE" trilogy, this is a must-see original flick.

Special Features: Tartan steps up again. We've got director commentary, subtitled for the flick. There's also the original theatrical trailer and a few scenes from the third film in the "vengeance" trilogy 'Lady Vengeance'. There's plenty of peaks at other Tartan Asia Extreme releases if you're looking for more sicko entertainment. The features aren't as packed as the OLDBOY disc, but the movie alone is well worth this DVD investment. - robg.

Stepfather 2: Make Room For Daddy

Story: The original stepfather is back, and after a daring escape from the psychiatric hospital, he's ready to start a new family again. And by any mean necessary. He moves into a new town and starts a therapy practice, where he meets and sets his sights on recently divorced Carol Grayland. Things get complicated when Carol's ex-husband and her best friend Matty stand in the way of his plans to get the family he's always wanted.

The Film Itself: I'm very surprised by how decent this sequel is. Terry O'Quinn reprises his role as the original Stepfather from the first film, and is sinister in this film. His personality and constant shape shifting are captured here to perfection by director Jeff Burr. It only proves what a good actor he is. The beautiful Meg Foster (also of 'They Live') plays Carol, the woman the stepfather has his heart set on to complete his perfect family. The movie's meant to play as a suspenseful thriller, but there are a few gory moments thrown in to add to the horror. In fact, as you'll learn from the commentaries, it was a studio choice to make the film more 'horror' with these gory additions. (more on that in a few). Over all, this is a very good movie for fans of suspenseful dramas that throw in a touch of murder and mayhem.

Special Features: For a fairly inexpensive Miramax DVD release, there's plenty of great special features included on this disc. There's an excellent, informative commentary track by director Jeff Burr and producer Darin Scott. They both talk in great detail about how they approached the sequel, and give some tid-bits on their casting choices. For example, they didn't want to do the film without Terry O'Quinn. And they mention how Meg Foster wasn't the initial first choice for Carol. (they felt her eyes were too distracting!) Also interesting is how different the final film turned out compared to the film director Jeff Burr set out to make. His initial cut was a more suspenseful and less violent thriller. But, the studio re-cut the film with more scenes of gory violence to make this play more as a straight forward horror film. Included also are a handful of alternate scenes showing the differences in both cuts. The disc includes a still gallery and is presented in widescreen with surround sound. The picture is excellent. All in all, a highly recommended purchase. - robg.

Starship Operators Volume 3

This is the final installment of this series. This disk features the final five episodes and the ultimate conclusion to the series. As a bonus feature, the disk contains two music videos based on the series. At the end of this, you kind of feel that no matter where you go, or when, governments are evil and it doesn’t matter if you elected them or they are appointed. They don’t care what your opinion is. Television is equally as bad and would just assume watch you die if it means you get good ratings. When the Kingdom goes after the Amaterasu for the final battle, it becomes pure entertainment for the masses, while they are silently losing all their freedoms and only a battleship full of kids from a conquered planet give up and resistance. There are casualties, on both sides, but when the kids die, it seems so much more important. In the final battle you find out who is worse, the Kingdom or the Earth Alliance. After all, the Earth (aka the US) is always right isn’t it? The third disk is much stronger than the second in regards to the story, so was much more enjoyable. As a series though, it isn’t my favorite. There are a couple of good characters, but as a whole it struck me as an OC type of anime. It was the pretty young against the ugly old. The third disk comes with a collector box to hold all three volumes of the series though. (Geneon, 2265 East 220 th ST, POB 22782, Long Beach, CA 90801) - Myk

Sorum

Story/ The Film Itself: Sorum is a Korean film originally released in 2002 to much Independent acclaim. The filming making visually is very strong and the characters are well defined, but as a whole, I found the film to be slow and tedious. The story focuses on taxi driver Yong-hyun who has moved into a new apartment, room 504. Turns out that a murder occurred in the room prior to his arrival and it has all the tenants spooked because a father killed his kid. Enter into the story the eccentric old book publisher who is on the verge of insanity and happens to writing a book about the freaky old apartment building and the ghosts that dwell in it. Also meet Sun-yeong, a battered wife who lives down the hall and works at the local 7-Eleven (I didn't know that 7-Eleven was in Korea). Yong-hyun sort of stalks her into a relationship and she ends up killing her husband, we assume in self-defense. The two start spending a lot of time together, and although physically they can get no closer, mentally there seems to be no connection. Yong-hyun has no friends and Sun-yeong has an overly needy friend who lives down the hall, who she spends less and less time with as the film progresses. The movie focuses on a relationship that contains two characters you absolutely don't care about. The scary part of the film, I believe is supposed to be the psychological profile of the two main characters, but there is little or nothing to it. The development of the characters leads to a pretty forgone conclusion that is neither scary nor intriguing, to be honest, I couldn't wait for the film to end. It was two hours of little or nothing happening.

Special Features: The bonus features of the disc include the trailer, a photo gallery and a making of segment. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) (DVD) - Myk

Sorority House Massacre II

The Story/ The Film Itself: Some girls buy an abandoned house where a man previously murdered his family. They plan on fixing it up and using it as their new sorority house. On their first (and last) night in the house their wacky next door neighbor, Orville Ketchum, stops by to welcome the girls to the neighborhood and give them the key to the basement which for some odd reason he keeps in his crotch (for safekeeping I suppose.) Before he leaves he tells them about the man who murdered his family there. Footage from Slumber Party Massacre is used for a flashback and the story is changed so that the escaped mental patient in that movie is now the girls' father for purposes of this movie. While searching the basement the girls find a ouija board. They decide to change into lingerie and use it to contact the killer. Of course, one of the girls is possessed by the spirit and tries killing everyone. Once again, like the original, nothing too special but a lot of fun. Orville Ketchum is credited as himself, but is actually actor Peter Spellos who you may know from Freddy's Dead: The Final Nightmare. Also check out Hard To Die.

Special Features: Theatrical Trailer/ Cast Biographies/ Previews. - neil a.

Sorority House Massacre

The Story/ The Film Itself: A rip off of The Slumber Party Massacre that also borrows a little from Halloween. Beth is the new girl at a sorority. While most of the girls are leaving for a little vacation, some stay behind to set up for a pow wow (whatever the f**k that is.) The night Beth moves in she begins having nightmares of a strange guy who murders his family. As Beth settles into her new surroundings, she awakens a rage in a mental patient at a nearby hospital with whom she has a telepathic link. He escapes from the hospital and, well, I guess you can figure out the rest. While this film offers nothing new and original it is still a fun little flick. If you're a fan of girls getting naked and killed, then give this a try. I do recommend seeing Slumber Party Massacre first since Sorority House Massacre is sort of a spin-off. There is actually a scene of the characters watching Slumber Party Massacre on TV.

Special Features: Theatrical Trailer/ Cast Biographies/ Previews. - neil a.

Sorority Babes in the Slimeball Bowl-O-Rama

The Story/ The Film Itself: It's initiation night for two pledges at a sorority. For the final prank the pledges, along with three nerds caught spying on the girls as the were taking showers after being paddled and sprayed with whipped cream, must break into a bowling alley at the mall and steal a trophy. When they get there they run into Spider, a badass punk chick, who's robbing the place. After they find the trophy and accidentally drop it, they release a jive-talking evil imp. Uncle Impy grants wishes that backfire and turns the girls into demons, sex starved nymphomaniacs and dominatrix. The only way to stop him is to trap him in an enclosed space so that he loses all his powers. With a title like Sorority Babes In The Slimeball Bowl-o-Rama, you should pretty much know what to expect from this movie. It's one of those ridiculous B-movies with a lot of hot girls, nudity, bad acting and silly yet funny dialogue. Of such B-movies Sorority Babes is definitely a classic. It stars three of the greatest scream queens; the incredibly beautiful Brinke Stevens (whose performance always rises above the material), sexy siren Linnea Quigley and the ravishing Michelle Bauer. Also starring Robin Stille (Slumber Party Massacre), Andras Jones (A Nightmare On Elm Street 4: The Dream Master), Hal Havins (Night Of The Demons) and Buck Flower. Highly recommended for B-movie fans..

Special Features: Theatrical Trailer/ Cast Filmographies/ Cult Video Trailer Reel. - neil a.

Snake of June, A

You can count on the fact that a film by Shinya Tsukamoto, of Tetsuo fame, is going to be over the top. A Snake Of June is no exception. The film visually is stunning. It is shot in a blue monotone style that almost gives it a cold steel feel. The angle's of the city and the attention to detail is second to none and makes the weird scenes all the more disturbing. The story itself has all the air of a Tsukamoto film as well as being very Lynch like or even Peter Greenway styled at times. Rinko, a young attractive woman, volunteers at the local suicide prevention hotline. She talks down a potential victim one night and never thinks of him again. The problem is, he won't stop thinking about her. He follows her, finds out where she lives and stalks her. He gets pictures of her masturbating, which she does not out of necessity, but rather out of the fact that her husband just really isn't interested in her. In an attempt to "free her sexuality" her stalkers black mails her with the photos in an effort to do some publicly humiliating sexual ventures including going shopping in an ultra small mini-skirt, with no panties and a vibrator going full blast as she shops. After this he promises to return the negatives of the pictures, but of course "forgets" to give her one negative. The process starts all over again. As this goes on, you find out Rinko's husband is not all he appears to be either. The film at times really looks like a version of George Orwell's '1984' with some of the symbolism. There are things in this film you just won't get. Some because of the language barrier and some because I'm not sure you are supposed to. I know I didn't and I've watched a couple of this guys films before, it's status quo with him. They are just status quo scene's for Shinya. If you are familiar with 'Tetsua' or consider yourself a Lynch fan or experimental cinema, this is a gem. It has some strong situations and there is a good amount of nudity. AT points it is a little degrading to the female lead, but it takes care of itself in the long run. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) - Myk.

Slumber Party Massacre III

The Story/The Film Itself: Basically the same as the previous films, but still very much enjoyable. Jackie is going to be moving away with her parents, so while they are out of town she throws a slumber party for her friends, and there is a lot of girls this time around. Naturally, some boys crash the party, as does a killer with a drill. Who is it this time? The weirdo from the beach? The whack job next door neighbor? Hmmm... There isn't much more I can say. I did like how each of the girls was assigned a certain type of character within a group of friends. There's Juliette the slutty girl, Susie the virginal girl, Janine the goofy girl and Diane the best friend to name a few. Some of the familiar names in this one include Maria Ford (star of many B-movie erotic thrillers), Hope Marie Carlton (the pin-up girl in A Nightmare On Elm St. 4) and Marta Kober (Sandra in Friday The 13th Part 2.)

Special Features: Theatrical Trailer/ Cast Biographies/ Previews. - neil a.

Slumber Party Massacre II

The Story/The Film Itself: Excellent sequel to The Slumber Party Massacre. The film takes place five years after the original. Courtney Bates, one of the survivors, is suffering from nightmares of a man dressed in black leather with an electric guitar with a drill attached to it. Also in her dreams is her sister Valerie, another survivor from the original who is now in a mental institution, who warns her little sis not to go all the way. Why? On the weekend of her birthday, Courtney goes with her friends and band mates to a new condo owned by one of the girl's fathers for a weekend getaway and for band practice. All seems well at first. They're having fun and their boyfriends come over. But then Courtney begins hallucinating. On the night of her birthday she is making out with her boyfriend, when out of nowhere the man in her dreams somehow crosses into reality and begins his killing spree. Yes, I know it's ridiculous, but it's a damn good time as well. This movie definitely upped the camp factor making this more of a horror/comedy. Honestly, you can't be a serious horror film when you have a girl open a refrigerator and have a chicken jump out and attack her (a hallucination by the way.) The cast, like the original, is excellent. A pre-Wings Crystal Bernard plays Courtney, Juliette Cummins (Friday The 13th 5, Psycho 3 - why does she always die in her movies?) plays Sheila, Heidi Kozac (Friday The 13th 7, Society) plays Sally, former Playboy playmate Kimberly MacArthur plays Amy and Jennifer Rhodes (Night Of The Demons 2) plays Mrs. Bates.

Slumber Party Massacre, The

The Story/The Film Itself: A classic of early eighties slashers. A group of high school girls are having a slumber party. They snub the pretty new girl next door, some boys crash the party, and an escaped mental patient with a portable electric drill stops by to say "hi" or maybe just to kill everyone. With a title like The Slumber Party Massacre and cover art of girls in their underwear it's easy to dismiss this movie as a standard t&a slasher, but I think it's cleverer than that. Written by feminist Rita Mae Brown, the girls in this film are stronger than those in your typical slasher. They are presented as a phone repair(wo)man, a gym teacher, and a carpenter. As for the teens, it's the boys who are the whiny bitches while the girls put up a good fight. The film is highly enjoyable all the way through. Even in the scenes of the girls just sitting around talking. It comes of as natural and what real teenage girls would talk about. The acting is above average for this kind of movie. The movie also delivers a good deal of suspense. Most notably is when one of the guys, Neil, is banging on next door neighbor Valerie's front door for help, but she doesn't answer thinking it's a joke. The scene cuts back and forth between Valerie watching a horror film and Neil as the killer is quickly approaching.Valerie finally decides to check it out just as the music of the movie she is watching builds. Will she make it in time? The movie also has some good laughs including a body stuffed in a refrigerator and a pizza boy with his eyes drilled out. The death scenes are also very effective. Jackie getting her throat slashed when she opens the door thinking help has arrived. Coach Jana getting her stomach slashed, guts visibly beginning to pour out between her fingers as she falls down. And let's not forget the final battle with the killer. Scream queen Brinke Stevens is featured in her first major role. The magnificent cast also includes Michelle Michaels, Robin Stille (R.I.P.), Debra Deliso, Pamela Roylance, Gina Marie, Andree Honore and Michael Villella.

Special Features: Theatrical Trailer/ Cast Biographies/ Previews. - neil a.

Slither

Story: An alien slug takes control of the body of Grant Grant (Michael Rooker) and impregnates townie Brenda (Brenda James), who then gives birth to thousands of slug-like creatures which take control of the town locals turning them into zombies. It’s up to Bill Pardy (Nathan Fillion) to save the day!

The Film Itself: Ok, my story summary makes it sound silly, but I really enjoyed SLITHER. And I’m willing to bet you will too if you give it a chance! Written and directed by James Gunn (Dawn Of The Dead remake, Tromeo & Juliet and err… Scooby Doo?), SLITHER is a creepy homage to the monster movies of the 80’s. You can catch tons of references thru-out the duration of the movie, including the names of characters, such as Gregg Henry’s Jack MacReady (MacReady from John Carpenter’s THE THING) and the pub/venue Henenlotter’s (named after Basket Case writer/director Frank Henenlotter). The first act’s a bit slow, but it seems intentional because once things start getting gross, the movie picks up and delivers on the gore, effects and laughs. It’s not a horror/comedy in the sense that it doesn’t take the material seriously - It’s funny because of the situations and reactions that the characters have to what’s going on around them. Mad props to Nathan Fillion for always playing such a likable, funny lead. (Love that guy!) Bill Pardy rules! They should make T-shirts that say that. Elizabeth Banks is just so darned smoking hot, that it’s tough not to fall in love with her sweet portrayal of Starla. Hot dog! I also dig that this movie (unlike other horror films as of late) really doesn’t over-do it with the CGI. It uses just enough, while combining it with practical effects to deliver some really impressive & memorable moments. (See the Grant Grant monster at the end.)

Special Features: Finally, a really, really good special edition DVD for a recently released horror flick!!! We get a batch of deleted and extended scenes, with or without commentary by writer/director James Gunn. As you’ll see from the other featurettes, James is just as much of a wise-ass as the rest of the cast & crew. He’s always entertaining & funny, especially on the commentaries. Speaking of, there’s a great commentary track with James and lead actor Nathan Fillion. It’s fairly blunt as James is quick to point out shots he likes and really dislikes. He does give props to the FX houses whom pulled off the best gags and overall, his interaction with Nathan make for an entertaining, honest commentary. (Which is refreshing!) Nathan and James poke fun at each other constantly like old friends, and you feel like you’re welcome to be watching the movie with them. There’s a great little segment shot by Troma’s Lloyd Kaufman about him filming his SLITHER cameo. It’s fun to see Lloyd (filming the footage himself) poke fun at this supposedly low-budget “$20 million dollar” film. Hell, he even got his own trailer and he had one line as the “Sad Drunk”. (His line was cut from the final film.) The set tour with Nathan Fillion is equally as entertaining as Lloyd’s segment, and the outtakes are actually funny! A rarity on DVD outtakes! There’s a few featurettes covering how the films effects were pulled off. On one segment, one of the make-up artists teaches us how to make fake blood from regular house-hold items. (We need more of this on DVD’s! FX tutorials!) ‘The Sick Minds and Slimy Days of SLITHER’ covers the entire production and talks to most of the producers about the making of SLITHER. It’s interesting that they reference the image of the impregnated Brenda as a stand out “original” moment, (in particular producer Eric Newman) when the same image appears in the Garth Ennis scripted comic book ‘Just A Pilgrim’. (Seriously, look it up on google.) Regardless, SLITHER is a great, fun little horror flick and this DVD serves up enough extras to make it totally worth your while. –Robg.

Slime City

Saw a trailer for this on the Shock-o-Rama release of "Criminally Insane", thought it would be worth checking out. The box claims this was a bit of a cult hit back in the late 80's, but honestly I'd never heard of it. It gotta recommend it though: It's a great example of the New York splatter/gore film. This subgenre includes films such as Troma's early releases, "Basket Case", "Street Trash", "Combat Shock" and other films that were made by young filmmakers influenced by the films they were seeing in the grindhouse theaters of 1980's Times Square. Many of the same people who worked on some films had a small hand in "Slime City". ]The writer/director of this film is Greg Lamberson, at the time an SVA film school graduate and student of Roy Frumkes who shot "Street Trash". This one is about a student, Alex (Robert Sabin), who finds himself possessed by the spirit of an dead occultist and slowly melting away. For such a small film it's got great 80's bladder effect makeup, a truly sympathetic lead. Most suprising was that this film moves a really great pace, rare for films of this budget and era. Good, clean gory fun!

Shock-o-Rama once again loads on the special features: Commentary by Greg Lamberson, a great making-of documentary, another feature film by Lamberson: 1999's Naked Fear (which is a shot-on-video suspense thriller, not great, but maybe worth checking out). Another highly recommended buy from the Shock-o-Rama collection. - mikec.

Sleepaway Camp III: Teenage Wasteland

The Story/The Film Itself: Angela the "Angel Of Death" is back. After killing a girl, Angela assumes her identity and takes her place at Camp New Horizons where kids from both the wrong and right side of the track are brought together. After being divided into three groups, they each set out for "an experiment in sharing." Unfortunately for Angela, but fortunately for us, things never change and the teens are a bunch of wiseass, foul mouthed, horny, pot smoking, self centered, good for nothing punks. As she kills her way through each of the groups she comes to what could be her final showdown. Filmed back to back with part two, Sleepaway Camp 3 is also a blend of horror and comedy. Pamela Springsteen returns as Angela, playing the character like only she can. Her co-stars include Michael J. Pollard (American Gothic), Tracy Griffith (Melanie's little sister) and Jill Terashita (Night of the Demons). The camp owners are named Herman and Lily after The Munsters. The privileged teens are named after The Brady Bunch kids (Marcia, Jan, Cindy, Greg, Peter and Bobby). The troubled teens are named after West Side Story characters (Maria, Tony, Anita, Riff, Arab and Snowboy). Some of Angela's inventive kills are a firecracker in the nose, a lawnmower, head smashing after falling from the top of a flagpole, some axe murders, and (Angela always one for nature) a stick. Another top notch entry in a kickass series.

Special Features: Commentary with Director Michael A. Simpson, Writer Fritz Gordon, Moderated By John Klyza/ Behind The Scenes Footage & Outtakes/ Deleted Scenes With Additional FANTASTIC Gore Footage/ Theatrical Trailer/ Still Galleries. - neil a.

Sleepaway Camp II: Unhappy Campers

The Story/The Film Itself: Before reading any further it is best that you see the original film first. After psychiatric treatment and a little nip/tuck (if you know what I mean) Angela returns to camp, but this time as a camp councilor. At Camp Rolling Hills, Angela encounters another group of naughty teens and dispatches them as only she can. This movie puts the camp in Sleepaway Camp being just as much a comedy as it is a horror movie. Pamela Springsteen (Bruce's sister) splendidly plays a more confident, wisecracking, "Happy Camper Song" singing Angela, apparently more comfortable in her skin post operation. Although she has lost her shyness, she hasn't lost her keen sense of killing. Her maniacal methods of murder include an outhouse drowning, battery acid to the face, a human barbecue, slit throats, chainsaws, and strangulation by guitar string, etcetera. That Angela sure is resourceful when it comes to using things around her to get a job done. The campers in this film are named after the Brat Pack. There's the virginal Molly, her boyfriend Sean, the camp bitch/slut Ally, Rob, Demi, Lea, Mare (not Mary, she hates that name), Anthony, Judd, Charlie, Phoebe and the list goes on. An excellent movie from an essential horror series.

Special Features: Commentary by Director Michael S. Simpson, Writer Fritz Gordon, Moderated By John Klyza/ Behind The Scenes Footage & Outtakes/ Teaser Trailer For Sleepaway Camp 3/ Theatrical Trailer/ Still Galleries. - neil a.

Sleepaway Camp

The Story/The Film Itself: It's a summer of fun at Camp Arawak where the rambunctious kids are gruesomely being killed. Who could the killer be? Is it the shy Angela who everyone picks on or her over protective cousin Ricky? Or is the crazy camp owner Mel? Sleepaway Camp is without a doubt one of the greatest summer camp movies along with the 'Friday the 13th' films and 'The Burning'. Like these films the death scenes are creative and well executed. Some instruments of death include a giant pot of boiling water (apparently not as deadly as it seems), a bees hive, a curling iron and an arrow through the neck. The cast is just as colorful as the death scenes and they play off each other very well. Joining Angela (Felissa Rose) and Ricky (Jonathan Tiersten) are: Ricky's best friend Paul, camp bitch extraordinaire Judy (played to perfection by Karen Fields), her cohort - camp councilor Meg (Katherine Kamhi), camp cook/pedophile Artie (Owen Hughes) and the aforementioned camp owner Mel (Mike Kellin) who also has an eye for young girls. Also worthy of notice is zany Aunt Martha played Desiree Gould. Sleepaway Camp has one of the craziest and creepiest shock endings that has to be seen to be believed. It is guaranteed to have you hitting the rewind button as you wonder, "Did I see that right?" Sleepaway Camp...It's just what you've been looking for. Followed by two sequels and the anxiously awaited and hopefully soon to be released 'Return To Sleepaway Camp'. Unfortunately the dvd version has scenes cut short such as the skinny dipping scene and the snake coming out of a dead campers mouth.

Special Features: Commentary by Writer/Director Robert Hiltzik, Star Felissa Rose and Jeff Hayes of sleepawaycampmovies.com (which you should totally check out)/ Theatrical Trailer. - neil a.

Slaughter Night

The cover of the DVD says “A whole lot of Gore”. This is great tag line, especially when it comes from a review, but it is misleading. I have seen enough movies in my life to know, that this is far from a blood bath flick. There is some good scenes, and the gore is displayed when needed, but to say there is a lot, is misleading for those who really look for it in a film. This is a Dutch film with English subtitles that far more resembles an Asian ghost film or Friday The 13 th (only the first one, when we still aren’t sure if there is a Jason or just a crazy mom).

Kristel gets drunk with a bunch of her friends and calls her dad to pick her up. After dropping off her friends, the two get in an argument after he finds out Kristel is dropping out of school to go on a trip. But before they close the argument, her fathers side of the car is hit by a truck. As she crawls out, the car explodes, and she is riddled with guilt.

Kristel’s mom sends her to Belgium to find the manuscript he was writing about Andries Martiens, an 18 th Century mass murder and occultist, because it has been sold. When Kristel and her friends get to her fathers office, they take a trip of a mindshaft that she is told is integral to her fathers work. They get trapped down in the shaft and shortly after, they start to experience the ghost of Martiens.

Much like an ‘80’s mass murder films, the violence and action starts to run one into another and the bulk of it happens in the last 45 minutes of the film. You can usually predict the end, especially if you are an avid viewer of films like this, but it is how you take the ride that is important. Stylistically the film is good and the tone of the film is very dark and grimey. The acting is good and Kristel (Victoria Koblenko) has a sexy girl next door quality. She is not a bimbo starlet that survives because of stupid circumstances, but she is attractive in that “girl I grew up with and knew my whole life” sort of way.

Bonus features on the DVD contain the trailer, some outtakes and a making of, which thankfully is subtitled as well as the film. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048). - Myk

Slashers

Story: Slashers is the number one rated reality show in Japan where contestants compete against each other for big money. All they have to do is survive against 3 bloodthirsty psychopathic killers hunting them. The stakes are high and the rules are simple. THERE ARE NO RULES! Welcome to the first American edition of Slashers!

The Film Itself: Oh bliss! Right from the catchy yet cheesy Japanese theme song to the reality based show within the movie for 'Slashers', I knew I was watching something special. This is a brilliant idea excellently executed. It comes off cheesy at first, but after a few minutes, you almost completely forget that you're watching a fictional movie and you get into the excitement of it being an actual reality based tv show. The contestants themselves do their best to act natural with the material at hand, but the movie goes right to the memorable slashers themselves. Chainsaw Charlie sports a disturbing Alfred E. Newman (from MAD magazine kids) mask & the Preacherman spouts out biblical nonsense while stalking his prey. (Ironically, both those slashers are played by actor Neil Napier) Just as maniacal is Dr. Ripper, creepily portrayed by Christopher Piggins. Sarah Joslyn Crowder holds her own against the other contestants and is probably the most prominent character besides the slashers themselves. The great thing about the reality approach is it's easy for director-writer Maurice Deveraux to play into the typical stereotypes of both horror films AND reality television. All the underlining social context should hopefully sink into the minds of those who watch this movie.

Special Features: Fangoria does a great job here with this special edition disc. The making-of documentary is very extensive spanning almost a full hour, and shows you everything about the film from inception to release. Meeting writer-director Maurice Deveraux in the making-of feature only makes you appreciate this movie more. I'm eagerly anticipating what he's got in store for the future. There are some deleted scenes, cast bios and trailers for Slashers and other Fangoria films. The disc is in widescreen, looks and sounds great, although I'm pretty sure it's in stereo. - robg.

Skinner

Story: Dennis Skinner is a psychopath trying to hide out & start a new life. He has an ever-growing relationship with his landlady & an even bigger growing urge to continue on his violent murderous path. But hot on his trail is one of his surviving victims, ready to carry out her revenge and stop him once and for all.

The Film Itself: Ok, granted, this isn't that good of a film, but there's something about it that I like, which is why I chose to feature it amongst our reviews. The quality itself is kind of cheap & there are parts where the sound is a bit off with a little too much reverb, which remind you just how low budget a film you're watching. But with all that put aside, we've got an interesting straightforward story with some pretty decent acting. Dennis Skinner is portrayed by none other then Ted Raimi (brother of director Sam) & he does a great job balancing his nice guy act with his completely deranged side. We've all seen Ted Raimi in a few things here & there (most notably Darkman & Spider-Man), but this picture makes me wish people would use him more. Also, on board as his landlady is TV talk show host Ricki Lake. Hmm, well she's... Ricki Lake. Anyways... Traci Lords is my highlight here, playing a good nemesis to Ted Raimi's Skinner. She really seems both conflicted & emotionally torn in her quest to take out Skinner & i think she's a lot better of an actress then most give her credit for. I'm a big fan of bad cinema & I watch films like this all the time for their entertainment value. (or lack of) It just so happens that this is one of those bad movies I watched that turned out to be not so bad after all.

Special Features: Absolutely nothing. Not even a menu. But you can probably find it at the supermarket in the ridiculously low priced budget section. - robg.

Sinful

Story: Lilith (Misty Mundae) gets naked (as usual) and tries really hard to get impregnated by the husband she despises. However, Lilith now has a new neighbor, Aisha whom has a passionate, healthy and beautiful relationship with her husband and a baby of her own on the way. How far will Lilith go to make Aisha’s life her own?

The Film Itself: Well, I’ve never really seen anything with Erin Brown (aka Misty Mundae) besides the Masters Of Horror episode “Sick Girl” (which she was great in), so I didn’t know what to expect from her Shock-O-Rama flicks. Well, I guess the opening scene kinda sums up what your in for, as Misty/Lilith rides her husband naked in bed, while screaming (quite meanly) “Fuck me! Fuck me!” Hmmm… I tried to follow the plot of the rest of the movie. Lilith becomes insanely jealous of her beautiful neighbor and starts to unravel due to her desperate desire to have a child of her own. Some of her thoughts start to shift into her reality. (For example, having a conversation with a young daughter she longs to one day have.) The rest sounds interesting in print, but I just couldn’t get into this flick. I’m sure there’s a fanbase for Misty Mundae, but I’m just not that into her. (See Jsyn for that.) I’m sure there’s a fanbase for these low-budget Shock-O-Rama type flicks. Again, I’m just not into them. (Again, see Jsyn.) I guess if you want to see Misty naked and some gory bits of a bloody baby, then Sinful is up your alley. The flick was shot on film, but it kinda looked like a video production to me. Maybe because of the budget and short production schedule? Who knows? The one redeeming quality to this movie is actress Erika Smith who plays the neighbor Aisha. (Holy shitballs!) I’d like to hunt out more of the stuff Erika’s done after her performance here in SINFUL. Seriously, she’s quite awesome and just a natural beauty.

Special Features: There are a few special features on this DVD release. Among them is a short behind the scenes interview clip. There’s also a (flaky?) interview with star Misty Mundae, which only proves that she doesn’t take these movies, herself or the interviewer too seriously. There’s footage of Misty and the gorgeous Erika Smith at one of ‘Sinful’s screenings doing a Q & A. And an audio commentary with writer/director Tony Marsiglia. I listened to most of it, and after hearing how much Tony put into this story and getting it made (it took him years!), I have respect for the guy as a filmmaker. Sadly, the commentary track audio sounds as if he was recorded in another room. Some of you may dig this movie, but for me, it just wasn’t my cup of tea, and I’m not a fan of Misty Mundae. Approach with caution. –Robg.

Sin City: Restored, Extended and Uncut

Story: Frank Miller's SIN CITY comic books come to life in this Robert Rodriguez adaptation featuring 4 Sin City stories: The Customer Is Always Right, The Hard Goodbye, The Big Fat Kill & That Yellow Bastard.

Special Features: Since I reviewed the original edition of this DVD, I'm going straight to all the supplementary material this edition has to offer. Disc one kicks off with the theatrical cut (which is the cut I'm personally most fond of). This disc is loaded with 3 audio tracks. 2 of them are commentary tracks and the third is an "audience" track from a screening of Sin City from Austin, Texas. I watched the movie with this "audience" track and it's AWESOME. Thank you, Robert Rodriguez for recreating the theatrical going experience. It's so much fun to hear audience howls and calls of "Owww!" when someone gets their privates blown off. Or hearing laughter surround you during some of Marv's lines of dialogue. Disc two - to be blunt... is out of control! All 4 segments from the Sin City movie are presented separately and uncut, as if you were reading the original graphic novels. We're treating to one of Rodriguez's infamous 15 minute Film-School featurettes. The way he made Sin City will blow you away. I'm still amazed that actors like Mickey Rourke & Elijah Wood never met each other during production, yet they have a fight scene together in the finished film. To further impress, there's a "Green-Screen" version, which speeds up the movie and shows you exactly what it looks like before some CGI-tinkering. Usually, I'm against any CGI, BUT Robert Rodriguez uses it so wisely, that it's not as noticeable as in any other big budget movie. There's a 10 minute cooking school with Robert where he teaches us how to make breakfast tacos. And then there are featurettes on just about every other aspect of the making of the film, including meeting with Frank Miller, the look of the cars, the make-up effects, etc. For all you Quentin Tarantino fans, there's an unedited segment titled "The Long Take" which gives us the rare opportunity to sit in and watch Quentin work with actors Benicio Del Toro and Clive Owen. The DVD is also packaged with the graphic novel of 'The Hard Goodbye'. Hands down, this is a MUST OWN! - robg.

Sin City

Story: A full fledged perfect comic-to-screen adaptation of the cult classic Frank Miller comic book!

The Film Itself: There's not enough I can say that would do this movie justice. It's visually original, beautifully cast and well acted, (Except for Michael Madsen - what was up with that guy in his first scene!?) and just an all out delight to watch. There are so many horrific and violent sequences that this thing plays like a Looney Tunes version of Pulp Fiction. The movie's got 3 interspersing storylines. My personal fave is the Marv arc with Mickey Rourke (in top form!). 'That Yellow Bastard' is another unforgettable story arc as well with Bruce Willis and (sigh) that damned Jessica Alba. (When will karma hit this one?!) Elijah Wood & Nick Stahl play two of the creepiest characters in recent cinema! Pay attention for their appearances.

Special Features: Nothing on this version of the DVD. The film looks and sounds perfect. It only features a short 6 minute behind-the-scenes featurette. However, the full fledged 2 disc set is on it's way in December. If you can't wait and just want to see the movie now, then rent or pick it up. (Hell, I did!) I'll be snagging up the extended director's cut as well! -robg.

Silver Bullet


Story: Crazy werewolf is terrorizing the small town of Tarker's Mills. What this beast didn't count on was the wheelchair bound Corey Haim & his crazy uncle, Gary Busey!

The Film Itself: I love this movie. Based on the Stephen King book 'Cycle Of The Werewolf', and adapted by King himself, this is just one of those classic werewolf tales. Corey Haim plays Marty, who's sister Jane actually narrates the story. Crazy Gary Busey plays his Uncle Red who's usually drunk... or coked out... or something. He has a connection with Marty, so he rigs his wheelchair to go faster and gives the kid firecrackers to play with and all sorts of fun things like that. (Hey... safer times, I guess) Those darned firecrackers come in handy eventually though! I remember this movie being on television ALL the time and now it's on DVD for such a cheap price. I knew I had to own it.

Special Features: There's no features really, but any movie with Gary Busey in it doesn't NEED any features! Sheesh! - robg.

Signs

Story: Graham Hess is a farmer/minister who's lost his faith. Then, mysterious crop circles appear on his property and over other remote farms across the world. What could they mean? Could this be the first signs of an alien invasion?

The Film Itself: YES! M. Night tackles ALIENS!!! And I LOVE it! Ok, again. It really depends on how you feel about M. Night's style, but if you enjoy The Sixth Sense and Unbreakable, then Signs will please you. Mel Gibson and Joaquin Phoenix are at the top of their game in this emotional story. Part War Of The Worlds, part Night Of The Living Dead, this is the most realistic depiction of what an alien invasion would be like. I love the fact that this is specifically the story of THIS family and how THEY deal with the sudden threat. Sure there's a bit of a twist, so you'll have to pay attention the whole way thru, but overall, this is an excellent, suspenseful film and absolutely worth being a part of your collection!

Special Features: M. Night continues with his Vista Series special edition DVD's and we've got some great material here. There are a few deleted scenes with introductions. There are also a series of featurettes covering the entire making of process, including the script writing, the first read thru, the construction of the house and the alien design. I personally loved the brief interview with composer James Newton Howard. I'm a huge fan of his music and the score for Signs is among one of his best! (Especially during the tense, climatic ending!) Also for fun, M. Night throws in a short film he made as a child about aliens. - robg.

Shutter (The Original)

When you look at the packaging for this film, you automatically think it is a Ringu rip off. While the film does contain a milky skinned ghost girl, it is anything but a rip off, or even a tribute for that matter. It is a classic Asian ghost and revenge film that just happens to also have some traditional Asian imagery.

Shutter is a Thai film released in 2005 and features most of the truly creepy pieces that make a great ghost film. Tun and Jane are driving home from their friend’s bachelor party when they accidentally run over a girl in the road. Scarred and confused, Tun urges Jane to drive away without checking on the welfare of the young lady. Days later, their conscience get the better of them so they go to check on the site of the accident where they find out that there has been no report of the accident or of the body. Strange things start to happen. Tun, who is a photographer, starts to see ghostly images in his photographs. Then, one by one, all of his best friends start dying in mysterious and horrible ways, while Tun himself is having horrible dreams and visions.

There is a ghost haunting the couple, but it takes a lot of work to find out who it is and how it is connected to Tun and Jane, besides the obvious accident. The film takes a twist of revenge, but it is based on love and misunderstanding. The ending is uncomfortable and leaves you feeling empty not knowing whether justice has been served or the punishment far surpasses the crime.

Cinematically, the film is dark and moody, but the images are crisp and lifelike. The ghost and all the effects are really good, and the director only uses the trademark jump cuts occasionally and at appropriate moments. This is a prime example of what has made J-Horror and Asian films so popular here in the States. It is scary without being overly gory and will leave you squirming and uncomfortable with what you watched. Horror is supposed to be scary and unnerving, something we don’t always get from Hollywood.

Bonus features include interviews with the director and cast, the trailer and a behind the scenes short feature.(Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) - Myk

Sheitan

Wow. That’s all I can say. You wanna know what a film looks like when you put in a little originality and don’t pay attention to Hollywood looks like? Well, here it is. Sheitan is a French film that stars and was produced by Vincent Cassel. He plays a psychotic housekeeper, with a weird wife and a family that lives in a local village and all seem to look the same, odd, but the same. A group of kids come to the house, lead by a girl them met in a local club. Typical story, hot girl all but promises a guy sex and then gives them a secluded place to go in the country and he can bring all his friends and the over the top hot bartender chick. After getting thrown out of the bar because of a fight, the five kids go to the house and meet Joseph (Cassell), who puts them off immediately. Strange things start to happen, right from the get go. Joseph’s niece tries to stick her tongue down one of the guys throats. When they all go swimming in the local swimming hole, Josephs family all starts skinny dipping while the crew is in there and then start feeling each other up. After they go back to the house you get a glimpse of Joseph’s pregnant wife, who once again is very familiar, but odd, looking. One after another, horrible things start happening to the kids. Yasmine (the bartender) finds locusts in her bed. Bart gets a clump of his hair ripped out by Joseph’s niece. Then Bart’s dog is killed by another dog and Joseph spies on Bart and Thai in a threesome with Eve (it’s her house). The movie is truly creepy and the cinematography is dirty looking, in the way Delicatessen is dirty looking. The movie is suspenseful, sexy (at least the three main girls are), scary, and a true sign that the underground is alive and well. The film is directed by Kim Chapiron, a member of Kourtrajme, a French art group. The groups members are D.J.s, artists, filmmakers and other talented people. They remind me of the group that did Club Dread. This is the best film from France since High Tension. It is French language with English subtitles, but you will hardly notice. This is high on the music see International film list. Bonus feature on the DVD is a Making Of Sheitan feature. It is basically an interview with Vincent Cassel and he describes how he got involved with the project. He talks about the music in the film and ultimately describes Kourtrajme and all its components. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048). - Myk

Shaun of the Dead


Story: A romantic comedy. With Zombies.

The Film Itself: That tagline says it all! This is my favorite zombie movie since George Romero's 'Day Of The Dead'. Why? It's just so well made. Well acted. Well directed. And the script is really, really good. I love british humor anyways, so throwing zombies into the mix just ups the ante for me. The thing that gets me, is this is the most realistic depiction of what a zombie invasion would be like. You're bound to have a friend like either Shaun (Simon Pegg) or Ed (Nick Frost). And they're bound to be this oblivious at first to what's going on! Once you get past the half hour mark, this thing just rocks until the conclusion at the bar. (Another genius move! Zombies attack? Go to the local pub!) The film just gets better and better on repeat viewings because there are so many subliminal nods to horror movies and zombie flicks sprinkled thru-out this classic. Also, best usage of a Queen song to a zombie beating... ever.

Special Features: The special features make this film ever better then it already is. The highlight for me is the Zomb-O-Meter version of the film. You can watch the film with little factoids popping up and pointing out tons and tons of cool tid-bits about the movie. For example, all the character's names rhyme with their eventual fate. (Ed is dead... Liz lives... etc.) There's so many great nods I never would've caught without this option, such as the restaurant being named Fulci's or the electronic store where Shaun works being named after 'Dawn Of The Dead' actor Ken Foree. This alone makes the DVD a must own. But besides that, there's plenty of missing bits (deleted scenes), there's 3 animated sequences of scenes never shot which explain some of the films plot holes. Along with casting tapes, Simon Pegg's humorous video diary, the TV spots including the full (and not totally serious) Coldplay interview. And let's not forget the wonderful commentaries. Shaun Of The Dead is one of the best movies to come out in years and this DVD is worth every penny! - robg.

Shadow Star Narutaru Volume 1.

Shadow Star will probably be one of the next manga series you will see come over to American TV. It has that feel to it with a distinct targeting of a younger crowd and the presents of weird little creatures. The main character is a little girl who spends her Summers with her Grand Parents and the rest of the year with her father who is an airplane pilot. The dvd features 4 episodes of the show starting at the beginning with an introduction to the characters. While with her Grandparents Shiina almost drowns when she swims to a break water she has been told to avoid because she is too small. When sucked under by the current, she is saved by a weird looking Starfish with giant eyes. She names the Starfish Hoshimaru, and brings it when she returns home to the mainland. The next few episodes show Shiina adjusting to life with Hoshimaru and the weird little powers it starts to display. She also runs into two other characters who are in possession of similar creatures. This is way too slow for my tastes and gives me too much of a Pokemon and Yu Gi Oh feel to be of much interest. If you like the typical Saturday Morning style Anime that we have on the WB, than this may be for you. If you are looking for a more adult oriented offering, this is not it. (U.S. Manga, 250 W 57th St, Suite 317, New York, NY 10107) - Myk.

Seed of Chucky: Unrated and Fully Extended


Story: In the 5th film in the 'Child's Play' series, Chucky & Tiffany are brought back to life by their gender-confused offspring Glen (or Glenda). They decide to transfer their souls into the bodies of actress Jennifer Tilly, who looks a lot like Tiffany, and possibly Redman? John Waters shows up and takes some pictures. And despite trying hard to be a family man, Chucky just can't stop killing! Ah, domestic bliss!

The Film Itself: Wow. I saw this flick originally in movie theaters, and it just felt so wrong to see it in public! I can't explain it but this movie is pretty out of control. And I mean that is a good way! At this point, we're up to Part 5 in a franchise, so I'm glad that series creator Don Mancini (writing AND directing this entry) decided to do something VERY different rather then just the average sequel. What's to like? A lot! The plot is pretty out there. Aside from Glen (who resembles Ziggy Stardust-era David Bowie) searching for his parents, the rest of the film is kind of a mockumentary. Jennifer Tilly and Redman play themselves, and they're both fanatastic. (Yes, even Redman is decent in this). It's hard not to enjoy a movie that features John Waters as a sleezy tabloid reporter. (Who gets one of the more memorable death scenes in this flick) The movie's got a nice blend of horror, gore, and comedy. One of my favorite scenes is a monologue by Chucky (again, voiced by fan fav Brad Dourif) where he explains why he "digs" being an infamous killer doll. If you're looking for something really different and bizarre, then Seed Of Chucky is it.

Special Features: This DVD is full of special features! Just the way we fans like it! The unrated disc actually boasts a few addition extras. There's a deleted scene with actress Debbie Carrington who plays Tiffany's double in the fictional film within the film. Don Mancini contributes two commentary tracks - one entertaining track with the voluptuous Jennifer Tilly and another with puppet master Tony Gardner. Both are very informative and fun to listen to. There's tons of other stuff on here with Chucky, Tiffany & Glenn. Family photo albums and featurettes. While cool that it exists, it's also a tad annoying. There's only so many featurettes and interviews with fictional puppets we can sit thru. But overall, this DVD is definitely worthwhile for fans of this horror franchise. Besides, it just went down in price! - robg.

Season of the Witch

I cherish DVDs like this. Season of the Witch is one of the least known George Romero films and this version has been seen by even less people. The fine folks at Anchor Bay, in collaboration with Romero have put together the longest (104 minutes) version of the film seen in years and the longest on home video or dvd. To make it a little more interesting, they have included the film 'There's Always Vanilla' as a bonus feature. I have never seen this film before and it was a real treat to see a "lost" film by one of my favorite directors of all time. 'Season' is the story of a bored housewife. Her husband works and doesn't pay much attention to her, and she is relegated to spending time with her friends who are all in the same boat or worse. Joan (Jan White) has started to have some real doozey nightmares and is having a hard time dealing with them. That is until she has a conversation with a friend of hers who admits to being a witch. Joan is totally intrigued by the concept and slowly starts to pursue the lifestyle and mentality. What magic can she conjure to freshen up her life with her husband and her potential new love interest played by Ray Laine? That is also the segway to 'Vanilla', which also stars Laine as a beatnik sort of guy who has fallen for Lynn (Judith Streiner, Night of the Living Dead) and is trying to straighten out his life to spend with her and their newly conceived child. This is far from a horror movie, and as Romero states in the bonus documentary, he was basically only the editor on this. Someone else wrote it. The film is a decent look at life in the early 70's, especially of someone who just returned from 'Nam. The film is also chock full of Romero continuity between the production staff and the stars. There are a lot of bonuses on the disc as well including missing scenes from 'Witch' when it was called 'Hungry Wives' and also 'Jack's Wife'. There is a poster and still gallery and two different documentaries as well as a 'Vanilla' documentary. A must for any Romero collection and you get two films for the price of one. (Anchor Bay, 1699 Stutz Dr, Troy, MI 48084) - Myk.

Scorned, The

This is my nomination for the first film that actually makes you dumber as you watch it. The entire cast and production staff consists of reality television people. Some of the bigger names (I’m taking this off the back of the box, the only reality TV I ever watch is Extreme Makeover Home Edition and World’s Greatest Police Chases) Jenna Lewis, Jenna Morasca, and Jonny Fairplay from Survivor, Steven Hill, Trishelle Cannatella, and Tonya Cooley from the Real World, plus people from The Bachelor, The Amazing Race and Paradise Hotel. The story starts with an engaged couple and their best friend. The best friend and the husband to be get caught together and this leads to a murder. Fast forward several months and two couples rent the home that the murder took place in, unknowingly. They find out about the murder at a party and then weird shit starts to happen, like DQ (Fairplay) gets killed in front of his girlfriend, by a ghost. The acting is unbelievable. Like, I can’t believe that these people consider it acting. The movie was bad enough, but you can’t even measure it until you watch the second disc and see how these people hold each other in such high regard in the making of. There are a couple of the guys who do really try to pull it off and they do an ok job. It’s the people that believe they are really good that are offensive. One of the biggest frauds is Jenna Lewis, who the whole cast bad mouths. She stinks, and since I only know her from the Stern show, one would think she is stunningly gorgeous. She isn’t. The one thing I can say about Director Rob C, he managed to get every girl in the movie to take their top off at least once. These are serious actresses who wouldn’t do it for Playboy, but now that the film is running, off they go! The is truly terrible and I hated myself after finishing it for losing an entire night of my life. This is only worth watching if you do watch reality shows and want to see some of the stars naked, otherwise, your better off blowing lines and killing brain cells that way. ( Anchor Bay, 1699 Stutz Dr, Troy, MI 48084) - Myk

Scary Movie 4

Story: It’s mostly ‘War Of The Worlds’ with a bit of ‘The Grudge’, ‘SAW’, ‘The Village’ and errr…. ‘ Brokeback Mountain’ (?) thrown in.

The Film Itself/Special Features: Ok. I for the most part enjoy the other Scary Movie umm… movies. They’re good for a laugh and some totally ridiculous entertainment. I remember seeing this one in theaters and quite frankly hating it. Not laughing once except for a few of the “Leslie Neilson as the President” jokes. Now, watching it on DVD… well, it’s OK. But still not that good of a movie. I’m not sure how much longer they’re going to keep riding spoofs of horror movies. It almost seems like an insult to the average horror fan. Better yet, movie fans in general. I mean, doesn’t it seem rather repetitive sitting thru a movie like this when a mere few months ago, you sat in theaters watching the original? Well, again, if you rent this, you MAY find a few laughs. Regina Hall is always great, as is Leslie Neilson. And even the Tom Cruise spoofer Craig Bierko is excellent. We need more Chris Elliot, Charlie Sheen, or even Bill Pullman in this movie, I tell ya! In regards to the special features? Well, this disc is packed with features, but… is it really necessary? There’s a ton of fairly unfunny deleted scenes and bloopers. A few featurettes, one on the visual effects of the movie (which ironically must’ve cost more to do then the entire budget of all three SAW movies combined) and a commentary track. Is there really any need for a commentary on a spoof movie?! Well, if you liked the other Scary Movie flicks and you’re not sick of them yet, then rent this one. –robg.

Saw III: Chris P's review

Story: The third installment in this no holds barred blood-bath series! Jigsaw is on his last breath of fighting brain cancer....so what’s a guy to do except play one last sinister round robin game o’ fun?

The Film Itself: I think by now, everyone has seen all three of these movies! If not, you need to stop looking at internet porn and watch them. Personally, I thought this was the best movie in the whole series so far. Compared with the first two movies, Saw 3 had a whole different vibe to the movie from the death traps, to the storyline, to the never ending battle of cancer Jigsaw constantly faces as it gets worse from each movie. The death traps are much gorier and complex then before. Some of the traps range from “the rack” to a machine that rips your rib cage completely out of your body and even some homemade brain surgery!! The acting and special effects were pretty fucking sweet for the budget they had to work with. One thing that pissed me off to no end was that one of the main characters, Jeff, was the worst role in the movie. The way he portrayed any emotion was just annoying. My cat, who doesn’t speak English, could run circles around that guy. However, the best is yet to come!! This film ends with an amazing twist filled will all sorts of turns and whatchamacallits that leave you only saying one thing at the end of the movie.....“Holy dookie!!”

Special Features: In the un-rated edition, exclusively at BEST BUY, there are a few neat things. First off, the dvd itself comes with a single frame of motion picture film and includes a picture of that one frame of film footage!! How fucking sweet is that! Now the movie itself...”the rack” death sequence is extended with more twists and bone breakage. Second, there are a few nice quick camera shots of exploded heads that I don’t remember being there when I saw it in the theater. There are a few deleted scenes, nothing special. Complete waste of a dvd section if you ask me. Other then that, there are commentaries with director Darren Lynn Bousman as well as “The traps of saw 3" and “The props of saw 3". Sit back, relax and let the good times roll... -Chris P.

Saw III: Unrated Edition

Story: Jigsaw is back, but on his death bed. But he’s already set into motion his last deadly game pitting a mourning father face to face all the people responsible for his son’s death. Meanwhile, will Amanda prove herself as a worthy apprentice to continue the legacy of Jigsaw?

The Film Itself: I’m so surprised that the quality of these films has not diminished at all since the first SAW movie shocked an unsuspecting audience back in 2004 and launched a yearly franchise. SAW 3 is a solid sequel, continuing the story of Jigsaw and now his apprentice Amanda, yet adding more depth and layers to what we’ve already seen in the first 2 films. I think that was my favorite part of SAW 3, being able to see events from the first movie from a different angle. It’s a very clever way to intertwine all 3 films together. Also the intricate story twists are just as impressive as the new traps that we are introduced to here. The interesting difference in SAW 3 is that most of the traps are set up for Jeff to decide the outcome of. Jeff is still mourning the loss of his little boy and is put thru an emotional journey to decide the fate of all those that were involved. Should he let go and be forgiving? Or should he lay out a little vengeance. I also love the character arc of Amanda. She’s grown into such an integral part of the series and I thought it was neat to show in this movie that she is NOT like Jigsaw, perhaps she’s a bit sicker. (And to think, she only had one scene in the first SAW movie!) The ending of SAW 3 wraps up these 3 films nicely as a trilogy, but there’s enough lingering hints as to what may come next, and for that, I can’t wait until next October for the next SAW film.

Special Features: Well, I was surprised that this was an Unrated Director’s Cut considering Lions Gate usually releases a new version of the previous SAW film on DVD prior to the next one’s release. But hey, I ain’t complaining! There are a few extra gory bits here and there, but I don’t think any of them compare to the “surgery” scene. (Which was very much in tact for the theatrical release.) There are a series of cool featurettes here covering the Traps of SAW 3, some of the details around setting up each death sequence and “Darren’s Diary” which follows director Dareen Lynn Bousman as he preps and begins the shoot. There are multiple commentary tracks on the disc and I got to check out the one with Bousman, writer/creator Leigh Whannell and producers Peter Block and Jason Constantine. Leigh makes every one of the SAW commentaries so enjoyable with his candid sense of humor and willingness to poke fun at himself and the movies. When he talks about one of his cut scenes, he mentions how it will inevitability be on the 16 disc DVD box set edition of SAW. Producer Peter Block offers some funny moments as well, and he reminds me kinda of Sam Raimi on his commentary tracks in regards to his tone & playfulness. All kidding aside, it’s fun to listen to Darren explain some of the key plot points in the movie and how they tie into what we’ve seen before. These SAW flicks are very well thought out and offer more then meets the eye upon first viewing. Which speaking of, Saw 3 is definitely a movie that gets better with repeat viewings. Also, they point out to little tidbits which may or may not be hints to things that might happen in SAW 4. This is a great flick, and an equally great DVD release. –Robg.

Saw: Uncut Edition

Now, here's yet another edition of the SAW DVD (a movie less then a year old already getting another disc?) Well, of course! We can assume to capitalize on the release of SAW II. But guess what? THIS is how every 2nd edition of a DVD release should be! Why not make both editions must-owns?! First we get a new cut of the film, nothing too drastic, but with all the gory footage cut back into the film. Second, it's completely color-corrected, supervised by director http://www.iconsoffright.com/IV_JamesWan.htmJames Wan. (A problem apparently on the original DVD release) Then we get two brand new commentary tracks. The first is a fantastic and hilarious commentary by director James Wan, writer/star Leigh Whannell, and star Cary Elwes. They make it a point NOT to repeat things from the previous commentary track, making this a worthwhile listen. Plus, these 3 are hilarious together! Not since the Evil Dead 2 commentary have I enjoyed a commentary track this much. The second commentary track is an educational commentary with the producers of the film. If you're a filmmaker then this will be worth checking out. The second disc in this set has got plenty of new goodies. Including the original SAW short film, which got these guys their movie deal! There's plenty of making-of specials, a fictional episode of 'Full Disclosure Report' on the Jigsaw killer and the opening sequence to SAW II. Either way, if you love SAW, then it's worth adding both editions to your collection. - robg.

Saw

Story: Two men awaken chained to the walls of a secluded room and have a mere few hours to figure out why they are there & what they can do to escape the trap set by the Jigsaw Killer!

The Film Itself: I don't get all the fuzz? This movie is good! Plain and simple. It's a good movie. And I stand by this bold statement. First off, in a world of PG-13 horror, this bad boy got released with a HARD R! Second... what are some of the complaints people have been fussing about? Bad acting. Low Budget. Portions of the plot were predictable. Well, sheesh folks... isn't that the deal with just about every horror flick of the past 3 decades?! That said, I really enjoyed the original & unique story Saw attempted to tell. As a fan of both films AND film making, I can appreciate the thought put into making a scary movie with a limited budget & filming it practically in one room for the entire shoot. The idea is sinister, the Jigsaw killer is bad ass, and the situations set up by the Jigsaw killer are in fact, horrifying. And the end... come on! None of you saw it coming! (No pun intended) Give the flick a chance if you haven't already. The DVD packaging alone is worth picking it up.

Special Features: Well, there's another Saw special edition on it's way once Saw 2 hits theaters, but even with that said, this disc isn't too skimpy on the extras! Sound & picture is top notch, as it is with most recent releases on DVD. There's an excellent commentary with director James Wan and writer/actor Leigh Whannell. These Australian blokes seem to be having a ball with this. Essentially, you feel like you're hanging out with friends who got lucky and made a movie, because these dudes are kids! And total fanboys. They do give plenty of interesting stories on what went into making this little indie & how lucky they got with the casting and actual production. It's a fun commentary & not all of them are as entertaining as this one! There's plenty of promotional materials to round out the disc's features including some trailers, a really short making-of and a Fear Factory music video. If you dug the movie, you'll dig the DVD. - robg.

Satan's Playground

Story: A family breaks down near the woods of the infamous Pine Barrons in New Jersey. When they go for help, all hell breaks loose as they’re trapped between a psychotic family, Satanic rituals in the woods, and an invisible beast known by urban legend as the Jersey Devil.

The Film Itself: It’s no secret that the folks here at Icons are big fans of filmmaker http://www.iconsoffright.com/IV_DanteT.htmDante Tomaselli. We dug the visuals and non-linear approach of his first two films ‘Desecration’ and ‘HORROR’. But what really struck us about those films is the potential in Dante to do more. And with ‘Satan’s Playground’, he proves that he’s getting one step closer to making his own mark on the genre. It’s obvious from looking at his films that he wears his love of classic 70’s/80’s horror proudly on his sleeve. And it’s even more obvious when watching ‘Satan’s Playground’, which plays like a long lost gem of that era that you would catch on television one Sunday afternoon back in the 80’s. It’s fun to see horror icons Felissa Rose (Sleepaway Camp), Ellen Sandweiss (Evil Dead) and http://www.iconsoffright.com/IV_Edwin.htmEdwin Neal (Texas Chainsaw Massacre) all together in this one film, but I have to give credit to Dante’s regulars Danny Lopes, Irma St Paul and Christie Sanford, whom all steal the show. (Especially Christie, whom I’m convinced is a horror icon in the making.) This isn’t groundbreaking new horror territory, but I don’t think it ever trying to be. It’s just a fun old-school horror flick with kick-ass visuals, coke snorting old ladies, and a mallet happy mute. Can’t ask for more then that? (Except for maybe Satan worshippers out back in the woods, or the invisible monster, of course.)

Special Features: The film looks and sounds excellent, but that’s usually the case with Anchor Bay releases. I strongly recommend cranking the sound on this sucker when you watch it, because the sound design does play a big part in the effectiveness of Dante’s movies. Dante Tomaselli offers up a solo commentary track here. The commentary is good and insightful. I only wish Dante had one of the cast members to bounce off of here. Regardless, it’s entertaining and you’ll learn just about everything about the making of the movie, and also hear Dante’s genuine enthusiasm for the genre and the films he paid tribute to in making ‘Satan’s Playground’. There’s a brief behind the scenes segment, which is decent. It’s fun to see Dante standing next to Ellen Sandweiss while sporting his Evil Dead “Cheryl” T-shirt. There’s also an interview with Dante about the origins of the Jersey Devil. Dante seems a bit uncomfortable in the interview, but it’s short and he gives us some insight into the Jersey Devil and how the stories affected him & inspired his movie. If you look hard enough, there’s an easter egg on the disc. The one in particular I found was a group of people trekking into the Pine Barrons looking for the Jersey Devil. Pretty spooky! If anything, I recommend this is worth seeing, not only because it’s a good movie, but because it’s the foundation of a filmmaker who we’re going to be seeing some really great stuff from for years to come. –Robg.

Saiyuki Reload “Gunlock Volume 2”.

Volume two finds the Goku, Gojyo, Hakkai and Sanzo in far more singular stories that the first volume. The first episode is the continuation of the last episode on the first disk. Part that, the clan continues on into three stand alone stories. A desperate fight between the guys and a local rivalry that has been brain washed leads to a tough decision for two warriors stuck in the middle. The third episode finds the Sanzo party at a hotel stuck playing a really strange board game given to them by the Inn keeper. Odd things start to happen as they are playing, it is Saiyuki Reload meets Jumanji. The final episode is the first sort of love story in the plot line. What does a half-breed demon need to fall in love? Well a half-breed demon female of course. But does she love him or is she setting them up for a fall. There is plenty of action again in this volume and has a little more of the transient feeling I think the plot calls for. The scriptures play less of an important part in this set of episodes, which allows the viewer a little more information on the characters themselves. With the character development in these episodes that was missing from volume one, the viewer feels a little more compelled to check out volume 3 when it is released. (Geneon, 2265 East 220 th ST, POB 22782, Long Beach, CA 90801) - Myk

Saiyuki Reload “Gunlock Volume 1”

I have not read the Manga of this, nor seen the initial series, but the general idea is that there is a group of Demon Hunters traveling the world. One is a Demon himself, I guess out for redemption and another is a total bad ass priest who is more like gang leader than priest. But he holds an ancient scripture that is extremely powerful and all Demons they come across desire it for their own. The disk features four episodes of the series and starts with the crew stopping in a small village that surrounds a large temple. Noting the scroll that Sanzo carries, the priests invite them in and treat them like royalty, but it turns out that demons are running the whole show. Then the four travel to another town that people have been forced to move into a cave from fear of Demons. There is a lot of action in the episodes, but I haven’t totally gotten sucked in to the characters yet. Sanzo’s priest character is intriguing, but could get old real fast. The Goku character is portrayed as the kid of the group, and appeals sort of like Chiopos in Battle of The Planets, but once again, I don’t love him. Gojyo’s demon is interesting, but he has not played a big part in this yet. I am interested enough to want to see more episodes. The first volume comes as a single disk or a collectors box with room for all seven volumes once they are released. (Geneon, 2265 East 220 th ST, POB 22782, Long Beach, CA 90801) - Myk

Gravedancers, The

The Grave Dancers

Mike Mendez's “The Gravedancers” was selected to be part of 2006's After Dark Horrorfest. I missed it when it was in theaters, but finally caught it on DVD.


When I first heard about “The Gravedancers” at the Fangoria Weekend of Horror's Mendez was talking a lot about early 80's ghost stories, frequently name checking “Poltergeist” as an inspiration for this film. True to his word, “The Gravedancers” is an awesome throwback to the way ghost stories used to play out. It's almost scary that it took so long for someone to get this genre right again.


Harris, Allison, and Kira gather for the funeral of an old friend. They end up later that evening at the cemetery and spend the night drinking, and reminiscing by their friends grave. Next to his grave they find a card with a seemingly life-affirming message on it, encouraging them to dance on graves in the cemetery. Everything seems fine, until a few days later, when Harris' wife notices something spooky around the house. The spirits of the people whose grave they danced on aren't taking things so well and they won't rest until......


This was a great ghost movie, and it does something we haven't seen in a ghost movie in years. ItThe Gravedancers takes it's time, it's waits. Before you ever see a ghost in “The Gravedancers” you've already felt their presence. Pipes that rattle, cats that won't go into the house, strange noises, music coming from an empty room. This stuff all still works when it's done well, and it helps build up tension and suspense so that the first time you see one of the malevolent spirits in full-form it's truly unexpected and very scary. Each ghost is a little something different: An insanely jealous female spirit, a old man who's attacks mimic something out of “The Entity”, and a ghost that's get a little too happy when playing with matches. Each of these spirits attack and haunt in their own way. The effects in the film are largely practical, and the ghost effects are accomplished with a mix of makeup and puppetry, and very effective. Nice to see that kind of thing. “The Gravedancers” does go a little off towards the end when Harris, Allison and Kira have holed up in the home of some paranormal investigators. Not that it gets bad, I towards the end the ghosts just went a little beyond what I felt the could really be capable of.


If Mendez may have been looking back to old-school films like “Poltergeist” for inspiration, but “The Gravedancers” manages to stand on it's own as more than just an “80's throwback”. I'd love to see a spooky sequel sometime with some more of his pet ghosts.

 

Mendez and Gravedancers Ghost
 

 

R-Point

Story: It's 1972 in South Korea and the Vietnam War is raging. A creepy, whispery transmission from a long thought lost group of soldiers, Donkey Unit, comes to headquarters, telling them they are being killed. A war-weary lieutenant, together with a rag-tag and reluctant band of soldiers who were only days from being sent home are instead sent to find Donkey Unit in the sinister sector known as R-Point.

The Film Itself: Take a big pot of Asian horror, add some "Apocalypse Now" and John Carpenter's "The Thing", throw in some dashes of "Session 9" and "Dead Birds". Stir well and you have a pretty good idea of what "R-Point" is. I went in with few expectations but came away chilled by quite a few scenes and images. I've also already heard an American version is in the works so that should tell you something. The film was shot in Cambodia and there is, hands down, one of the creepiest decaying buildings in this movie where the soldiers hunker down. Right up there with Danvers Mental Institution in "Session 9". There are the requisite Asian ghosts - even one with the long black hair we've all come to expect. And she actually fits into the story! Directed by first-time feature film director Su-Chang Kong, the atmosphere is heavy with menace and paranoia, much like in "The Thing". The non-linear storyline is reminiscent of the little-seen (but should be) "Dead Birds" (also a horror/war film). And there are disturbing images seen by various members of Mole 3 unit, especially by Lt. Choi, that will stay with you. The score and sound design are perfect for the foreboding in this film - you know things are just getting worse and worse for these guys. And when the climax comes? well, there is a little twist at the end which again brought "Dead Birds" to mind and its cyclical sense of hopelessness.

Special Features: Korean with English and Spanish subtitles. Presented in anamorphic widescreen, Dolby Digital 5.1 Surround Sound and DTS Surround Sound 5.1. Director's commentary, a history of "R-Point", behind-the-scenes, special effects, production design featurette, original trailer and trailers of Tartan Asia Extreme's upcoming releases. - Elaine

Revelations

'Revelations' was a mini series that aired on NBC early this year and although it got good reviews, didn't appear to do much with the viewing audience. That is a shame, because for NBC, this was pretty bold and groundbreaking. It isn't like a major network to take on a touchy subject like religion and the end of the world, especially through the eyes of a non-believer. Bill Pullman plays Harvard Professor Dr. Richard Massey, who's expertise is debunking religious stories and the historical writings of the bible. Natascha McElhone plays Sister Josepha Montafiore. The Sister is employed by a privately funded organization that is trying to prove miracles and also that the end of the world is coming. The show consisted of six episodes, all of which are in this two disc set. The story focuses around a little girl who has been struck by lightning and by all accounts is dead except for the respirator keeping her alive. That is until she starts speaking in Latin and describing ancient scriptures that speak of the end of the world and also lead the Sister to Doctor Massey through an elaborate map she drew in a seizure. Based on their different belief systems, obviously these two people can't believe each other or work together until their paths keep crossing. It becomes a give and take where Massey's deductions begin to explain some of the dead girls scribbles and the Sister's blind faith and knowledge of the religion lead them to different people and location that are starting to unravel a plot to bring on the Apocalypse through the birth of the Anti-Christ. The writers did an excellent job with the religious references on this show and both the stars are compelling in their roles. The story really kicks up when the doctors own kids become involved and how it all ties in to the leader of the Satanic cult they are chasing. One comical moment though is the inclusion of Fred Durst as a member of the cult. Without the commercials, this is a fast watch and I found it to be very entertaining and also a huge risk for broadcast TV. This is almost like a creationist disaster movie if you will and it is far better than a lot of the crap they have put on TV in the last couple of years. Definitely worth renting!

Bonus Feature: Interviews with the cast and director. (Universal, 825 Eighth Ave, New York NY 10019) (DVD) - Myk.

Return of the Living Dead: Necropolis

I had a lot of hope for this film. The third film was actually really good and they took it in a new direction, away from the humorous outlook of the original two. What you find here unfortunately is the sequel that you probably anticipated from number three. With the exception of Peter Coyote (E.T., Erin Brokovich), you basically have a no name cast and a movie made in Romania and has a lot of locals in the cast to keep costs down. Charles Garrison (Coyote) works for Hybratech and has collected the last remaining canisters of the chemicals that started the living dead resurgence in the first place. While performing tests, some of the gas escapes into a tunnel of homeless people, of course turning them into the living dead. In the meantime, Garrison also has custody of his two nephews, whose parents were killed in a car accident. They, of course, are troubled kids and ride with a questionable crowd, including Zeke, who is a motorcycle riding badass who believe that Julian is trying to steal his girlfriend. When Zeke crashes his motorcycle, his friends rush to the hospital to see if he is ok, where they are told he’s dead. Except his girlfriend, Katie, just saw him in Hybratech, where she is a security guard. Like all teens, they make a masterful plan to break into a multinational chemical conglomerate because their part time guard friend seems to be able to clear all access. It get’s more ridiculous from here on. The effects aren’t great, the kill scenes aren’t great and even Mimi, the local slut, is far from used in typical B movie fashion. This is a tremendous let down from the last film and it ends with an absolute set up for another film. Oh, and I almost forgot, the two living dead characters that look like Borg from Star Trek. That was amazingly laughable as well. (Lion’s Gate, 2700 Colorado Ave, Santa Monica, CA 90404) - Myk

Rest Stop: Dead Ahead And Unrated

Story: Jess and Nicole are taking a cross country trip to Hollywood. When they pull over at a rest stop, Jess disappears, Nicole’s on her own, and suddenly being stalked by a creepy guy in a yellow truck. The more people Nicole encounters for help, the worse her situation becomes, and the closer the man in the truck gets!

The Film Itself: REST STOP is the first of 3 direct-to-DVD features being produced by the newly formed RAW FEED label. The interesting thing is that although it’s both specifically for the direct-to-DVD market and low-budget, it has that theatrical big-budget look and feel to it. Writer/Director http://www.iconsoffright.com/IV_Shiban.htmJohn Shiban sets the tone almost immediately with the creepy opening sequence. After that we’re introduced to our main characters, only one of which we’re going to get to spend some quality time with. (That being Nicole, played by Jaimie Alexander) Now, the plot I described above seems pretty straight forward for a horror movie, and at first it seems that this is where this movie’s headed, but then Nicole starts encountering some weird stuff in and around the rest stop. A wacked out family in a Winnebago, a recently tortured girl, and… Joey Lawrence?! Well, Joey Lawrence plays a police officer that comes to offer aid to the lovely Nicole only moments before being mowed down by the truck driver. Oh, don’t worry, that doesn’t kill him. But the 15 minutes that follow do! Overall, I liked this movie. It’s not great, groundbreaking, original material, but just when you think we’re headed in familiar territory, John Shiban introduces some (dare I say it?) supernatural elements. Production wise, the movie looks great, and I was surprised by the decent music, good score and awesome FX (There’s some good gory bits in this unrated version, that’s for sure. My personal favorite involving Mister Lawrence. Say it with me, folks… “Whoa!”)

Special Features: The cool thing about these RAW FEED titles is that since they are targeted for the direct-to-DVD market, the features are meant to be more then your average supplemental material. In fact, on this disc (and from what I hear, the future RAW FEED flicks), the features will expand upon the back stories of some of the characters introduced in the feature itself. We get one featurette of “Shocking Crime Scene Photos”, which is a montage of the truck drivers victims. Once again, kudos to the FX artists on this for delivering some disturbing things to look at. Even more disturbing (for me at least) is the “Scotty’s Family Album” featurette, which features home videos from Scotty and the Winnebago family. Quite frankly, you just have to see it for yourself. Scotty creeps me out. Last but not least are 3 alternate endings. It’s fun to see them here, but I’m so glad they opted with the ending already in the movie. It’s far better then some of the other endings they could have chosen. It would’ve been nice to see more makin-of featurettes, maybe something involving the FX for the film? I always love those. Over all, a nice DVD package. I’m looking forward to more RAW FEED flicks in the future. –Robg.

Reform School Girls

Story: Two innocent female teens get sent to Pridemore Juvenile Facility For Girls, and someone's bound to get offended!

The Film Itself: Ohhh bliss!!! I remember catching parts of this movie on HBO when i was young and even then it scared the crap out of me. Not because it's a horror film, but because it's just so wrong in so many ways. In fact, after watching it recently on DVD, all I can say is... I'm highly offended! I was seriously shocked by the time I reached the end of this film. Not even porn makes me feel this sleezy after watching it. Let's start with the cast. Best thing about this flick? Holy good crom! We've got Wendy O. Williams, singer of the legendary Plasmatics (and also of the show 'The Adventures Of Bean Baxter' from Savage Steve Holland who wrote & directed the comedy classics Better Off Dead & One Crazy Summer. Does anyone out there remember Beans Baxter???). Her cronies consist of Darcy DeMoss (of Friday The 13th Part 6, Playboy's late night show Eden & Can't Buy Me Love) and also Tiffany Helm (my childhood crush, Violet from Friday The 13th Part 5). Let's not forget Sybil Danning! (sorry folks. no nudie scenes with her on this picture) So, why is this movie so wrong? Seriously, just see it for yourself. There's bad campy humor, girlie fights & nude girls showering. Not sure why but I suppose it's pivitol to the plot of the film. Which... I'm still trying to figure out. Did I mention Darcy Demoss and Tiffany Helm? Ok, just checking.

Special Features: Only Anchor Bay would give this film the special edition treatment and god bless them for that. The trailers alone are worth the price of the DVD. I didn't want to mention it before, but since it's in the commercials... I can't believe they'd market this movie with "the infamous kitty stomp". There's a still gallery and a bio for writer/director Tom DeSimone. The commentary track includes him along with "humorist Martin Lewis" (?). What the fuck is a humorist? And why would he record a DVD commentary? Regardless, this "humorist" is actually pretty well educated in the films history as he moderates the commentary session. I can't believe this was MEANT to be a spoof. I totally had seen this movie as a straight forward film. But they admit it's a spoof in the commentary. Tom DeSimone also talks about how he initially wanted the movie to be in black and white, which would have been interesting. I didn't watch the entire commentary track. The second they find the kitten, I really got so offended that i just turned this movie right off! - robg.

Red Eye

Story: Lisa is held captive on an overnight flight & forced to take part in an assassination plot. Can she outwit her seatmate and save her father?

The Film Itself: So, Wes Craven hits us with a straight-forward Hitchcockian thriller, huh? Well, I dig it! Although not one of Wes's best films, it's certainly one of his most interesting, and the suspense is excellent. I like the way this film is set-up. It's really not too complicated. It's essentially 3 acts, the first at the airport setting up the characters, the 2nd on the actual flight, and the final act back at the house. Because of this simple set-up, the film relies heavily on the acting, and the visual storytelling, both of which Wes & the actors deliver. Gosh darn it, I love that Rachel McAdams. I've seen her in quite a few movies now, and she's always excellent AND completely different in every role she approaches. She plays off of Cillian Murphy's sinister Jackson perfectly. I love how Cillian is so endearing during the opening scenes and then becomes an evil bastard once the movie kicks into full gear. While some are mixed on the third act of the film, I liked it a lot because it was very straight-forward Wes Craven. I always dug the chase & "fight back" sequences at the end of Wes's movies like Nightmare or even The Hills Have Eyes. The only draw back to the flick is it is really short. (80 minutes or so?)

Special Features: This disc boasts some decent special features. There are two featurettes on the making of the film, which feature plenty of interviews with the principal cast members, as well as Wes. There are also some outtakes and bloopers and a commentary track. (Which sadly I haven't had the chance to check out yet, but will, because Wes is on it) Overall, this is a decent release. Check it out. - robg.

Re-Animator: Millenium Edition

Story: This movie is an adaptation of H.P. Lovecraft's Herbert West: Re-Animator, with a Night of the Living Dead twist on the classic Frankenstein story.

The Film Itself: Herbert West (played by Jeffery Combs) plays a shady medical student whose experiments cause corpses and body parts to come back to life, to "re-animate", almost. Herbert comes to America, to learn under the doctor at the Miskatonic Hospital, the best in the area. He moves into an apartment with Dan Cain, who is dating the Dean's daughter. Herbert underminds Dan into helping out with the experiments, so he blackmails him into telling the Dean about there mystery relationship. Between oozing guts, and heads being severed, this movie was well made. Very rarely do I see a zombie movie with this much intensity in it nowadays. After watching this movie, I felt the need to start tearing the flesh off the closest person to myself. It's a gory laugh-fest. This is one of those movies that you would watch over and over and over, and it gets more entertaining as the time passes.

Special Features: The version that I have on DVD is the Millennium Edition, which includes a range of special features such as on disc one, it includes the soundtrack, and a dual layer disc for high quality picture and sound, and on the second disk, there is New video interviews with director Stuart Gordon and producer Brian Yuzna, writer Dennis Paoli, composer Richard Band, and with Fangoria editor, Tony Timpone. 16 extended scenes, a deleted scene, the theatrical trailer TV spots, and biographies and filmographies of cast and filmmakers are includuded. - Devin

Razor Blade Smile

The main character of this film, Lilith Silver, is like a cross between Lady Death and Blade. She is a vampire, but a "daywalker", but uses her immortality as an assassin. The character has a similar feel to Underworld, and the outfits are close as well, except Lilith looks more like a hooker than a member of the Matrix crew. When Lilith's boss/ set-up man is kidnapped by the "Illuminate", it is her job to not only get him back alive, but also fulfill her most recent contract which happens to be the same guy. That guy is Sethane Blake (Cutthroat Island, Judge Dredd), the head of the "Illuminate" but also the vampire that turned Lilith in the first place hundreds of years ago. The effects in the film leave a little to be desired, but the plot has some good original concepts to add to the vampire mythos. Eileen Daly (Lilith) reminds me a little too much of Julie Strain, who I don't care for at all, but she does the vixen part pretty well. Fans of Misty Mundae films should really dig this. It has a similar feel, but the plot is way better as is the production. The disc features outtakes, deleted scenes, CG test shots, an audio commentary (little dry), and a behind the scenes feature as bonuses. (Manga/Anchor Bay, 1699 Stutz Dr, Troy, MI 48084) - Myk.

Raw Meat (aka Death Line)

Story: It’s the 70’s and a creepy, inbred mutant is stalking victims in the London underground looking to purge his hunger of human flesh, and perhaps find himself a new mate!

The Film Itself: Wow. Director Gary Sherman’s debut (titled ‘Death Line’ in the UK, Sherman’s preferred title) is a lost, often imitated gem of a horror movie! Thankfully, MGM has released it unrated and uncut on DVD! For generations, a group of cannibals have been trapped and living in the underground tunnel’s of London’s subway station ever since the famous tunnel cave-in of the 19 th century. Now, there’s only one survivor left, and with his spouse recently deceased, he comes up to the surface in search of a suitable replacement, and maybe a bit of human flesh along the way. Looking at this movie, dated back to 1973, you can see a slew of movie that have since borrowed elements from ‘Raw Meat’. ‘The Hills Have Eyes’ followed a few years later with a very similar backstory (just replace the London underground with the hills). And there are even traces of ‘The Texas Chainsaw Massacre’ during the infamous 8 minute reveal of the victims in the tunnels. Even the recent UK horror hit ‘CREEP’ seems like an homage to ‘Death Line’. Guillermo Del Toro credits his career to ‘Death Line’ after developing an interest in filmmaking after seeing it as a kid. Genre fans should recognize (and love) Donald Pleasence, who delivers a unique performance as Scotland Yard investigator Calhoun. He also gets to share a scene with the legendary Chistropher Lee! All these elements combined, on top of Gary Sherman’s strong visual directing, make this movie simply a horror classic. Go add it to your DVD collection now.

Special Features: Sadly, there’s only a theatrical trailer on this disc. But I know director Gary Sherman has expressed interest in putting together a new special edition DVD under the film’s original title ‘Death Line’. Start sending those letters to Sony, folks! –robg.

Radio Mechanics, The

Story: Late-night talk-show host Nigel Starr takes a call from a listener named Stillman who goes into detail about his theories on the eventual take over of the planet to aliens!

The Film Itself: You know, when it comes to a short film, let alone a short science fiction film, you're never exactly sure what you're in for. So, when it came down to watching The Radio Mechanics, I really wasn't sure what to expect. Thankfully, it turned out to be one of the best made sci-fi short films I've watched. It really is well directed & scripted that I found myself really getting into the dialogue almost as soon as Stillman's character is introduced (played wonderfully by Patrick Murphy). The production value of this short film is top notch. It definitely has the look and feel of a full length. Essentially, Stillwell shoots off a number of theories he has on a live late night talk show about the human subconscious & how we're all connected. How some of our dreams are realities on top of other ones and that aliens manipulate these doors to slowly plot their eventual takeover. I really did find the actual theories themselves to be very interesting subject matter. And was bummed when the 20 minute short was over, because it flies by. I'm looking forward to what the fine folks at Unit 12 may have in store for us in the future.

Special Features: For an independent company, the DVD itself has got impressive packaging and features. Included is a director/writer commentary with Jonathan Johnson & Preston Herrick, which goes into plenty of details on the making of this short film. Most of which can be seen in the behind the scenes footage, also included as a bonus feature. To round out the disc, there's some entertaining auditions and some funny outtake footage; especially with Halloween 2's Lance Warlock doing his "Fire Marshall Bill" impression. Sci-fi fans will definitely get a kick out of this. Check it out at RadioMechanics.com. - robg.

Puppets Who Kill

Season two picks up where season one left off, except a little more depraved. This season further explores Buttons over active libido and the fact that no woman can turn him down, even though he is a puppet. This also happens to be one of the biggest jokes of the season with the trouble it gets him into, including a lesbian couple that draw him into their home just to suck him dry of reproductive juices by hooking him up to a device that looks like a vacuum cleaner. The best episode though is a plot where Dan (the non-puppet star of the show) is in love with his cousin, a sexy red head. When the puppets meet her it is at a funeral. At the funeral Rocko walks in on her having sex with the corpse, strikes up a conversation with her, and then let’s her finish her business. The puppets of course lay into Dan for this, until they suggest faking his death so that his Necrophiliac cousin will have sex with him. Dan, being the consummate Social Worker, of course sees the merit in this plan and agrees. That is until his cousin is called to the phone and the undertaker takes her place. Dan can’t win. This series is Greg The Bunny to the next level, or just below Avenue Q and this is the second season of a show that lasted at least 4 that I know of. There is also some commentary from Dan and Rocko which far surpasses the director commentary from the first season. The last extra is a television appearance the cast did for a morning show in Canada that went totally awry. Talk show hosts have no sense of humor. (Music Video Distributors, P.O.B. 280, Oaks, PA 19456) - Myk.

Pumpkin Head 2: Blood Wings: Rob G's Review

Story: Five teenagers accidentally awaken the legendary demon Pumpkinhead, who immediately goes on a murderous rampage for revenge against the kids AND the men who killed the soul of the innocent boy trapped within the beast.

The Film Itself: Man, I KNOW I'm going to get shit for this, but I LIKE this movie!!! The first is obviously a far better film, but this is a decent direct-to-video sequel. And knowing the limitations and rush to finish this film for it's VHS release, it's easy to be forgiving. I'm always a fan of the whole revenge angle in these horror flicks. I sympathize with the deformed boy in the back story that gets killed & am kinda rooting for him when he comes back as Pumpkinhead for vengeance! Despite the clunky story and low production values, this movie's got a lot of cool people involved. Andrew Robinson (Hellraiser), Linnea Quigley, Kane (Jason) Hodder cameos, as does R.A. Mihailoff (Leatherface in TXC 3). Soleil Moon Frye. (Punky Brewster herself!) Roger Clinton. (Yep, as in Bill's brother!) And the movie was directed by Jeff Burr, who did a lot of horror sequel work during the early 90's.

Special Features: This DVD actually boasts a good deal of special features considering the price. The movie is full screen and the sound is in Dolby Surround, but you have to consider this film was made for the direct-to-video market. There's a brief featurette on the making-of the film. (Ironically edited by filmmaker http://www.iconsoffright.com/IV_Parker.htmDave Parker - director of 'The Dead Hate The Living') But the highlight is a very informative and honest commentary track with director Jeff Burr. It's great that he can talk now about his limitations on the film and how he came on board very last minute and did the best he could. He points out all the cameos and even mentions how he never met the writer of Pumpkinhead 2. (The writer actually refused to be credited for his work on this film.) I really like Jeff Burr's stuff. And between this, Leatherface: Texas Chainsaw Massacre 3, and Stepfather 2, these DVD's make a nice little trilogy. - robg.

Pumpkin Head 2: Blood Wings: Myk's Review

This film was nowhere near as bad as I expected. It wasn't as good as I hoped, but it wasn't as bad, so I guess that makes it pretty ok. The blatantly worst part of this for nothing but money, direct to video sequel, was actually the monster parts. Greg Nicotero and company did a great job visually with the monster, but the director, camera man and producer combined to create some of the worst shots ever, making Pumpkinhead look like a ridiculous rubber suit with bad lighting. The story is actually a decent departure from the original. Of course you have the prerequisite band of teenagers who are the targets, but you also have a mystery element that surrounds a group of older and well-respected citizens of the community being killed as well. The film starts with a local gang of kids in the 1950's and they torment and kill a local orphan/ deformed kid, that child was cared for by a local woman, who the town believes is a witch. The new town mayor, from New York, is actually a transplant. He grew up locally and left the town as a young child, only to return with his wife and troubled teenage daughter, who of course hooks up with the worst riff raff this Podunk town has to offer. Then the legend of Pumpkinhead kicks in full strength with the monster being called upon to avenge a wrongdoing. Plot wise, the film isn't terrible, and cast wise, this film might even be stronger than the original. The film features a guest appearance by Linnea Quigley, Kane Hodder (Jason from Friday The 13th), Roger Clinton (the President's brother), R.A. Mihailoff (Leatherface from part 3), Soleil Moon Frye (Punky Brewster, before her breast reduction) and Andrew Robinson who played the father in Hellraiser 1 and 2. This is one of those renter films. You'll enjoy it once, maybe twice, but I can't see anyone really needing to own this. The disc features an audio commentary and a documentary with the cast and filmmakers. The best part of that is the director basically saying the film is mediocre at best, but it was fun to make and was down for nothing but money. (Lion's Gate, 2700 Colorado Ave, Santa Monica, CA 90404) - Myk.

Psycho III

Story: The Bates Motel is back in business. And Mother's off her rocker again! "The most shocking of them all."

The Film Itself: Yet again, Psycho 3 is a VERY underrated sequel. Anthony Perkins returns as Norman Bates and directs this particular chapter. I can't explain why I love this one so much, but I guess because it's more a direct sequel to the original then two was. I mean, two was great, but the thing I always loved about the Norman Bates character was I always felt he was so tragic. He can't help what he does, and he's truly convinced it's not him. In my Devil's Rejects review, I mention how you're not supposed to root for the villian, but it's next to impossible NOT to sympathize with Norman Bates. So, to me, this third film is like watching the first one, but with knowing the twist ending. Continuing directly from the ending of Part 2, ex-nun Mary (Diana Scarwid) is on the run from her past after she accidently kills a fellow sister. Her trip leads her in a car ride with sleezy wanna-be singer Dwayne (played with extra sleeze by Jeff Fahey) and eventually to the Bates Motel. She reminds Norman of Marion Crane (the infamous shower victim) and he actually... starts a romantic relationship with her?! Maybe that's all Norman needed. A freakin' girlfriend! But of course, mother won't have any of that. Again, while some people may critique this as a weak sequel, I think visually, Anthony Perkins delivers some of my favorite shots in the entire series! The way mother appears in all the kill sequences (with face in shadow) is awesome. And of course, one of my all time favorite shots in horror history is the Norman/Mother reveal toward's the final scene of the movie. So, so good. And let's not forget the wonderful score by Carter Burwell or the apperance of Juliette Cummins (whom genre fans should remember from Friday The 13th Part 5!).

Special Features: I love Psycho III and I long for the day we'll get a special edition. Even if I have to sheppard that project (which I will one day soon!) Once again, nothing on this disc except a trailer. But it's such a great underrated sequel. Go buy or rent it if you've never seen it. -robg.

Psycho II

Story: It's 22 years later, and Norman Bates is finally coming home.

The Film Itself: I'll say it. Psycho 2 is a KICK-ASS UNDERRATED SEQUEL!!! Plain and simple. First off, how often do we get a sequel to a movie 22 years later? I mean, shit they're remaking movies that are 7 years old now, THAT'S how ridiculous Hollywood is lately. But back to Psycho 2. Anthony Perkins rules this movie and this role. Norman Bates is released from the mental institute and declared "sane", so he goes back home, gets a job at the local diner and re-opens the Bates Motel. Problem is, someone's running around dressed as Mother killing people! Is it Norman? Or is it Mary (played by the hot Meg Tilly), the gal who's been staying with Norman. (And who also happens to be the niece of Marion Crane from the original.) OR... can it be his REAL mother? You have to check it out yourself to believe it! We've got great performances here from supporting cast members Dennis Franz and Robert Loggia. We've got some impressive direction & some stylish kill sequences from the wonderful Richard Franklin. And we've got a great score by Jerry Goldsmith. And it features one of the greatest shocking endings to a horror movie EVER! (Ouch!) I can't help but gush over how good this flick is. The Psycho movies need some more respect!

Special Features: Sadly, nothing on here except a trailer and a better quality version of the film (both picture and sound-wise) from the last Good Times edition. Universal needs to step up and give us a special edition. Don't worry, folks. I'M ON IT! - robg.

Prom Night 3/Prom Night 4 Double DVD

Story: PN 3 - A really bad comedic redux of Hello Mary Lou: Prom Night 2, in which Mary Lou Maloney is back after her death 30 years ago in a Prom Night fire, only this time she's in love with local student Alex. And she'll stop at nothing to get his affections. PN 4 - A priest becomes a psycho (ala Silent Night Deadly Night) and believes it's his duty to punish unpure souls. (aka horny teenagers) The other priests manage to keep him locked up for 33 years until he escapes, convienently the same night as Prom Night.

The Film Itself: Ok, it's been a while since I've seen Prom Night 1 & 2. From what I remember, I kind of enjoyed 2, but crom only knows what I'd think of it now. This brings us to Prom Night 3. This movie literally is a mess. At first I tried to take it seriously, because a character like Mary Lou Malony is supposed to be feared as if she was the female Freddy Krueger, right? Ok, I was wrong. It isn't until the halfway point that I realize this is meant to be one big joke. Why you ask? What other movie does someone get stabbed thru the hands with ice cream cones. I shit you not. Plus side? Actress Courtney Taylor as Mary Lou is WAY hot. In fact, I wouldn't mind the spirit of a psychotic chick falling in love with me & disposing of my enemies if it were her. Anyways, Prom Night 4 however is a different movie altogether. So different, that from what I understand it was made as it's own horror film and only later redubbed with the Prom Night 4 title. It's not a great horror film, but it is a step up from the previous Prom Night entries. In fact, this one is kind of original. We've got priests (which are always scary in my book), teenagers on Prom Night doing the deed (YES! the SIN factor!), and some violent & shocking kill scenes. So at the very least, Prom Night 4 makes for a decent late night B-movie. It's also cool to see a young Nicole Deboer here. (also of Cube & The Dead Zone tv series).

Special Features: Nada. But it's two movies for real cheap. If you enjoy bad cinema, then it's worth your $6 bucks. - robg.

Pro-Life: Masters of Horror DVDq

A budding couple, both physicians, nearly run down an expecting, frantic teenager named Angelique(Caitlin Wachs). Bringing her to their clinic, she states they were meant to find her because God them to do away with her pregnancy. Meanwhile, a red van pulls up outside the same building. Her father, Duane, (Ron Perlman) has made many enemies inside this place, which happens to specialize in abortion. Currently bound by a restraining order, now that his own child’s inside he has no intention of honoring it.

Angelique claims she was raped by a demon and must stop the child from being born at all costs. Meanwhile Duane hears a voice from above urging him to protect the baby…and having been called, even if unsure of the caller, he enlists his three sons and several shotguns to gain entry to the clinic and rescue both children at all costs…

Largely unstereotypical, the potentially hot-issued script really doesn’t take sides but asks uncomfortable and important questions on both sides of the debate in the middle of the gunplay, slime, and beastly births. Despite this, it’s somehow completely drained of any tension or suspense for the most part; particularly once Duane and his sons open fire on the clinic. If saving his daughter and the baby is a priority, and time is of the essence, why stop for 20 minutes and eviscerate a doctor to make a point? A story that is primarily a monster movie crossed with a siege picture should be easy pickin’s for Carpenter.

Many of the side/bit players are cringe-inducing, though Perlman is incapable of giving a bad performance. He and the writing bring enough texture so that he never falls into a cartoonish caricature or a standard fanatic. It doesn’t reach the grotesque heights and psychotic excess of their previous year’s effort Cigarette Burns but there’s enough here if you’re a compleatist and plan on collecting all of Season Two.

PICTURE/SOUND/SUPPLEMENTS

Solid transfer, soft but intended as such; as always, count on Anchor Bay for superior picture quality and a lot of attention given to the horror genre.

Extras for MOH’s season two take a slightly different turn than last year’s welcome “Working with a Master” segments. Since many of those lauded directors were returning, we get a more traditional set of featurettes.

Final delivery- making of pro life

Brief but engaging, the articulate cast and crew elaborate on the story and their roles in it, and Carpenter’s approach to the material.

Baby steps-birthing the FX sequence

Shorter but gives some nice details on how the birth sequence and its monstrous result was achieved, achieved through a mixture of practical effects sweetened with digital. And slime. Lots of slime.

Audio includes a decent 5.1 as well as 2.0 mix, and commentary by the writing pair and Mr. Carpenter himself, thankfully sparing us another dry commentary where JC goes it alone. Though it’s amusing when JC gets restless and takes a smoke break halfway through(!). Thankfully Drew Mcweeney and Scott Swan know their cinema and storytelling and manage to contribute an engaging track once again.

A Carpenter Bio rounds out the extras.

Poltergeist

Story: The Freelings have just moved into a beautiful new home in a small, quiet town that just seems too good to be true. It soon becomes obvious that it IS too good to be true when a bunch of poltergeist’s start causing all sorts of ruckus! Hmmm, perhaps that Mr. Teigue (Return of The Living Dead’s James Karen) should’ve mentioned the old cemetery that the house was built on top of!

The Film Itself: Ah, Tobe Hooper’s last truly great film! Look… Tobe made one of my all time favorite movies, The Texas Chain Saw Massacre, so he can get away with putting out whatever he wants now. But… it has been dishearting that I haven’t really enjoyed anything he’s done in the past decade. (Except for maybe the first half of ‘The Toolbox Murders’.) So, when I think about it, this was probably the last really great film he put out. And then there are those pesky rumors that Spielberg actually directed it. (Or at least the majority of it.) That’s still the big debate, as a lot of Poltergeist feels like a Spielberg movie, while a lot of it also feels like a Hooper flick. Alas, maybe we’ll get a special edition that’ll set the story straight one day. Nothing changes the fact that this is one of the best, most memorable “ghost” movies of all time. Who can forget the television static that sucks in poor little Carol Anne? Or her chilling catch-phrase “They’re heeeeerrreee!” Or good ol’ Craig T. Nelson (Coach!) as the father. Or the fact that they spend way too much time yelling at each other to get in the car at the end, rather then actually getting in the car and driving off. Ah, I love this movie. And I can’t help but think of the famous Eddie Murphy stand-up bit about it. “My daughter is Inside the television set. I changed the channel, shit didn’t work!” Poltergeist was followed up by 2 decent sequels. We could always use more fun ghost movie sequels. (But not ones to Asian horror film remakes, please. Thanks!)

Special Features: Sadly, there’s nothing on this version of the DVD besides the theatrical trailer, which is actually pretty cool. Its vintage 80’s and cut totally like a horror movie that Spielberg would make. (Which… maybe he did?) The movie looks and sounds good on DVD and it’s fairly inexpensive to own these days, but I’m still hoping for an eventual special edition. Or at least a Poltergeist box set! (Yes, even with Part 3!) –Robg.

Pirates

As a rule, I don’t review porn. Actually, this is the first time I have ever considered it. This was just too good to pass up. A three-disc set, which includes the first ever porn flick in HD DVD. The film is “Pirates” and it of course capitalizes on the craze generated by Johnny Depp, right down to the look alike character in the film. The film was promoted like the second coming of Caligula. I admit, I am a big fan of that film and the historical context of a porn film starring Peter O’Toole and Malcolm Mcdowell is unmatched. But this film aspired to be ranked with it. They rolled out a full attack of CGI for this. Yes, a full CGI Galleon and a battle between pirate ships are all included as are skeleton soldiers right out of a Ray Harryhausen flick. These guys tried their damndest to make this the next generation, and I guess they did. The CGI isn’t the best you’ve ever seen, but it is surprisingly good considering. The thing I thought might happen was that the sex scenes would be there, but because of the content they wouldn’t be some fuck fest. My hopes were dashed almost immediately. While they spent so much time and money on sets and costumes (these were actually pretty good), they jump into the same old $1.99 bodega tape romps. Janine (regular from the Howard Stern show) is a total badass in this, even when she isn’t havening sex, so applause to her. I was hoping for so much more from this. If it leads to more and better stuff, then great, otherwise it just falls short for me. You do have to give it up to them for the slew of bonus stuff like the short that leads to the making of this film, making of’s, bloopers, audio commentaries etc. DVD wise, this is a full-blown production release that matches any major studios film and its bonus features. In that respect, it is the best and most commercial porn DVD ever. It has the best porn effects ever, it has a couple of the hottest girls I have seen in porn. Damn I wanted this to be great. (Digital Playground, 16134 Hart Street, Van Nuys, CA 91406) - Myk.

PINOCCHIO'S REVENGE

This was a lot better than I ever expected. I thought for sure we were talking about a bad 'Chucky' rip off. While the film isn't stellar, the cast does an excellent job with it. A seemingly innocent man buries his dead child in the woods and then refuses to defend himself in court. Buried next to the child is Pinocchio. A well carved marionette that is taken with the evidence. The murders attorney takes it home and it accidentally ends up in the hands of her daughter, who hates her father who lives states away. The doll is given to her by her mom's new boyfriend who is a total angel and he is only trying to do the right thing by them both. Doll and child become inseparable, especially when the doll starts "telling" her to do horrible things, like put a stick in the wheels of a bicycle ridden by the class bully just as she passes in front of a car. Well, is the child delusional, or is there something to the doll? This is a fun film that you won't hate because you didn't expect anything from it in the first place. Nothing extra to speak of, which is ok, not a film you will spend a lot of time on. It's much better than Child's Play 2. (Lion's Gate, 2700 Colorado Ave, Santa Monica, CA 90404) - Myk.

Phone

tory: The story is about an investigative reporter called Ji-Won. She has to go into hiding because of a particularly nasty article she has just completed. She ends up staying at her best friend's summer home. Ji-Won starts to get frightening calls on her cell phone from people involved in her investigation, so she changes her phone number. From that point on, things only get worse. She starts to get these horrible calls from a girl who is screaming and amazing other sonic sounds come bellowing from the calls. Ji-Won's friends daughter accidentally picks up one of the calls and it drives her to near insanity. Ji-Won starts to investigate the calls and the number on which she receives them.

The Film Itself: With the rash of Eastern films getting butchered into American shams in the last couple of years, I always look forward to finding something ahead of an American studio's ability to ruin it. Phone is a movie that you will see in American soon. It will have some ex-'Dawson's Creek' cast member or ex-'Buffy The Vampire Slayer' siren in the lead part, but until then, this is the original released in a sub-titled version that is amazing. The movie goes on to take a 'Ring' meets 'Two Evil Eyes' feel that is really rare to find in cinema at the moment. If you liked the 'Ring', or more precisely the original 'Ring-u', then you will love this film. It has the same dark quality to it, with the same urgency in the characters to solve there situation before certain death. The director openly admits that he came to work on this film after viewing 'Ring-u', with that in mind, this had a really good homage feel to it and has several good scares of its own even though some of the framework could be viewed as "borrowed". Even still, this is at least on par with the American 'Ring' and far surpasses 'The Grudge', well worth the two hours viewing, if not multiple watches.

Special Features: The transfer to DVD is spectacular. The disc boasts an audio commentary, a making of (which is great and also subtitled), some deleted scenes and some trailers all as bonus stuff. (Tartan Video, 8322 Beverly Blvd, Suite 300, Los Angeles, CA 90048) - Myk.

Penny Dreadful: After Dark Horrorfest

This is the first of the “After Dark Horrorfest” films that I have seen. The film has some star power with Mimi Rogers (who looks way older than she already is in this), Michael Berryman (who never ages), Mickey Jones (Total Recall, Sling Blade and stars Rachel Miner (The Black Dahlia). From only having watched this film, I would call ADH the poor man’s version of “Masters Of Horror”. The directors aren’t as big, the stars aren’t as big, and the budget’s don’t seem to be as big, but the one thing this has is length. These are all full length films in this series. Miner plays Penny, a girl who is scared of cars after she is involved in an accident in which she see’s her mother die a beyond horrible death. So bad is her phobia, she is out driving with her shrink (Rogers) to try and get through her issues.

Problems of course start to arise when they pick up a hitchhiker in horrible weather, and ala Texas Chainsaw, they drive him to a secluded area where there is no one to be found. From that moment on, the film is nothing but psychological torture and the aspiration to live. The film focuses on three characters, which I just described, and really only at one other occasion diverts to another storyline which only serves to introduce cannon fodder, or I mean characters. They were obviously the red shirted characters from Star Trek because you knew they were dying gruesome deaths the second you meet them. I mean, common, a couple having sex in a car, in the woods and you know that the women is having an affair, yeah, they might live.

The evolution and maturation of the Penny character, although traditional like an ‘80’s slasher film, progresses nicely. The killer is like a combination of all the characters from the original Texas Chainsaw family and they do some interesting things conceptually and visually for the kills. This is a very dark film, at times it is a little too dark. I understand the concept of having a film happen at night, but if it becomes too muted, you lose out on what you are actually supposed to see on the screen. The film is good enough that I am interested to continue in the series, which since there is 8 films, is a good thing.

Special features on this one features a Behind The Seasons feature a trailer for this film, trailers for the other films and a music video. (Lion’s Gate, 2700 Colorado Ave, Santa Monica, CA 90404) - Myk

Paranoid

Paranoid was made in 2000 before the virtual explosion of the phenomenon that is Jessica Alba. The film clocks in at 90 minutes and seems like one of those films that probably got resurrected because of Alba's and co-star Mischa Barton's current stardom. Alba plays an up and coming fashion model that is used to getting her way and treats her boyfriend in just such a manner. She has him around when she wants him there and shoos him away when there is virtually anything else to do. After a particularly long shoot, she is invited to a party by a new boy toy and his ex-band mates. It takes place at a castle far from London at Theresa's (Barton) place. When Chloe's (Alba) date's wife shows up, all hell breaks loose and she is left at the house when everyone goes back to London. Theresa and her husband tell Chloe she will get a ride in the morning from the very odd butler who videotapes everything in the house. That night Chloe has some really weird dreams, except are they really dreams. Is Theresa's husband making love to her or is she imagining it? Is the butler videotaping her in her sleep, or is she imaging that as well? What about the guy who keeps crank calling Chloe's cell phone? How is he connected to all of this? Most importantly, how will Chloe get out of this house and get home? As blood and guts and sex appeal goes, the film is really lacking. It's almost like a made for television movie it is so clean, except for the language. The film is a decent watch, but it is a rental for sure, even for the most diehard Alba fan. The film is in fullscreen, which is annoying and there are absolutely no bonus features. The film also features Ian Glen from Resident Evil: Apocalypse and Ewen Bremner from Alien vs Predator among the cast members. (Lion's Gate, 2700 Colorado Ave, Santa Monica, CA 90404) (DVD) - Myk

Paradise Kiss

The story that is the central plot element of this series will apply to just about everyone out there, or at least people that read. Yukari, is a young and aspiring student that is driven by her parents to get into a great college and nothing else matters but her studies. She meets a group of kids that are a little left of center and finds great release in her new friends and new direction. Her new group of friends aren’t bad people by any stretch. They are students at a fashion school actually and they ask her to be a model for their upcoming fashion show, they just aren’t very studious people. All the freedom has a big effect on Yukari, leading her to do things that are out of the norm for her, including staying out against her mother’s desire. Yukari finds herself falling for one of her friends, George and that leads to a new set of problems, as George is a weird eccentric and Yukari is a pretty girl who has never dated. In addition to that, the guy she thought she was in love with turns out to be a long lost friend of Miwako, but they have a sorted past comes out setting up another plot line for later in the series. The animation on this is very unusual as it looks like painted photos for the background and has a combination of realistic character animation mixed with more Saturday morning style art. Some of it is downright weird and pointless, some is done for emotional esthetic. The story is very compelling, as I said, many of us have gone through similar trials growing up, so it will hit home. Because this is a series though, this volume ends at a very awkward moment and you will want to jump right into volume 2. Extras are fairly large on this for an anime release including a preview of the comic, a photo shoot and several conceptual and behind the scenes items like commercials and character development. The show also features a theme song by Franz Ferdinand. (Geneon, 2265 East 220 th ST, POB 22782, Long Beach, CA 90801) - Myk

Opera

"Opera" is one of my very favorite Dario Argento movies. For one, it's loaded with serious amounts of "Get the fuck out of here" violence. It's very, very violent, and it's very, very loud. A young opera star takes over the leading role in Verdi's Macbeth when she suddenly finds herself stalked by a vicious serial killer. He forces her (but strapping her down and taping needles under her eyes) to watch him butcher her friends and collegues over and over again. It's very over-the-top slasher work, and it's almost hard to believe any of it. That's what makes "Opera" so fun, and so brillant because it essentially follows the conventions of an actual opera, which are loud, over-the-top, garish affairs most of the time anyway. Argento juxtaposes Verdi's opera music with brash, speeding heavy metal during the murder sequences, characters are killed, and practically forgotten. It's all done with such style (watch how the camera gives you a "crows perspective" of the opera house, or when we follow a bullet through a peephole) that never makes you doubt you're watching the work of a cinematic master. Forget the typical and unbelivable story that bookends the movie (the ending is ridiculous but still tremendous violent, nasty fun). Just sit back and enjoy Argento once again turning film violence into an artform.--Mike C.

Special Features: It's a decent Anchor Bay release. Not piled with special features like other releases but you get your all-new making of documentary, with a bunch of interviews including Argento, Ronnie taylor, and Daria Nicolodi. There's some trailers and silly music video by some band called Daemonia. The real special features is getting to watch this film uncut, and looking beautiful.

Old Boy

Story: Oh Dae-su is abducted and locked in a prison-like room for 15 years, without any rhyme or reason. Then, he's suddenly released and given a cell phone and instructions that he has 5 days to figure out why. That is where the vengeance begins. But will Oh Dae-su be ready for the truth?

The Film Itself: Believe the hype about director Chan-wook Park. He's the real deal, as is evident with his unique visual direction on this and his other films from his "vengeance" trilogy. It's difficult to even describe OLDBOY to you, our faithful readers. It's not exactly a horror film, but it's horrific in natural and shares the same aesthetics as a true horror film with its' realism. Also, Chan-wook Park IS a visual storyteller. I remember catching this in a dingy theater in Manhattan with terrible unreadable subtitles and STILL being intrigued in the films story. The vengeance is not carried out the way it would be in the average revenge tale, but that is what sets this film apart. There's one scene which takes place in a small, narrow hallway, in which our main character Oh Dae-su fights off a dozen or so hoods with a hammer. It's all shown from a side view and in one long take. Quite frankly, it's a classic scene in cinema history. Then, there is the ending! I don't want to give it away, but it's not what you'd expect. It's far, far worse. (And I don't mean in a gory way. It's mentally fucked up. Plain and simple.) Watch this. ASAP.

Special Features: Tartan Video never disappoints when it comes to their DVD releases, and OLDBOY is no exception. Kicking off the features is a very informative commentary track by Chan-wook Park and Chung-hoon Chung. The commentary appears subtitled, so it's a lot of reading, BUT they really go into detail on explaining all the shots & lighting and they talk about how they achieved the look for the majority of the film. There's also an interview segment with the director, which looks like it was shot in a school auditorium and he fields various questions from the audience (he's reading them off a printed sheet) The disc also boasts the original theatrical trailer AND the internet contest winning trailer. Rounding everything off is a photo gallery and some deleted scenes from the movie. During the commentary for the deleted scenes, Chan-wook Park comments on how much he dislikes commentary tracks, how he'd prefer the movie speak for itself, and that while fans love seeing deleted material, it's embarrassing to share because it was deleted for a reason. Despite admitting this, he still reveals a lot about how everything was done. This is another fantastic addition to your DVD collection. - robg.

Nightmare on Elm Street, A: Infinifilm Special Edition

Story: “One, Two, Freddy’s coming for you. Three, Four, Better lock your door…” Come on, you should know the story by now! If not, stop reading and buy this DVD right now!

The Film Itself: What can I say? This is the first real horror movie that got me into the genre. Despite the sequels that followed, this is the one that introduced the world to Freddy Krueger, and I’ll be damned, it still scares me to this day! Wes Craven writes and directs (what I consider his best film) about a former child-murderer who stalks teenage victims in their dreams. He was burned alive by the parent’s of the kids he killed, and now comes back as a vengeful demon to continue his reign of terror. If you already own the DVD box set with all the films, I’ll straight out tell ya… you need to buy this version too. The sound and picture are flawless & it looks as if it were recently filmed. The biggest reason to double dip on this release are the special features, so let’s get right to them, shall we?

Special Features: There are 2 commentary tracks on the first disc. One imported over from the original release and another brand new one with just about everyone involved in the production of the film. Honestly? I haven’t even made it thru all of the commentary tracks yet, because the features on Disc Two have kept me busy for days. (As they will you as well, I’m sure). Once you pop in Disc Two, go straight to the right where it says “ All Access Pass” and click “play-all”. You’ll be treated to one of the most entertaining documentaries ever about the making of Nightmare On Elm Street. All the principles involved are interviewed here. Everyone from Wes Craven, Robert Englund, Heather Langenkamp to Ronee Blakley, Amanda Wyss (God, she still looks amazing!), Bob Shaye and more. They go thru the entire story from pre-production to the making of the movie to the release of the flick. For a die-hard fan, it’s fascinating. We’re treated to a bunch of never-before-seen alternate takes of infamous scenes from the movie, as well as explanations to how a lot of the FX were pulled off on such a low budget. (This is something I’ve been asking myself for years!) If anything, this new edition is worth it for this feature alone. BUT, on top of that, there’s another fun featurette titled “The House That Freddy Built”, which talks about New Line and all their horror releases thru-out the years. (They currently own the rights to Jason, Freddy AND Leatherface!) As well as alternate endings, another featurette called “Night Terrors” and a pop-up version of the film. (An option you can use to learn facts about the film as you watch it.) This new edition of Nightmare is a MUST-OWN! –Robg.

Night Shift Nurses

Story/ The Film Itself: Clinical Confessions is the third volume in the "Night Shift Nurses" series. The DVD contains episodes 6 and 7 and deals with the fall out after the murder of Doctor Ryuji Hirasaka. Unlike the previous two volumes of this series, these episodes are not completely new. These episodes are constructed similar to a soap opera. There is tons of flashback scenes going back to the first four episodes. Ren and Remi are under interrogation about the murder and all they can do is recall the horrible sexual situations they were put in and how they actually love Hirasaka for what he gave them. This disc is not as blatantly graphic as the previous two. The scenes are as extreme, there just is not as many of them and they are portrayed in a different light. While this is the weakest link of the set so far, it seems to be the set up for the next volume and it does continue the story line fairly well. On it's own, this is not the volume you would pick to randomly watch, but fans of the series will still want it for the continuation of the story line. (Anime 18, 250 W 57th St, Suite 328, New York, NY 10107) (DVD) - Myk.

Night Stalker


The cover of the dvd claims this movie was inspired by the Richard Ramirez murder spree. With the exception of the fact that the movie takes place in L.A. and that all the victims are women, it's nothing more than advertisement. The story is the same as many other serial killer flicks. Guy has severe issues and he goes around killing women. Basically, the plot is this. You have a psycho ex-marine that has learned some Asian martial arts technique that allows him to live forever. The one catch is that he has to kill others to maintain his immortality. He happens to prefer really attractive women, but mostly hookers. He murders them in a ceremony that has drawn the ire of the local police and especially Detective J.J. Striker (Charles Napier) and his partner, who just happen to be best friends with all the local street girls and are helping to raise the daughter of a deceased former hooker. It of course doesn't go over well with them, but Striker has his own problems to deal with, being too much of a buddy to the almighty bottle. It takes the murder of his partner to straighten him out and finally go after the psycho who is now targeting the love of his life. This is basically an HBO filler film. They put it on at 2:30 AM just to have something on and maybe some depraved fuck with insomnia (like me) will check it out. The film was enjoyable, although not something I would ever watch again. The dvd quality is horrendous though. It borders on some of those $1 disc's I have seen from Target, not somet